Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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The first message was from Barb, in tears and without much to say but that she was missing Kent. Following this were calls from my mother, in varying states of sobriety and asking about Joyce's diet, which was her way of saying she was running out of money.

The next was from Kim, asking if I knew where Les was.

Next was Les saying, "Buddy, I owe you big time on this one. I wouldn't donate a kidney for you, but something pretty close. Take tomorrow off, and I still can't believe you let that cute little sales chick sell you that clown suit. Man, she brings you those little cappuccinos with a sprinkle of cinnamon, they play a song you like on the sound system, and before you know it you're looking like a balloon twister at my kid's birthday party."

The next message was from Reg, still at the hospital. "Jason, don't hang up. It's your father, yes, your father. They found something inside me that's not quite right, so they've been holding me here longer. Thank you for bringing in my things. I know you didn't have to do it. I've been considering your reaction to my words. No, I don't think one of Kent's twins is a monster. But then what does happen when the self splits? What happens when a cell splits five times, with quintuplets? Each has a unique soul. And what if they made a thousand clones of Frank Sinatra? Each would have a unique soul. So then by extension, Jason, let's say we were to clone an infinite number of souls from one starter soul - yours or mine or the Queen's; whoever's - and say we filled up the universe with this infinite number of cloned souls. Wouldn't this mean that each human soul is infinite as well as full of unimaginable mystery? I leave it at that, son. I've never wanted anything more for you than the Kingdom. Good-bye."

Bastard.

The gas station clerk stared at me. I said, "Bad day," and he said, "Taxi."

"Huh?"

"Your taxi's here."

I'd ordered one. "Tell him to wait a second."

I phoned the number Yorgo'd given me. It rang maybe seven times, and I almost hung up. Then a man answered, some Freon-blooded goon - a crooked cop? A junkie?

"Yorgo wants me to let you know where he is."

"Does he, now?"

"He's stuck up some river. A few miles east of Chilliwack, and I have the feeling he's been there a few times before. Anyway, his left leg's broken. He can't move."

"And this is the number he gave you?"

"Look, I didn't have to tell you this. I'm doing you a favor."

"Yorgo? He's no favor to me."

I asked, "So are you going to go get him?"

"No."

"You're serious."

"Yes, I'm serious. Call the Girl Guides. I have to go now."

He was serious. I hung up. I bought a map and some gum, then taxied back to the Lynnwood Inn to retrieve my truck. Once we arrived, I located my secret key, stashed beneath the fender, and opened the door. I told the cabbie my money was fake, and to pay for the ride I gave him my CD collection. My final request was that he take the map on which I'd written a reasonably detailed description of where Yorgo was and of his condition, and deliver it to the Lonsdale RCMP station. He was to have no idea who left it in the cab. He was a nice guy. He went.

And so I drove back home, where I am now, tired and hungry and coming down off God knows what, and utterly in need of solace.

I guess the thing about blacking out is that you blacked out. There's no retrieval. There's not even hunches, and you might as well have been under a general anesthetic. I mean, who was that guy who picked up the phone when I called about Yorgo? I checked the criss-cross phone directory, but it's unlisted. And Jesus, Yorgo, out on the rocks, maybe being rescued in an hour or two, either my friend or my enemy for life.

My apartment feels like a mousetrap, not a place to call home. In the bathroom I expected Yorgo's twin brother to jump out from behind the shower curtain with either a silenced Luger or a bottle of vodka to celebrate all that's good in life. When I came out, some beer bottles settled on the balcony, and the clinking made me spasm out of my chair.

I'm going to crash on a friend's couch for the night.

* * *

I'm in a Denny's in North Van, Booth Number 7, a dead breakfast in front of me, and a couple arguing about child custody behind me. I've run out of pink invoice paper, so three-ring binder paper from the Staples across the street will suffice.

I slept maybe two hours at my friend Nigel's - he's good at wiring and plastering drywall. He left early to frame a house in West Van, so I had his place to myself. It's a variation of my place: bachelor crap - moldy dishes in the sink; skis leaning against the wall beside the door; newspaper entertainment sections folded open to the TV listings sprayed all over the carpet, which smells like a dog and he doesn't even have a dog.

Here in Denny's Booth Number 7, I can take as much time as I want because the breakfast rush is over, and lunch won't start for maybe an hour. The arguing couple had one final squawk and then left. I've asked the waitress to keep bringing me water so I can flush everything poisonous from my body, the residual alcohol and the residual pills that made me bigger and smaller.

Already I've reconciled myself to the possibility that my truck will explode next time I turn the key, or that they'll find me on the sidewalk outside the Chevron with a pea-sized hole in my third eye. That would be so great, to have it be fast like that.

But there's this other part of me, the part that's shed the block of hate, the part that decided not to kill Yorgo - the part that wants to go further in life. I have to let it be known that I existed. I was real. I had a name. I know there must have been a point to my being here; there must have been a point.

Everyone I meet eventually says, "Jason, you saved so many lives back in 1988." Yeah sure, but it wrecked my family, and there are still more people than not who believe I'm implicated in the massacre. Last year I was in the library researching blackouts, and somebody hissed at me - I'm not supposed to notice these things? Cheryl fluked into martyrdom, and Jeremy Kyriakis scammed his way onto Santa's list of redeemed little girls and boys, but me? Redemption exists, but only for others. I believe, and yet I lack faith. I tried building a private world free of hypocrisy, but all I ended up with was a sour little bubble as insular and exclusive as my father's.

I can feel the little black sun's rays zeroing in on me -burning, burning, burning, like a magnifying glass burning an ant ... At the count of three, Jason Klaasen, tell the people who you were . . . What do you want your clone to know about you?

Dear Clone,

My favorite song was "Suzanne," by Leonard Cohen. I was a courteous driver and I took good care of Joyce. I loved my mama. My favorite color was cornflower blue. If I walked past a shop window and saw a vase or something that was cornflower blue, I would be hypnotized and would stand there for minutes, just feeling the blueness pump into my eyes. What else? What else? I laughed a lot. I never once drove drunk, or even slightly drunk. I'm proud of that. I don't know about the blackouts, but when I was conscious, never.

But, okay, mostly I've been here on Earth for nearly thirty years, and I don't think there is even one person who ever really knew me, which is a private disgrace. Cheryl didn't know me properly as an adult, but at least she assumed there was a soul inside my body that merited being known.

Okay then, my nephews, it's lunchtime and this little autobiography is nearly over except . . . except there's just this one other not-so-little thing remaining to be said, but I'm going to have to mull exactly how I tell you about it. I'm going to go pick up Joyce and head to the beach, and maybe by then my burning brain will have cooled down and I can finally say what I've been avoiding all along.

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