Ben Elton - Dead Famous

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"A book with pace and wit, real tension…and a big on-screen climax."
From a celebrity performer, bestselling author of Popcorn and Inconceivable, a stunning satire on the modern obsession with fame.
One house. Ten contestants. Thirty cameras. Forty microphones.
Yet again the public gorges its voyeuristic appetite as another group of unknown and unremarkable people submit themselves to the brutal exposure of the televised real-life soap opera, House Arrest.
Everybody knows the rules: total strangers are forced to live together while the rest of the country watches them do it. Who will crack first? Who will have sex with whom? Who will the public love and who will they hate? All the usual questions. And then suddenly, there are some new ones.
Who is the murderer? How did he or she manage to kill under the constant gaze of the thirty cameras? Why did they do it? And who will be next?
***
Amazon.co.uk Review
Ben Elton's Dead Famous brings together his talents in comedy and crime writing to produce a hilarious and devastating novel on the gruesome world of reality TV. Peeping Tom productions invent the perfect TV programme: House Arrest. Its slogan is: "One house. Ten contestants. Thirty cameras. Forty microphones. One survivor." This is all a clever parody of the massive TV hit Big Brother, with its vain, ambitious contestants with their tattoos and their nipple rings, their mutual interest in star signs, their endless hugging and touching, and above all their complete lack of genuine intellectual curiosity about one single thing on this planet that was not directly connected with themselves.
However, Elton adds a clever twist to this very funny send-up. On Day 27 of the programme, one of the housemates is killed live on TV. Everyone in the country has a theory about the killer, "indeed the only person who seemed to have absolutely no idea whatsoever of the killer's identity was Inspector Stanley Spencer Coleridge, the police officer in charge of the investigation". Coleridge is an old fogey from the 1950s, who has to learn quickly about lesbians, piercings, blow jobs and the seductions of TV fame before he can crack the case. Elton's wicked parody of the housemates is brilliant, the murder fiendish in its ingenuity, and the ending wonderfully over the top. Dead Famous is great fun, and even has some social comment thrown in for good measure.

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DAY FOURTEEN. 10.46 p.m.

“Walking out would be very foolish. You would be sacrificing the chance of winning the half-million-pound prize,” Peeping Tom said, and Sam put every ounce of her ability to soothe into each syllable.

“I don’t care,” David said. “Like I said, I know this business. We’re just a bunch of stooges to Woggle’s funny man. I came in here to get the chance to show the world who I am, but you’ve turned it into a freak show, an endurance test, and I don’t want to play any more.”

“Me fookin’ neither,” said Moon.

There was another pause while Peeping Tom considered a reply. “Give us two days,” the soothing voice said finally. “He’ll be out.”

“Two days?” David replied. “Don’t lie to me. There isn’t another eviction for a week.”

“Give us two days,” Peeping Tom repeated.

DAY THIRTY-FOUR. 10.30 p.m.

“That’s amazing,” said Trisha. “Geraldine Hennessy must have known about Woggle all along. It’s obvious she had it ready up her sleeve.”

“The sly bitch!” Hooper agreed. “She said she got sent those clippings anonymously.”

“Kindly explain what you’re talking about and please don’t refer to our witnesses as bitches.”

“None of what we’ve just seen was broadcast, sir. We’ve only seen it because we impounded the tapes.”

“I’m amazed it wasn’t wiped,” Hooper added.

“That’ll be Fogarty. He hates Geraldine Hennessy.”

“What are you talking about?” Coleridge demanded once more.

“You must be the only person in the country who doesn’t know, sir. Woggle was wanted by the police. But it only emerged on day fifteen. It’s obvious now that Geraldine Hennessy knew all along; that’s why she was able to promise to get him out.”

DAY FIFTEEN. 9.00 p.m.

“I simply cannot believe that they have just made the whole thing up about Woggle,” Layla told the assembled press on the morning after her departure. She had spent all of the preceding night looking at tapes of the show and press cuttings collected for her by her family. It had been a grim business. She discovered that what coverage there had been of her had made her look like a snooty, self-obsessed airhead. Much of that impression had been given in the first handful of shows, for increasingly during the second week Woggle appeared to be the only issue of any real interest in the house.

“It was so not all about Woggle,” Layla protested. “There were nine other people in that house – interesting, strong, spiritual, beautiful people. It has fallen to me to speak up for all of us. We have spent our time under House Arrest interacting, talking, loving, hugging, being irritated and inspired by each other. Woggle, on the other hand, spent his time in the house being a dirty and unreasonable slob and spreading disease, and it is so not all about him.”

But as far as the public were concerned it was , and that morning even more so, because that was the morning that Geraldine put her Woggle policy into drastic reverse.

The sensational news became public about halfway through Layla’s press conference, and as it swept through the room Layla saw the interest in her and anything she might have to say diminish very rapidly to zero.

Geraldine had had to act, and act quickly. Woggle had been a colossal success, but he was now in danger of being an even more colossal failure. If the other inmates walked out now, as they were perfectly entitled to do, Peeping Tom would be left in default of seven more weeks of nightly television that it was contracted to deliver to the network. Peeping Tom would be bankrupted. Which was why Geraldine sent the old press clippings of the photo of Woggle kicking the girl to the police.

The incident had happened four years previously, and Woggle had looked quite different. He had been a little chunkier and had a pink Mohican haircut, but if you looked closely at the large nose and the bushy eyebrows and the spider’s web tattooed on the man in the picture’s neck, there was no doubting that it was Woggle. Actually Geraldine had been surprised that the papers had not dug it up themselves, but since Woggle had never been caught or identified it would have taken a good memory for faces to recall four years previously, when the photo had been splashed across all the front pages with the headline “WHO ARE THE ANIMALS?”

It had been a hunt-saboteur operation that got out of hand. Woggle and a number of fellow Saabs had invaded a kennels in Lincolnshire with the intention of freeing the dogs. The master of hounds and a number of stable hands had confronted them and an ugly row had developed. The Saabs struck first, trying to force their way past the master, and when he refused to yield they had knocked him to the ground with an iron bar. A general fight then broke out, and Woggle had waded in with his boots and a bicycle chain. This was a side of Woggle of which the people in the house and indeed his fans the viewing population had no idea. There was much about Woggle of which the housemates disapproved (everything, in fact) but it would never have occurred to them that a propensity for violence was one of his faults.

But, on occasion, it was. Although as Woggle and his old animal-liberationist colleagues sometimes pointed out, “We’re only ever violent to humans.” Like most zealots, Woggle had his dark, intolerant side, and while he valued the wellbeing of dumb creatures and even insects most highly, he was singularly unconcerned about his fellow man. Therefore when he had found himself confronted by a stable hand wielding a rake, he waded in and whacked her. The fact that she was only fifteen and weighed less than he did did not concern him. Chivalry was not an issue when it came to defending foxes. As far as Woggle was concerned, if you were a fox-murderer, or an associate of fox-murderers, you had sacrificed your right to any consideration. It did not matter if you were small and blonde and cute, you were fair game and deserved what you got. And this girl was small, blonde and cute, which was why, when the newspapers were choosing between the horrific images of violence taken by the master’s wife from the upstairs window of her farmhouse, there had been no contest. It was an image that briefly shocked a nation: the jolly blonde pony-tailed cutie in gumboots and a Barbour jacket spread out on the ancient cobbles of the stable yard with blood in her hair, while the ugly, crusty, pierced, punk thug lashed out at her with his great steel-capped boots. It had been a public relations disaster for the Saabs, compounded by the fact that the fifteen-year-old in question was a dog-mad, fox-loving member of the RSPCA who regularly petitioned the local hunt to switch to the drag method.

Woggle had brought the press clipping to show Geraldine on the last night before he and the others were scheduled to go into the house. He had been delighted to have been chosen and had not told Peeping Tom about his past until this point, in case it counted against him. He was very much looking forward to going under House Arrest, not least because it guaranteed him full board and a dry roof, which was quite a tempting prospect after months spent in a tunnel. Now, however, he was worried that the subsequent notoriety might cause him to be identified as the man in the picture and possibly get him arrested.

“So why are you showing me all this now, Woggle?” Geraldine had asked.

“I don’t know. I thought maybe if you knew about it then if anybody says anything you could say that you’d checked it out and it wasn’t me but some other bloke with a spider tattoo.”

Woggle, like all the other house inmates, had been so taken in by Peeping Tom’s protestations about the contestants’ welfare being their first concern that he actually thought that Geraldine would be prepared to lie to the press and the police on his behalf. In fact her only concern on being confronted with Woggle’s confession had been whether she could possibly get away with letting a person who was wanted for assault into a highly pressurized and confined social environment.

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