Ben Elton - Dead Famous

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"A book with pace and wit, real tension…and a big on-screen climax."
From a celebrity performer, bestselling author of Popcorn and Inconceivable, a stunning satire on the modern obsession with fame.
One house. Ten contestants. Thirty cameras. Forty microphones.
Yet again the public gorges its voyeuristic appetite as another group of unknown and unremarkable people submit themselves to the brutal exposure of the televised real-life soap opera, House Arrest.
Everybody knows the rules: total strangers are forced to live together while the rest of the country watches them do it. Who will crack first? Who will have sex with whom? Who will the public love and who will they hate? All the usual questions. And then suddenly, there are some new ones.
Who is the murderer? How did he or she manage to kill under the constant gaze of the thirty cameras? Why did they do it? And who will be next?
***
Amazon.co.uk Review
Ben Elton's Dead Famous brings together his talents in comedy and crime writing to produce a hilarious and devastating novel on the gruesome world of reality TV. Peeping Tom productions invent the perfect TV programme: House Arrest. Its slogan is: "One house. Ten contestants. Thirty cameras. Forty microphones. One survivor." This is all a clever parody of the massive TV hit Big Brother, with its vain, ambitious contestants with their tattoos and their nipple rings, their mutual interest in star signs, their endless hugging and touching, and above all their complete lack of genuine intellectual curiosity about one single thing on this planet that was not directly connected with themselves.
However, Elton adds a clever twist to this very funny send-up. On Day 27 of the programme, one of the housemates is killed live on TV. Everyone in the country has a theory about the killer, "indeed the only person who seemed to have absolutely no idea whatsoever of the killer's identity was Inspector Stanley Spencer Coleridge, the police officer in charge of the investigation". Coleridge is an old fogey from the 1950s, who has to learn quickly about lesbians, piercings, blow jobs and the seductions of TV fame before he can crack the case. Elton's wicked parody of the housemates is brilliant, the murder fiendish in its ingenuity, and the ending wonderfully over the top. Dead Famous is great fun, and even has some social comment thrown in for good measure.

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Finally the whooping died down, or at least died down enough for Chloe to make herself heard. It would continue, ebbing and flowing in volume, throughout the interview, but Chloe used her window of opportunity to express her own feelings of exuberance.

“Whooo!” she shouted. “All right! Unreal! Wicked! Whooo!”

The audience concurred with these sentiments entirely and returned to their own whooping refreshed.

Chloe threw a proudly muscular arm around Layla. “Do we love this chick or what? Is she not one strong, special lady?”

Further whoops and hollers indicated that the audience did indeed love Layla very much.

“We are soooooo proud of you, girl, you’re brilliant.”

Once more the proceedings became mired in shouting and screaming. Chloe fought to make herself heard, or perhaps merely to make it clear that she was the most excited and up for it of them all.

“So how are you feeling, girl?” Chloe whooped.

The atmosphere was infectious. Layla smiled broadly. “Wicked!” she said.

“All right!”

“Yeah, really amped up.”

“Go, girl!”

“But also quite spiritual.”

“I so know what you mean.”

“Yeah, like I’ve grown.”

“And you so have, girl. Respect to that!” Chloe turned to the mob and shouted, “Do we love this ace lady or what!?”

And the mob whooped and hollered with renewed energy.

“So were you really, really shocked to be nominated?”

“Well, you know, all life is a season and seasons change. I really, really believe that.”

“That is so true.”

“You have to be positive in your own head space, the mind is a garden, it needs constant weeding.”

“Fantastic, and what about Jazz’s cooking. Was that wicked or what?”

“Totally wicked.”

And so, with the in-depth psychological grilling over, Chloe turned to the big screen and showed Layla who had nominated her.

First came David. There he sat, on nomination day, looking beautiful and sincere as he addressed the confession box camera.

“And the second person I’m nominating is Layla, because although I think she’s a very strong spiritual woman, she doesn’t give a lot to the group as a whole.”

The nation watched Layla watching the screen. Her manic grin did not forsake her. “David’s great,” she said. “I really love him totally, but you know when two strong, spiritual, loving, caring, strong people meet, sometimes their head spaces don’t always connect, but that’s OK, I really love him and I know he loves me.”

“And of course you nominated him,” said Chloe.

“Yeah, isn’t that weird! It just shows what a connection we actually had.”

Dervla was a surprise. “After David, I nominate Layla,” Dervla said, looking excruciatingly sincere, thoughtful and beautiful. “She’s a lovely, lovely girl, a very gentle, caring and beautiful spirit, but I feel that in the end her loveliness would be able to blossom more beautifully outside of the house.”

Which everybody, even Layla, knew translated as “She’s a pain in the arse.”

Then came Garry. “Layles is a very, very tasty bird, and also I reckon she means well, but basically she’s a bit snooty for my liking, you know what I mean? Reckons herself and all that.”

Layla smiled bravely at this, a smile which was meant to say, “Yes, people often mistake my spirituality for conceit.”

And then finally there was Kelly. “This is really, really difficult, but at the end of the day I have to choose someone, and I’m choosing Layla because I think she reckons she’s better than me, and maybe she is, but it’s still a bit hurtful.”

Chloe leant forward and squeezed Layla’s hand, thereby offering comfort and showing off her lovely bosom simultaneously.

“You OK, girl?” said Chloe. “Strong?”

“Yeah, strong.”

“You stay strong, girl,” Chloe insisted.

Layla rose to the challenge. “I think David and Gazzer are brilliant,” she said, “and Dervla and Kelly are great, really, really, strong ladies. The truth is that they all have to choose someone and sometimes my strength and my spirituality get misunderstood by people. But at the end of the day, right, I love those guys, they’re my posse.”

“Big up to that! Respect!” Chloe shouted, and then abruptly got up and walked off into the crowd, leaving Layla sitting alone.

“So, one gone, only eight more rejects and we’ll have a winner!” Chloe shouted into the camera that was tracking backwards in front of her. “Who’s out next? Stinky man? Booby woman? David and his most irritating guitar-playing? Jazz with the top bod? Gazz who speaks for ENGERLAND!? Angry Sal? Dull Hamish? Bald lady? Or Dervla, our oh-so-sensitive little Irish Colleen. You are the executioners! You can crush their little dreams! YOU decide! The phone lines will be open after the next nominations! Respect! Love on ya.”

DAY THIRTY-FOUR. 10.20 p.m.

The three police officers watched as Layla disappeared behind the baying crowd, heading straight for obscurity.

“I think we should definitely talk to her,” Coleridge said. “There’s a lot of anger there and we need to know more about it.”

“Besides which,” observed Hooper, “she knows them all better than we ever will. Perhaps she has a theory.”

“Everybody’s got a theory,” Coleridge replied ruefully, “except us.”

On the screens the remaining housemates still looked shell-shocked.

“Well, O hunters and killers,” Woggle said through a broken-toothed smile, “the people sided with life over death and light over darkness. It appears that the revolution beginneth.”

David got to his feet.

“You’re right there, Woggle. I’m going to have a word with Peeping Tom.”

DAY FOURTEEN. 10.45 p.m.

“I’m fookin’ coming with yez,” said Moon.

David and Moon stormed into the confession box together, where David made it clear that he had drawn the same conclusion that Layla had done earlier in the evening.

“You’ve betrayed us, Peeping Tom,” he said. “You know we did our best with Woggle. But we saw the banners out there and the people all shouting for him. They think we’re shits.”

“It’s not a question of betrayal,” Peeping Tom replied, Peeping Tom being Geraldine, of course, who was frantically scribbling down her replies and handing them to her “voice”, a quiet, gentle, soothing lady named Sam, who normally did voiceovers for washing-up liquid commercials.

“The public have simply seen something in Woggle that they find attractive,” the soothing voice continued.

“They find him attractive because that’s how you must have made him look!” David snarled. “I’m a professional, I’m in the business, I know your tricks. Well, let me tell you I’ve had enough! I didn’t come in here to be manipulated and made a fool of. I want out. You can get me a taxi because I’m leaving,” he said.

“Me fookin’ too!” added Moon. “And I reckon the rest’ll go too, and then all you’ll be left with is the plague pit with Woggle in it. It’s fookin’ obvious you’re taking the piss.”

DAY THIRTY-FOUR. 10.25 p.m.

Hooper pressed pause. “This is very interesting, sir. None of this stuff was ever broadcast. I had absolutely no idea that the inmates were so sussed out to what was going down.”

“Sussed out to what was going down?”

“It means…”

“I know what it means, sergeant. I’m not an imbecile. I was just wondering if you’d given any thought at all to how ugly it sounds?”

“No, sir, actually I hadn’t. Would you like me to hand in my warrant card for using inelegant sentences in the course of an investigation?”

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