Gabriel Marquez - Memories of my Melancholy Whores

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Amazon.com Review
"The year I turned ninety, I wanted to give myself the gift of a night of wild love with an adolescent virgin." So begins Memories of My Melancholy Whores, and it becomes even more unlikely as the novel unfolds. This slim volume contains the story of the sad life of an unnamed, only slightly talented Colombian journalist and teacher, never married, never in love, living in the crumbling family manse. He calls Rosa Cabarcas, madame of the city's most successful brothel, to seek her assistance. Rosa tells him his wish is impossible-and then calls right back to say that she has found the perfect girl.
The protagonist says of himself: "I have never gone to bed with a woman I didn't pay… by the time I was fifty there were 514 women with whom I had been at least once… My public life, on the other hand, was lacking in interest: both parents dead, a bachelor without a future, a mediocre journalist… and a favorite of caricaturists because of my exemplary ugliness."
The girl is 14 and works all day in a factory attaching buttons in order to provide for her family. Rosa gives her a combination of bromide and valerian to drink to calm her nerves, and when the prospective lover arrives, she is sound asleep. Now the story really begins. The nonagenarian is not a sex-starved adventurer; he is a tender voyeur. Throughout his 90th year, he continues to meet the girl and watch her sleep. He says, "This was something new for me. I was ignorant of the arts of seduction and had always chosen my brides for a night at random, more for their price than their charms, and we had made love without love, half-dressed most of the time and always in the dark, so we could imagine ourselves as better than we were… That night I discovered the improbably pleasure of contemplating the body of a sleeping woman without the urgencies of desire or the obstacles of modesty."
Márquez's style never falters throughout this recounting of his life and his exploration of love, found at an unexpected time and place. The erstwhile lover is still capable of being surprised-and fulfilled. After an absence of ten years, it is a treat to have another parable from the master.
From Publishers Weekly
García Márquez's slim, reflective contribution to the romance of the brothel, his first book-length fiction in a decade, is narrated by perhaps the greatest connoisseur ever of girls for hire. After a lifetime spent in the arms of prostitutes (514 when he loses count at age 50), the unnamed journalist protagonist decides that his gift to himself on his 90th birthday will be a night with an adolescent virgin. But age, followed by the unexpected blossoming of love, disrupts his plans, and he finds himself wooing the allotted 14-year-old in silence for a year, sitting beside her as she sleeps and contemplating a life idly spent. Flashes of García Márquez's brilliant imagery-the sleeping girl is "drenched in phosphorescent perspiration"-illuminate the novella, and there are striking insights into the euphoria that is the flip side of the fear of death. The narrator's wit and charm, however, are not enough to counterbalance the monotony of his aimlessness. Though enough grace notes are struck to produce echoes of eloquence, this flatness keeps the memories as melancholy as the women themselves. 250,000 first printing.

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It was difficult for me to keep my position and my column at El Diario de La Paz after that social affront. It wasn’t because of this, however, that they relegated my columns to page eleven, but because of the blind impetus with which the twentieth century came on the scene. Progress became the myth of the city. Everything changed; planes flew, and a businessman tossed a sack of letters out of a Junker and invented airmail.

The only things that remained the same were my columns in the newspaper. Younger generations launched an attack against them as if they were assaulting a mummy from the past that had to be destroyed, but I maintained the same tone and made no concessions to the winds of renovation. I remained deaf to everything. I had turned forty, but the young staff writers named it the Column of Mudarra the Bastard. The editor at the time called me into his office to ask me to conform to the latest currents. In a solemn way, as if he had just thought of it, he said: The world is moving ahead. Yes, I said, it’s moving ahead, but it’s revolving around the sun. He kept my Sunday column because he could not have found another cable editor. Today I know I was right, and I know why. The adolescents of my generation, greedy for life, forgot in body and soul about their hopes for the future until reality taught them that tomorrow was not what they had dreamed, and they discovered nostalgia. My Sunday columns were there, like an archeological relic among the ruins of the past, and they realized they were not only for the old but also for the young who were not afraid of aging. Then the column returned to the editorial section and, on special occasions, to the front page.

Whenever someone asks I always answer with the truth: whores left me no time to be married. Still, I should acknowledge that I did not come up with this explanation until the day of my ninetieth birthday, when I left Rosa Cabarcas’s house determined never again to provoke fate. I felt like a different man. My mood was upset by the disreputable mob I saw leaning against the metal railings around the park. I found Damiana washing the floor, on all fours in the living room, and the youthfulness of her thighs at her age revive in me a tremor from another time. She must have sensed it because she covered herself with her skirt. I could not resist the temptation to ask: Tell me something, Damiana: what do you recall? I wasn’t recalling anything, she said, but your question makes me remember, I felt a weight in my chest. I’ve never fallen in love, I told her. She replied without hesitation: I have. And she concluded, not interrupting her work: I cried over you for twenty-two years. My heart skipped a beat. Looking for a dignified way out, I said: We would have made a good team. Well, it’s wrong of you to say so now, she said, because you’re no good to me anymore even as a consolation. As she was leaving the house, she said in the most natural way: You won’t believe me but thanks be to God, I’m still a virgin.

A short while later i discovered that she had left vases filled with red roses all over the house, and a card on my pillow: I hope you reach a hunnert . With this bad taste in my mouth i sat down to continue the column i had left half-finished the day before. I completed it without stopping less than two hours and had to “twist the neck of the swan,” as the Mexican poet said, to write from my heart and not have anyone noticed my tears. In a belated moment of inspiration, i decided to finish it with the announcement that with this column i was bringing to a happy conclusion a long and worthy life without the sad necesity of having to die.

My intension was to leave it with reception at the paper and return home. But i couldn’t. The entire staff was waiting for me in order to celebrate my birthday. The building was being renovated, and scaffolding and rubble were everywhere, but they had stopped work for the party. On a carpenter’s table were drinks for the toast and birthday presents wrapped in gift paper. Dazed by flashing cameras, I was included in every photograph taken as a memento.

I was glad to see radio newscasters and reporters from other papers in the city: La Prensa , the conservative morning paper, El Heraldo , the liberal morning paper, and El Nacional , the evening sensationalist tabloid that always tried to relieve tensions in the public order with serialized stories of passion. It wasn’t strange that they were together, for in the spirit of the city it was always considered good form to maintain friendships among the troops while the officers waged editorial war.

Also present, though not at his regular hours, was the official censor, Don Jeronimo Ortega, whom we called the Abominable No-Man because he would arrive with his reactionary satrap’s blood-red pencil at nine sharp every night and stay until he was certain no letter in the morning edition went unpunished. He had a personal aversion to me, either because of my grammarian’s airs or because I would use Italian words without quotation marks or italics when they seemed more expressive than Spanish, which ought to be legitimate practice between Siamese languages. After enduring him for four years, we had come to accept him in the end as our bad conscience.

The secretaries brought in a cake with ninety lit candles that confronted me for the first time with the number of my years. I had to swallow tears when they sang the birthday song, and for no reason I thought about the girl. It wasn’t a flash of rancor but of belated compassion for a creature I had not expected to think about again. When the moment passed someone had placed a knife in my hand so that i could cut the cake. For fear of being laughed at, no one risked improvising a speech. I would rather have died than respond to one. To conclude the party, the editor in chief, whom I never liked very much, returned us to harsh reality. And now, illustrious nonagenarian, he said to me: Where’s your column?

The truth is that all afternoon I had felt it burning in my pocket like a live coal, but emotion had pierced me in so profound a way I did not have the heart to spoil the party with my resignation. I said: On this occasion there is none. The editor in chief was annoyed at a lapse that had been inconceivable since the previous century. Understand just this once, I said, I had so difficult a night I woke up in a stupor. Well, you should have written about that, he said with his vinegary humor. Readers would like to know first hand what life is like at ninety. One of the secretaries intervened. It must be a delicious secret, she said and gave me a mischievous look: isn’t it? A burning flash flamed across my face. Damn it, I thought, blushing is so disloyal. Another radiant secretary pointed at me with her finger. How wonderful! You still have the elegance to blush. Her impertinence provoked another blush on top of the first. It must have been a phenomenal night, said the first secretary: How I envy you! And she gave me a kiss that left its painted mark on my face. The photographers were merciless. Bewildered, I gave the column to the editor in chief and told him that what I said before was a joke, here it is, and I escaped, confused by the last round of applause, in order not to be present when they discovered it was my letter of resignation after half a century of galleys.

I was still apprehensive that night when I unwrapped the presents at home. The linotypists had miscalculated with an electric coffeepot just like the three I had from the previous birthdays. The typographers gave me an authorization to pick up an angora cat at the municipal animal shelter. Management bestowed on me a symbolic bonus. The secretaries presented me with three pairs of silk undershorts printed with kisses, and a card in which they offered to remove them for me. It occurred to me that among the charms of old age are the provocations our young female friends permit themselves because they think we are out of commission.

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