Gabriel Marquez - Memories of my Melancholy Whores

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Amazon.com Review
"The year I turned ninety, I wanted to give myself the gift of a night of wild love with an adolescent virgin." So begins Memories of My Melancholy Whores, and it becomes even more unlikely as the novel unfolds. This slim volume contains the story of the sad life of an unnamed, only slightly talented Colombian journalist and teacher, never married, never in love, living in the crumbling family manse. He calls Rosa Cabarcas, madame of the city's most successful brothel, to seek her assistance. Rosa tells him his wish is impossible-and then calls right back to say that she has found the perfect girl.
The protagonist says of himself: "I have never gone to bed with a woman I didn't pay… by the time I was fifty there were 514 women with whom I had been at least once… My public life, on the other hand, was lacking in interest: both parents dead, a bachelor without a future, a mediocre journalist… and a favorite of caricaturists because of my exemplary ugliness."
The girl is 14 and works all day in a factory attaching buttons in order to provide for her family. Rosa gives her a combination of bromide and valerian to drink to calm her nerves, and when the prospective lover arrives, she is sound asleep. Now the story really begins. The nonagenarian is not a sex-starved adventurer; he is a tender voyeur. Throughout his 90th year, he continues to meet the girl and watch her sleep. He says, "This was something new for me. I was ignorant of the arts of seduction and had always chosen my brides for a night at random, more for their price than their charms, and we had made love without love, half-dressed most of the time and always in the dark, so we could imagine ourselves as better than we were… That night I discovered the improbably pleasure of contemplating the body of a sleeping woman without the urgencies of desire or the obstacles of modesty."
Márquez's style never falters throughout this recounting of his life and his exploration of love, found at an unexpected time and place. The erstwhile lover is still capable of being surprised-and fulfilled. After an absence of ten years, it is a treat to have another parable from the master.
From Publishers Weekly
García Márquez's slim, reflective contribution to the romance of the brothel, his first book-length fiction in a decade, is narrated by perhaps the greatest connoisseur ever of girls for hire. After a lifetime spent in the arms of prostitutes (514 when he loses count at age 50), the unnamed journalist protagonist decides that his gift to himself on his 90th birthday will be a night with an adolescent virgin. But age, followed by the unexpected blossoming of love, disrupts his plans, and he finds himself wooing the allotted 14-year-old in silence for a year, sitting beside her as she sleeps and contemplating a life idly spent. Flashes of García Márquez's brilliant imagery-the sleeping girl is "drenched in phosphorescent perspiration"-illuminate the novella, and there are striking insights into the euphoria that is the flip side of the fear of death. The narrator's wit and charm, however, are not enough to counterbalance the monotony of his aimlessness. Though enough grace notes are struck to produce echoes of eloquence, this flatness keeps the memories as melancholy as the women themselves. 250,000 first printing.

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The girl had been in the room since ten, she told me; she was beautiful, clean, and well-mannered, but dying of fear because a friend of hers who ran away with a stevedore from Gayra had bled to death in two hours. But then, Rosa admitted, it’s understandable because the men from Gayra are famous for making she-mules sing. And she returned to her subject: Poor thing, besides all that she has to work the whole day attaching buttons in a factory. It didn’t seem to me like such hard work. That’s what men think, she replied, but it’s worse than breaking rocks. She went on to confess that she had given the girl a mixture of bromide and valerian to drink, and now she was asleep. I was afraid her compassion might be another trick to raise the price, but no, she said, my world is as good as gold. With set rules: each thing requiring separate payment, in cash and in advance. And so it was.

I followed her across the courtyard, moved by her wrinkled skin and the difficulty she had walking because of her swollen legs, encased in heavy cotton stockings. The full moon was climbing to the middle of the sky and the world looked as if it were submerged in green water. Near the shop was a canopy made of palm for the wild revels held by public administrators, with a good number of leather stools, and hammocks hanging from the wooden columns. In the back’s courtyard, where the forest of fruit trees began, there was gallery of six unplastered adobe rooms with burlap windows to keep mosquitoes. The only one that was occupied had a dim light and Tona la Negra singing a song of failed love on the radio. Rosa Cabarcas sighed: The bolero is life. I agreed, but until today I haven’t dared write it. She pushed the door, went in for a moment, and came out again. She’s still asleep, she said. You ought to let her rest for as long as her body needs it, your night is longer than hers. I was bewildered: What do you think I should do? You ought to know, she said with unwarranted placidity, there’s some´reason you’re a scholar. She turned and left me alone with my terror.

There was no escape. I went into the room, my heart in confusion, and saw the girl sleeping in the enormous bed for hire, as naked and helpless as the day she was born. She lay on her side, facing the door, illuminated from the ceiling by an intense light that spared no detail. I sat down to contemplate her from the edge of the bed, my five senses under a spell. She was dark and warm. She had been subjected to a regimen of hygiene and beautification that did not overlook even the incipient down on her pubis. Her hair had been curled, and she wore natural polish on the nails of her fingers and toes, but her molasses-colored skin looked rough and mistreated. Her newborn breasts still seemed like a boy’s, but they appeared full to bursting with a secret energy that was ready to explode. The best part of her body were her large, silent stepping feet with toes as long and sensitive as fingers. She was drenched in phosphorescent perspiration despite the fan, and the heat became unbearable as the night progressed. It was impossible to imagine what her face was like under the paint applied with a heavy hand, the thick layer of rice powder with two daubs of rouge on her cheeks, the false lashes, her eyebrows and lids smoky with kohl, her lips augmented by a chocolate glaze. But the adornments and cosmetics could not hide her character: the haughty nose, heavy eyebrows, intense lips. I thought: A tender young fighting bull.

At eleven I tended to my routine procedures in the bathroom, where the poor girl’s clothes were folded on a chair with a rich girl’s refinement: an etamine dress with a butterfly print, cheap yellow panties, and fiber sandals. On top of the clothing were an inexpensive bracelet and a very fine chain with a medal of the Virgin. On the edge of the sink, a handbag with a lipstick, a compact of rouge, a key, and some loose coins. Everything so cheap and shabby with use that I couldn’t imagine anyone as poor as she was.

I undressed and did my best to arrange my clothes on the hanger so as not to muss the silk shirt and pressed linen. I urinated in the chain-flush toilet, sitting down as Florina de Dios had taught me to do from the time I was a boy so I would not wet the rim of the bowl, and still, modesty aside, with the immediate, steady stream of an untamed colt. Before I went out I peered into the mirror over the sink. The horse that looked back at me from the other side was dead but funereal, and he had a Pope’s dewlaps, puffy eyelids, and thin, lank hair that had once been my musician’s mane.

“Shit,” I said to him, “what can I do if you don’t love me?”

Trying not to wake her, I sat on the bed, naked, my eyes accustomed by now to the deceptions of the red light, and I scrutinized her inch by inch. I ran the tip of my index finger along the damp nape of her neck, and she shivered inside, along the length of her body, like a chord on the harp, turned toward me with a grumble, and enveloped me in the ambience of her acid breath. I pinched her nose with my thumb and index finger, and she shock herself, moved her head away, and turned her back to me without waking. I succumbed to an unforeseen temptation and tried to separate her legs with my knee. On the first two attempts, she resisted with tensed thighs. I sang into her ear. Angels surround the bed of Delgadina . She relaxed a little. A warm current traveled up my veins, and my slow, retired animal woke from its long sleep.

Delgadina, my heart, I pleaded, filled with longing. Delgadina. She gave a sorrowful moan, escaped my thighs, turned her back, and curled up like a snail in its shell. The valerian potion must have been as effective for me as for her, because nothing happened, not to her, not to anybody. But I didn’t care. I asked myself what good it would do to wake her when I was feeling humiliated and sad and as cold as a striped mullet.

Then the bells, clear and ineluctable, struck midnight, and the morning of August 29, the day of the Martyrdom of St. John the Baptist, began. Someone in the street wept at the top of his lungs and no one paid attention. I prayed for him, in case he needed that, and for me as well, giving thanks for benefits received: Let no one be deceived, no, thinking that what he awaits will last longer than what he has seen . The girl moaned in her sleep and I also prayed for her: For everything will pass in its turn . Then I turned off the radio and the light went to sleep.

I woke in the small hours, not remembering where I was. The girl still slept in a fetal position, her back to me. I had a vague feeling that I had sensed her getting up in the dark and had heard water running in the bathroom, but it might have been a dream. This was something new for me. I was ignorant of the arts of seduction and had always chosen my brides for a night at random, more for their price than their charms, and we had made love without love, half-dressed most of the time and always in the dark so we could imagine ourselves as better than we were. That night I discovered the improbable pleasure of contemplating the body of a sleeping woman without the urgencies of desire or the obstacles of modesty.

I got up at five, uneasy because of my Sunday column was supposed to be on the editor’s desk before noon. I moved my punctual bowels, still with the burning of the full moon, and when I pulled the chain I felt that my past rancors had gone down to the sewer. When I returned to the bedroom, refreshed and dressed, the girl was asleep on her back in the conciliatory light of dawn, lying sideways across the bed with her arms opened in a cross, absolute mistress of her virginity. God bless you, I said to her. All the money I still had, both hers and mine, I put on the pillow, and I said goodbye forever with a kiss on her forehead. The house, like all brothels at dawn, was the closest thing to paradise. I left by the orchard gate so I wouldn’t meet anyone. Under the burning sun on the street I began to feel the weight of my ninety years, and to count minute by minute the minutes of the nights I had left before I died.

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