Ben Elton - Inconceivable

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Inconceivable: краткое содержание, описание и аннотация

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Whenever Sam thinks about babies, he envisages rivers of vomit and sleepless nights. But wife Lucy can't walk past Mothercare without crying. What's more, she can't seem to conceive-not by traditional methods, anyway. Hippy confidante Drusilla suggests an array of New Age remedies, including the intimate use of nutmeg oil and al fresco lovemaking. As Lucy faces a possible verdict of infertility, her love for Sam enters tailspin, accelerated by the advent of arrogant actor Carl Phipps. Meanwhile Sam, desperate to escape his tedious BBC job, conceives the inconceivable-turning the intimacies of their battle for babies into an acclaimed movie script.
Inconceivable tells a poignant and heart-rending story with Elton's trademark wit, creating a novel that is entertaining and emotionally satisfying; as explosive as Popcorn and with the incendiary humour of Blast From the Past. It courageously tackles its central theme from both the male and the female points of view, and while delivering laughs on every page, it steers clear of laddish clichés. Lucy's tale, though pregnant with unfulfilled emotion, never stints on humour. "There seem", she fumes, "to be more urban myths attached to infertility than there are to… film stars filling their bottoms with small animals."
Aside from the rich vein of gags about DIY conception (Sam has to leave a power lunch with the excuse: "Sorry, my wife is ovulating…"), Elton also subjects the TV industry to relentless stand-up-style bombardment, giving birth to some brilliant asides, which enrich the main story but never overpower it. Funny, tragic, true and ultimately heart-warming, this book should be available on the National Health Service.

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Must get down to it! Must get down to it! Don’t want to hold up the queue. But how do you get down to it under that kind of pressure? It’s impossible. I sat on the chair, I stood up, I glanced at a magazine. Panic rose within me and panic was the only thing that was rising!

In the end, by a supreme effort I managed to calm myself down a little. I did it by telling myself that the door was locked, that I would never have to see any of those men outside again and that I would take as long as I damn well liked.

So I sat down on the horrible, worn-out old chair and resolutely concentrated on the job. With, I might add, the added pressure of knowing that I must get the first bit in ! They make this clear in all the literature, and the plastic-coated instructions were also very very firm on the subject. The first bit is the best bit, of that there seems to be no doubt. All the rest is rubbish, full of sound and fury, signifying nothing.

Well, I did it. Sort of. I think there was enough. I hope so, anyway. Only time will tell. Looking at my watch I realized that I had been in there for over twenty minutes. I could feel the wave of resentment greet me as I emerged and walked past them all to hand in my pot. I was so embarrassed and flustered that I tried to walk out of the building still holding the plastic-coated form and had to be called back, which was humiliating.

Like I say, I’ve had better mornings.

Personally, I think it’s possible that I’d rather have dye inserted into my cervix, but I’m not going to say that to Lucy, of course.

Dear Penny

Hysterosalpingogram today. It’s not supposed to hurt much, but they say you should take along someone to drive you home just in case you’re upset or in discomfort. Sam, of course, had a very important meeting, which he did offer to cancel but I said, “ No, don’t bother, I’m fine.” Drusilla came along, which was nice of her, except she seems to view all hospitals, especially the women’s-only parts, as places of unnatural torture and intrusion where nature is excluded and man insults the gods. This is slightly embarrassing when she talks about it loudly in the waiting room.

You know half the problems they deal with here can be treated herbally,” she said so that everyone could hear. “There’s very little in life that a rose and lilac enema won’t go some way towards curing.”

The hysterosalpingogram itself was all right. Legs up as per. Quick prod about, as per. Bunch of spotty students staring up me in an intense manner, as per. Then in goes the dye, they tilt it back so that the dye can flow through the tubes. Actually, it was very interesting, because you can watch the progress of the dye on a little television screen. I thought I’d be too squeamish to look, but it was fine, as it turned out. Then they took a few X-rays and that was that. The doctor was in and out in ten minutes and I was in and out in twenty. It was all right, although I did feel a bit sick and faint afterwards. Apparently some women find it more painful. Perhaps my insides are getting desensitized.

Drusilla and I went for a coffee afterwards and I told her about Carl. Amazingly she’s of the same opinion as Melinda was when I talked to her about it. She thinks I should “put the poor boy out of his misery and shag him”! I had no idea all my friends were so cavalier about the concept of fidelity. I think with Drusilla it’s actually because she’s sex obsessed and believes that anything and everything should be shagged whenever the opportunity arises. Preferably in groups and at Stonehenge.

I said to Drusilla, Hang on, perhaps we’re jumping the gun here, perhaps poor old Carl doesn’t particularly want to shag me anyway. I mean I know we kissed, but I was upset and he was comforting me. Perhaps he really is just a very nice guy who just wants to be my friend.

“Ha!” said Drusilla and she said it so loudly that other ladies spilt their coffee. Drusilla never minds about being noticed. I do.

I must say that whatever Carl’s intentions may or may not be towards me, I’m a bit sad about the way all my pals seem to view Sam. I mean obviously as far as they’re concerned I’m married to a sort of sexless, emotion-free geek whom one can betray with impunity. I put this to Drusilla and she replied, “Well, you said it, babes,” which I thought was bloody mean.

Dear Sam

Lucy had her pingowhatsit today. She wanted me to go with her but for heaven’s sake I have a job. The BBC pays me to sit twiddling my fingers at Broadcasting House, not at Spannerfield Hospital. Besides which, today I actually had something to do, believe it or not.

The Prince’s Trust are putting on a big concert in Manchester. Radio 1 is going to broadcast it live and the whole concert has been designated a Light Entertainment Brief, i.e. my responsibility. There are two reasons for this. Firstly there will be comedians on the bill (comedy of course being the new rock ’n’ roll. Like hell). Secondly, the bill will mainly be made up of ageing old rockers, and nobody at Radio 1 who’s into music wants to touch it with a bargepole. They all think that because some of the artists who are to perform have committed the cardinal sin of being over forty (and doing music that has tunes) the whole thing is terminally uncool and should be on Radio 2 anyway.

So there we are. It turns out that it is to be me who’s heading up the BBC Radio side of the operation, which is why today I found myself back in Quark in Soho having lunch with Joe London. Yes, the Joe London, as in lead singer of The Muvvers, a man who bestrode the late sixties and early seventies rock scene like a colossus. They might sneer, back at the office, all those shaven-headed boys wearing yellow sunglasses indoors and girls with little tattoos of dragons on their midriffs, but I was bloody excited to meet Joe London. This was my history. Joe was big when I was at school. I can remember him when he didn’t have a courgette to put in his trousers. Bloody hell, that man couldn’t half rock in the old days.

“We’re all absolutely delighted at Radio 1 that you can do this show for us, Joe,” I said.

“Oh yeah, tasty, nice one, as it ’appens, no problem, geezer.”

“And of course the Prince’s Trust are very grateful too.”

“Diamond geezer, the Prince of fahkin’ Wales. Lahvly bloke, know what I fahkin’ mean? Likes ’is rock does Charlie, big Supremes fan, and so good with the boys.”

Joe quaffed an alcohol-free lager.

“What’s it in aid of, ven, vis concert?” he said.

“Well, Joe, principally helping young kids with drug abuse.”

Suddenly Joe’s amiable manner changed.

“Well, I fink vat is fahkin’ disgahstin’, vat is,” he sneered. “Lazy little sods! When we was young we ’ad to go aht and get our fahkin’ drugs ourselves.”

I was just clearing up this misunderstanding and explaining that the point of the show was to help underprivileged youth when we were joined by Joe’s manager, a huge, spherical man with a cropped head and a cropped beard and no neck. His head just seemed to develop out of his shoulders like the top of an egg. He wore a black silk Nehru suit and silver slippers and he was bedecked in what must have been two or three kilos’ worth of gold jewellery. His name was Woody Monk and he greeted me with a nod before turning to whistle with approval at our waitress whose skirt was even shorter than on the last occasion I’d seen it. I imagine it had shrunk before the gaze of a thousand middle-aged media leerers who stare at it each lunchtime.

“I remember this place in the sixties when it was a knocking shop,” said Woody Monk. “The birds working ’ere didn’t look much different actcherly.”

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