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Italo Calvino: Cosmicomics

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Italo Calvino Cosmicomics

Cosmicomics: краткое содержание, описание и аннотация

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During the course of these stories Calvino toys with continuous creation, the transformation of matter, and the expanding and contracting reaches of space and time. His characters, made out of mathematical formulae and simple cellular structures, disport themselves among galaxies, experience the solidification of planets, move from aquatic to terrestrial existence, play games with hydrogen atoms, and have a love life. Calvino succeeds in relating complex scientific concepts to the ordinary reactions of common humanity. "A poignant, freewheeling account of Creation itself… [Calvino] raises imagination to its exponential maximum." – Paul West, Book World Italo Calvino's superb storytelling gifts earned him international renown and a reputation as "one of the world's best fabulists" (John Gardner, New York Times Book Review). Born in Cuba in 1923, Calvino was raised in Italy, where he lived most of his life. He died in Siena at the age of sixty-one.

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So it was indispensable to clear up the misunderstanding as quickly as possible. And to clear it up, I could hope for only one thing: that, after that occasion, I had been seen other times, when I gave another image of myself, the one that was – I had no doubts on this score – the true image of me that should be remembered. In the course of the last two hundred million years, there had been no lack of opportunities, and for me just one, very clear, would be enough, to avoid confusion. Now, for example, I recalled a day when I had really been myself, I mean myself in the way I wanted others to see me. This day – I calculated rapidly – had been exactly one hundred million years ago. So, on the galaxy a hundred million light-years away they were seeing me at this very moment in that situation so flattering to my prestige, and their opinion of me was surely changing, modifying, or rather refuting that first fleeting impression. Right now, or thereabouts: because now the distance that separated us was no longer a hundred million light-years, but a hundred and one; anyhow I had only to wait an equal number of years to allow the light there to arrive here (the date when that would happen was easily calculated, bearing Hubble's constant in mind) and then I would learn their reaction.

Those who had managed to see me at moment x would, all the more surely, have seen me at moment y, and since my image in y was much more convincing than in x – indeed, I would call it more inspiring, unforgettable – they would remember me in y, whereas what had been seen of me in x would be forgotten immediately, erased, perhaps after having been fleetingly recalled to mind, in a kind of dismissal, as if to say: Just think, one who is like y can by chance be seen as x and you might believe he is x although it's clear that he's absolutely y.

I was almost cheered by the number of I SAW YOUs still appearing all around, because it meant that interest in me was aroused and therefore my more radiant day would escape no one. It would have had (or rather, was already having, beyond my knowledge) a much wider resonance than the sort – limited to given surroundings and, moreover, I must admit, rather marginal – which I, in my modesty, had formerly expected.

You must also consider those celestial bodies from which – through absent-mindedness or bad placing – they hadn't seen me but only a nearby I SAW YOU sign; they had also set up signs saying: LOOKS AS IF THEY'VE SEEN YOU or else FROM WHERE THEY ARE THEY CAN SEE YOU! (expressions in which I sensed a touch of curiosity or of sarcasm); on those bodies, too, there were eyes trained on me and now, precisely because they had missed one opportunity, they would hardly allow a second to escape them, and having received only indirect and hearsay information about x, they would be all the more ready to accept y as the only true reality concerning me.

So the echo of the moment y would be propagated through time and space, it would reach the most distant, the fastest galaxies, and they would elude all further images, racing at light's speed of three hundred thousand kilometers per second and taking that now definitive image of me beyond time and space, where it would become the truth containing in its sphere with unlimited radius all the other spheres with their partial and contradictory truths.

A hundred million centuries or so, after all, aren't an eternity, but to me they seemed never to go by. Finally the night arrived: I had long since aimed my telescope at that same galaxy of the first time. I moved my right eye, its lid half closed, to the eyepiece, I raised my eyelid slowly, and there was the constellation, perfectly framed, and there was a sign in its midst, the words as yet indistinct. I focused better… There was written: TRA-LA-LA-LA. Just that: TRA-LA-LA-LA. At the moment when I had expressed the essence of my personality, with abundant evidence and with no risk of misinterpretation, at the moment when I had furnished the key to interpreting all the acts of my past and future life and to forming an over-all and objective opinion, what had they seen, they who had not only the opportunity but also the moral obligation to observe and note what I was doing? They hadn't seen anything, hadn't been aware of anything, hadn't observed anything special. To discover that such a great part of my reputation was at the mercy of a character who was so untrustworthy left me prostrate. That proof of myself, which – because of the various favorable circumstances that had accompanied it – I considered incapable of repetition, had gone by unobserved, wasted, definitely lost for a whole zone of the universe, only because that gentleman had allowed himself five minutes of idleness, of relaxation, we might as well say of irresponsibility, his head in the air like an idiot, perhaps in the euphoria of someone who has had a drop too much, and on his sign he had found nothing better to write than a meaningless scrawl, perhaps the silly tune that he had been whistling, forgetting his duties, TRA-LA-LA-LA.

Only one thought afforded me some comfort: the thought that on the other galaxies there were bound to be more diligent observers. Until then I had never been so pleased at the great number of spectators that the old, and unfortunate, episode had had; now they would be ready to perceive the new situation. I returned to the telescope, night after night. A few nights later a galaxy at the proper distance appeared to me in all its splendor. It had a sign. And on it was written this sentence: YOU HAVE A FLANNEL UNDERSHIRT.

Tears in my eyes, I racked my brain for an explanation. Perhaps in that place, with the passage of time, they had so perfected their telescopes that they amused themselves by observing the most insignificant details, the undershirt a person wore, whether it was flannel or cotton, and all the rest meant nothing to them, they paid no attention to it at all. And, for them, my honorable act, my – shall we say? – magnanimous and generous act, had gone for nothing; they had retained only one element, my flannel undershirt: an excellent undershirt, to be sure, and perhaps at another moment I would have been pleased at their noticing it, but not then, oh no, not then.

In any case, I had many other witnesses awaiting me: it was only natural that, out of the whole number, some should fail; I wasn't the sort of person to become distraught over such a little setback. In fact, from a galaxy a bit farther on, I finally had the proof that someone had seen perfectly how I had behaved and had evaluated my action properly, that is, enthusiastically. Indeed, on a sign he had written: THAT CHARACTER'S REALLY ON THE BALL. I noted it with complete satisfaction – a satisfaction, mind you, which merely confirmed my expectation, or rather my certainty that my merits would be suitably recognized – but then the expression THAT CHARACTER attracted my attention. Why did they call me THAT CHARACTER, if they already knew me and had seen me, even in that unfortunate circumstance? Shouldn't I be quite familiar to them already? With some adjustment, I improved the focus of my telescope and discovered, at the bottom of the same sign, another sentence written in smaller letters: WHO THE HELL CAN HE BE? Can you imagine a worse stroke of luck? Those who held the key to understanding who I really was hadn't recognized me. They hadn't connected this praiseworthy episode with that deplorable incident two hundred million years earlier, so the deplorable incident was still attributed to me, and the other wasn't, the other remained an impersonal, anonymous anecdote, which didn't belong to anyone's history.

My first impulse was to brandish a sign: IT'S ME! I gave up the idea: what would be the good of it? They would see it more than a hundred million years after moment x had gone by; we were approaching the half-billion mark; to be sure of making myself understood I would have to specify, dig up that old business again, and this was just what I wanted most to avoid.

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