Lisa See - Shanghai Girls

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Shanghai Girls: краткое содержание, описание и аннотация

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For readers of the phenomenal bestsellers Snow Flower and the Secret Fan and Peony in Love-a stunning new novel from Lisa See about two sisters who leave Shanghai to find new lives in 1930s Los Angeles.
May and Pearl, two sisters living in Shanghai in the mid-1930s, are beautiful, sophisticated, and well-educated, but their family is on the verge of bankruptcy. Hoping to improve their social standing, May and Pearl ’s parents arrange for their daughters to marry “ Gold Mountain men” who have come from Los Angeles to find brides.
But when the sisters leave China and arrive at Angel’s Island (the Ellis Island of the West)-where they are detained, interrogated, and humiliated for months-they feel the harsh reality of leaving home. And when May discovers she’s pregnant the situation becomes even more desperate. The sisters make a pact that no one can ever know.
A novel about two sisters, two cultures, and the struggle to find a new life in America while bound to the old, Shanghai Girls is a fresh, fascinating adventure from beloved and bestselling author Lisa See.

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Over the next few days, we watch as the women who arrived the same day we did are allowed to continue to San Francisco. We see new women land, have their hearings, and leave. Still no one comes for us. Every night, after another disgusting meal of pig knuckles or stewed salted fish with fermented bean curd, I take off my dress under the blanket, hang it on the line above me, and try to sleep, knowing I’ll be locked in this room until morning.

But the feeling of being locked in and trapped extends far, far beyond this room. In a different time, in a different place, and with more money maybe May and I could have escaped our futures. But here we don’t have choice or freedom. Our whole lives up to now have been lost to us. We know no one in the United States other than our husbands and our father-in-law. Baba had said that if we went to Los Angeles, we’d live in beautiful houses, have servants, see movie stars, so maybe this is the path May and I were supposed to be on all along. We could consider ourselves lucky we’ve married so well. Women-whether in arranged marriages or not, whether in the past or right now, in 1937-have married for money and all that it brings. Still, I have a secret plan. When May and I get to Los Angeles, we’ll skim money from what our husbands give us to buy clothes and shoes, beautify ourselves, and keep our households running, and use it to escape. I lie on the wire mesh that is my bed, listen to the low, mournful sound of the foghorn and to the women in the room cry snore, or whisper among themselves, and plot how May and I will leave Los Angeles one day and disappear to New ’York or Paris, cities we’ve been told are equal to Shanghai in splendor, culture, and riches.

TWO TUESDAYS LATER, when we’re allowed to retrieve things from our luggage again, May fishes out the peasant clothes she bought for us in Hangchow. We wear them in the afternoons and at night, because it’s too cold and dirty in this place to wear our good dresses, which we put on in the mornings in case we’re called to finish our hearings. In the middle of the following week, May takes to wearing our travel clothes all the time. “What if we’re called for an interview?” I ask. We sit on our top bunks with a little valley of space separating us and clothes hanging like banners all around us. “Do you think this is so different from Shanghai? Our clothes matter. Those who are well dressed leave sooner than those who look like…” My voice trails off.

“Peasants?” May finishes for me. She folds her arms over her stomach and lets her shoulders fall. She doesn’t look like herself. We’ve been here a month now, and it feels like all the courage she showed getting me to safety has somehow been sucked out of her. Her skin looks pasty. She isn’t terribly interested in washing her hair, which, like mine, has grown out into a straggly mess.

“Come on, May, you have to try. We won’t be here much longer. Take a shower and put on a dress. You’ll feel better.”

“Why? Just tell me why. I can’t eat their terrible food, so I rarely use their toilets,” she says. “I don’t do anything, so I don’t sweat. But even if I did, why would I take a shower where people can see me? The humiliation is so great I wish I could wear a sack over my head. Besides,” she adds pointedly, “I don’t see you going to the toilets or showers.”

Which is true. Sadness and despair overwhelm those who stay here too long. The cold wind, the foggy days, the shadows on the walls, depress and frighten all of us. In just this month, I’ve seen many women, some who’ve already come and gone, refuse to take showers during their entire stays, and not just because they don’t sweat. Too many women have committed suicide in the showers by hanging or by sharpening chopsticks and driving them through their ears and into their brains. No one wants to go to the showers not only because no one likes to do her private business with others around but because nearly everyone here is afraid of the ghosts of the dead, who, without proper burial rites, refuse to leave the nasty place where they died.

We decide that, from now on, May will go with me to the communal toilets or showers, check to see if they’re empty, and then stand outside the door to keep the other women out. I’ll do the same for her, although I’m not sure why she’s become so modest since arriving here.

AT LAST THE guard calls us for our interrogations. I run a brush through my hair, take a few sips of cold water to calm myself, and slip on my heels. I glance back to see May trailing after me, looking like a beggar magically dropped here from a Shanghai alley. We wait in the cage until our turns come. This is our last step and then we’ll be transferred to San Francisco. I give May an encouraging smile, which she doesn’t return, and then I follow the guard into the hearing room. Chairman Plumb, Mr. White, and the stenographer are there, but this time I have a new interpreter.

“I’m Lan On Tai,” he says. “From now on you will have a different interpreter for each hearing. They don’t want us to become friends. I will speak to you in Sze Yup. Do you understand, Louie Chin-shee?”

In the old Chinese tradition a married woman is known by her clan name with shee attached to it. This practice can be traced back three thousand years to the Chou dynasty and it’s still common with farmers, but I’m from Shanghai!

“That is your name, isn’t it?” the interpreter asks. When I don’t answer right away, he glances at the white men and then back at me. “I shouldn’t tell you this, but your case has problems. It’s best if you accept what’s in your record. Don’t change your story now.”

“But I never said my name was-”

“Sit down!” Chairman Plumb orders. Even though I pretended not to know English during our last meeting and now, after the interpreter’s warning, feel sure I should stick to my feigned ignorance, I obey, hoping that the chairman will believe the tone in his voice scared me. “In your last interview you said you had a civilized wedding, which is why you didn’t worship your ancestors as part of the ceremonies. We have your husband’s file right here, and he says you did worship your ancestors.”

I wait for the interpreter to relay this, then reply, “I told you before, I’m a Christian. I don’t worship ancestors. Perhaps my husband worshipped his after we parted.”

“How long were you together?”

“One night.” Even I know this sounds bad.

“Do you expect us to believe you were married for one day and now your husband has sent for you?”

“Our marriage was arranged.”

“By a matchmaker?”

I try to think how Sam would have responded to this question in his interrogation.

“Yes, a matchmaker.”

The interpreter gives a subtle nod to let me know I answered correctly.

“You said you didn’t serve betel nuts and tea, but your sister says you did,” Chairman Plumb says, tapping another file, which I assume covers May’s case.

As I look at the bald man before me, waiting for the interpreter to finish the translation, I wonder if this is a trick. Why would May have said that? She wouldn’t.

“Neither my sister nor I served tea or betel nuts.”

This is not the answer the two men want. Lan On Tai looks at me with a combination of pity and aggravation.

Chairman Plumb moves on. “You said you had a civilized wedding, but your sister says that neither of you wore a veil.”

I’m torn between berating myself and May for not being more diligent in working on our stories and questioning why any of this matters.

“We had civilized weddings,” I say, “but neither of us wore veils.”

“Did you raise your veil during the wedding banquet?”

“I already told you I didn’t wear a veil.”

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