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Lisa See: Shanghai Girls

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Lisa See Shanghai Girls

Shanghai Girls: краткое содержание, описание и аннотация

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For readers of the phenomenal bestsellers Snow Flower and the Secret Fan and Peony in Love-a stunning new novel from Lisa See about two sisters who leave Shanghai to find new lives in 1930s Los Angeles. May and Pearl, two sisters living in Shanghai in the mid-1930s, are beautiful, sophisticated, and well-educated, but their family is on the verge of bankruptcy. Hoping to improve their social standing, May and Pearl ’s parents arrange for their daughters to marry “ Gold Mountain men” who have come from Los Angeles to find brides. But when the sisters leave China and arrive at Angel’s Island (the Ellis Island of the West)-where they are detained, interrogated, and humiliated for months-they feel the harsh reality of leaving home. And when May discovers she’s pregnant the situation becomes even more desperate. The sisters make a pact that no one can ever know. A novel about two sisters, two cultures, and the struggle to find a new life in America while bound to the old, Shanghai Girls is a fresh, fascinating adventure from beloved and bestselling author Lisa See.

Lisa See: другие книги автора


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“You aren’t worth a single copper coin,” Baba says to me, his tone sharp. “I don’t know how I’m ever going to-”

“Oh, Ba, stop picking on Pearl. You’re lucky to have a daughter like her. I’m luckier still to have her as my sister.”

We all turn to May. She’s like that. When she speaks, you can’t help listening to her. When she’s in the room, you can’t help looking at her. Everyone loves her-our parents, the rickshaw boys who work for my father, the missionaries who taught us in school, the artists, revolutionaries, and foreigners whom we’ve come to know these last few years.

“Aren’t you going to ask me what I did today?” May asks, her demand as light and breezy as a bird’s wings in flight.

With that, I disappear from my parents’ vision. I’m the older sister, but in so many ways May takes care of me.

“I went to see a movie at the Metropole and then I went to Avenue Joffre to buy shoes,” she continues. “From there it wasn’t far to Madame Garnet’s shop in the Cathay Hotel to pick up my new dress.” May lets a touch of reproach creep into her voice. “She said she won’t let me have it until you come to call.”

“A girl doesn’t need a new dress every week,” Mama says gently. “You could be more like your sister in this regard. A Dragon doesn’t need frills, lace, and bows. Pearl ’s too practical for all that.”

“Baba can afford it,” May retorts.

My father’s jaw tightens. Is it something May said, or is he getting ready to criticize me again? He opens his mouth to speak, but my sister cuts him off.

“Here we are in the seventh month and already the heat is unbearable. Baba, when are you sending us to Kuling? You don’t want Mama and me to get sick, do you? Summer brings such unpleasantness to the city, and we’re always happier in the mountains at this time of year.”

May has tactfully left me out of her questions. I prefer to be an afterthought. But all her chattering is really just a way to distract our parents.

My sister catches my eye, nods almost imperceptibly and quickly stands. “Come, Pearl. Let’s get ready.”

I push back my chair, grateful to be saved from my father’s disapproval.

“No!” Baba pounds his fist on the table. The dishes rattle. Mama shivers in surprise. I freeze in place. People on our street admire my father for his business acumen. He’s lived the dream of every native-born Shanghainese, as well as every Shanghailander-those foreigners who’ve come here from around the world to find their fortunes. He started with nothing and turned himself and his family into something. Before I was born, he ran a rickshaw business in Canton, not as an owner but as a subcontractor, who rented rickshaws at seventy cents a day and then rented them to a minor subcontractor at ninety cents a day before they were rented to the rickshaw pullers at a dollar a day. After he made enough money, he moved us to Shanghai and opened his own rickshaw business. “Better opportunities,” he-and probably a million others in the city-likes to say. Baba has never told us how he became so wealthy or how he earned those opportunities, and I don’t have the courage to ask. Everyone agrees-even in families-that it’s better not to inquire about the past, because everyone in Shanghai has come here to get away from something or has something to hide.

May doesn’t care about any of that. I look at her and know exactly what she wants to say: I don’t want to hear you tell us you don’t like our hair. I don’t want to hear that you don’t want us to show our bare arms or too much of our legs. No, we don’t want to get “regular full-time jobs.” You may be my father, but for all your noise you’re a weak man and I don’t want to listen to you . Instead, she just tilts her head and looks down at my father in such a way that he’s powerless before her. She learned this trick as a toddler and has perfected it as she’s gotten older. Her ease, her effortlessness, melts everyone. A slight smile comes to her lips. She pats his shoulder, and his eyes are drawn to her fingernails, which, like mine, have been painted and stained red by applying layers of red balsam blossom juice. Touching-even in families-isn’t completely taboo, but it certainly isn’t accepted. A good and proper family offer no kisses, no hugs, no pats of affection. So May knows exactly what she’s doing when she touches our father. In his distraction and repulsion, she spins away, and I hurry after her. We’ve taken a few steps when Baba calls out.

“Please don’t go.”

But May, in her usual way, just laughs. “We’re working tonight. Don’t wait up.”

I follow her up the stairs, our parents’ voices accompanying us in a kind of discordant song. Mama carries the melody: “I pity your husbands. ‘I need shoes.’ ‘I want a new dress.’ Will you buy us tickets to the opera?’” Baba, in his deeper voice, beats out the bass: “Come back here. Please come back. I need to tell you something.” May ignores them, and I try to, admiring the way she closes her ears to their words and insistence. We’re opposites in this and so many things.

Whenever you have two sisters-or siblings of any number or either sex-comparisons are made. May and I were born in Yin Bo Village, less than a half day’s walk from Canton. We’re only three years apart, but we couldn’t be more different. She’s funny; I’m criticized for being too somber. She’s tiny and has an adorable fleshiness to her; I’m tall and thin. May, who just graduated from high school, has no interest in reading anything beyond the gossip columns; I graduated from college five weeks ago.

My first language was Sze Yup, the dialect spoken in the Four Districts in Kwangtung province, where our ancestral home is located. I’ve had American and British teachers since I was five, so my English is close to perfect. I consider myself fluent in four languages-British English, American English, the Sze Yup dialect (one of many Cantonese dialects), and the Wu dialect (a unique version of Mandarin spoken only in Shanghai). I live in an international city, so I use English words for Chinese cities and places like Canton, Chungking, and Yunnan; I use the Cantonese cheongsam instead of the Mandarin ch’i pao for our Chinese dresses; I say boot instead of trunk; I use the Mandarin fan gwaytze- foreign devils-and the Cantonese lo fan- white ghosts-interchangeably when speaking about foreigners; and I use the Cantonese word for little sister-moy moy- instead of the Mandarin -mei mei- to talk about May. My sister has no facility with languages. We moved to Shanghai when May was a baby, and she never learned Sze Yup beyond words for certain dishes and ingredients. May knows only English and the Wu dialect. Leaving the peculiarities of dialects aside, Mandarin and Cantonese have about as much in common as English and German-related but unintelligible to nonspeakers. Because of this, my parents and I sometimes take advantage of May’s ignorance, using Sze Yup to trick and deceive her.

Mama insists May and I couldn’t change who we are even if we tried. May is supposed to be as complacent and content as the Sheep in whose year she was born. The Sheep is the most feminine of the signs, Mama says. It’s fashionable, artistic, and compassionate. The Sheep needs someone to take care of her, so she’ll always be sure to have food, shelter, and clothing. At the same time, the Sheep is known to smother others with affection. Good fortune smiles on the Sheep because of its peaceful nature and kind heart, but-and it’s a big but, according to Mama-the Sheep sometimes thinks only of itself and its own comforts.

I have a Dragon’s striving desire, which can never be properly filled. “There’s nowhere you can’t go with your big flapping feet,” Mama frequently tells me. However, a Dragon, the most powerful of the signs, also has its drawbacks. “A Dragon is loyal, demanding, responsible, a tamer of the fates,” Mama has told me, “but you, my Pearl, will always be hampered by the vapors that come from your mouth.”

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