Jhumpa Lahiri - Unaccustomed Earth

"Right, the Odyssey," Sang said, sitting down at the table. "Penelope. Only I can't knit."

"Weave," he said, correcting her. "It was a shroud Penelope kept weaving and unweaving, to ward off her suitors."

Sang lifted a forkful of the rice to her lips, blowing on it so that it would cool. "Then, who's the woman who knits?" she asked. She looked at Paul. "You would know."

Paul paused, eager to impress her, but his mind had drawn a blank. He knew it was someone in Dickens, had the paperbacks up in his room. "Be right back," he said. Then he stopped, relieved. "A Tale of Two Cities," he told her. "Madame De-farge."

Paul had answered the phone the first time Sang called, at nine o'clock one Saturday morning in July, in reference to the housemate ad he and Heather had placed in the Phoenix. The call had roused him from sleep, and he wondered, standing there, groggy in his bathrobe, what sort of name Sang was, half expecting a Japanese woman. It wasn't until she wrote out a check for her security deposit at the end of her visit that he saw that her official name was Sangeeta Biswas. This was the name he would see on her mail, on the labels of the thick, pungent Vogue magazines she received each month, and in the window of the electric bill she agreed to take on. Heather had been in the shower when Sang arrived and pressed the doorbell that chimed two solemn tones, so Paul greeted her alone. She had worn her long hair loose, something Paul was to learn she rarely did, and as he walked behind her he had liked the way it clung protectively to her body, over the rise of her shoulder blades. She had admired the spectacular central staircase, as most everyone did, letting her hand linger over the bannister. The staircase turned six times at right angles after every six steps and was constructed of dark gleaming wood with the lustre of cognac. It was the only thing of enduring beauty in the house, a false promise of what was above: ugly brown cabinets in the kitchen, moldy bathrooms with missing tiles, omnipresent oatmeal carpeting to protect the ears of the landlords, who lived below.

She had remarked on what a lot of space it was, pacing the landing before joining Paul in the vacant room. There was a built-in hutch in the corner, with Doric pilasters and glass-paned doors, which Sang opened and closed. Paul told her that the room had originally been the dining room, the cabinet intended to store china. There was a bathroom across the landing; Paul and Heather shared the larger one, upstairs. "I feel like I'm standing inside an empty refrigerator," she'd said, referring to the fact that the walls, once blue, had been painted over with a single coat of white; the effect, under the glare of the ceiling light, was stark and cold. She ran a hand along one wall and carefully removed a stray piece of tape. Once, there had been an arched doorway connecting the room to the kitchen, since filled in, but Sang noted that the arch was still visible, like a scar in the plaster.

While she was there, the phone rang, another person replying to the ad, but by then she had handed over her deposit. She had met Heather, and the three of them chatted in the living room with its peeling bay window and its soft filthy couch and its yellow papasan chair. They told her about their system for splitting up the chores, and about the landlords, both doctors at Brigham and Women's. They told her there was only one phone jack in the house, in the kitchen. The phone was attached to a cord so long that they could all drag it to their rooms, though at times the price to pay for dragging the cord too far was a persistent crackle.

"We thought about having another line put in, but it's pretty expensive," Heather said.

"It's not a big deal," Sang said.

And Paul, who seldom spoke on the phone to anyone, said nothing at all.

She had practically nothing to contribute to the house, no pots or appliances, nothing for the kitchen apart from an ailing hanging plant that shed yellow heart-shaped leaves. A friend helped her move in one Sunday, a male friend who was not, Paul gathered, her boyfriend (for she had mentioned one on her first visit, telling them that he was in Cairo for the summer visiting his parents, that he was Egyptian, and that he taught Middle Eastern history at Harvard). The friend's name was Charles. He wore high-top sneakers and a bright orange bowling shirt, his hair tied back in a stubby ponytail. He was telling Sang about a date he'd had the night before, as they unloaded a futon, two big battered suitcases, a series of shopping bags, and a few boxes from the back of a pickup truck. Paul had offered to help, calling out from the deck where he was trying to read the Canterbury Tales, but Sang said no, it was nothing. Their talk distracted him and yet he remained, watching Sang through the railing. Charles was teasingly forbidding her to buy too many things, so that moving out would be just as easy. Sang had been laughing at him, but now she stopped, her expression pensive. She looked up at the house, a balled-up comforter in her arms. "I don't know, Charles. I don't know how long I'll be here."

"He still doesn't want to live together until you're married?"

She shook her head.

"What does he say?"

"That he doesn't want to spoil things."

Charles shifted the weight of the box he was carrying. "But he acknowledges the fact that you're getting married."

She turned back to the truck. "He says things like 'When we have kids, we'll buy a big house in Lexington.' "

"You've been together three years," Charles said. "So he's a little old-fashioned. That's one of the things you like about him, right?"

The next few nights, Sang slept on the couch in the living room, her things stored temporarily in the corner, in order to paint her room. Both Paul and Heather were surprised by this; neither of them had made an effort to do much to their rooms when moving in. For the walls, she had chosen a soothing sage green; for the trim, the palest lavender, a color that the paint company called "mole." It wasn't what she imagined a mole to look like at all, she told Paul, stirring the can vigorously on the kitchen counter. "What would you have named it?" she asked him suddenly. He could think of nothing. It was only upstairs, sitting alone at his big plywood desk, piled with thick books full of tissue-thin pages, that he thought of the ice cream his mother always ordered at Newport Creamery when his family went on Sunday nights for hamburgers. His mother had died years ago, his father soon after. They'd adopted Paul late in life, when they were in their fifties, so people had often mistaken them for his grandparents. That evening in the kitchen, when Sang walked in, Paul said, "Black raspberry."

"What?" "The paint."

She had a small, slightly worried-looking smile on her face, a smile one might give a confused child. "That's funny."

"The name?"

"No. It's just a little funny the way you picked up a conversation we had, like, six hours ago, and expected me to remember what you were talking about."

As soon as Paul opened the door of his room the next morning, he detected the fresh yet cloying smell of paint, heard the swish of the roller as it moved up and down a wall. After Heather had left the house, Sang started to play music: one Billie Holiday CD after another. They were having a spell of sticky, sweltering days, and Paul was working in the relative cool of the living room, a few paces across the landing from Sang.

"Oh, my God," she exclaimed, noticing him on her way to the bathroom. "This music must be driving you crazy." She wore cutoff jeans, a black tank top with straps like those of a brassiere. Her feet were bare, her calves and thighs flecked with paint.

He lied, telling her he often studied to music. Because he noticed it was the kitchen she went to most often, to rinse her brushes or eat some yogurt out of a big tub, the second day he moved himself there, where he made a pot of tea, and, much to her amusement, set the alarm on his wristwatch to know when to take out the leaves. In the afternoon, her sister called, from London, with a voice identical to Sang's. For a moment, Paul actually believed it was Sang herself, mysteriously calling him from her room. "Can't talk, I'm painting my room sage and mole," she reported cheerfully to her sister, and when she replaced the receiver of the dark brown phone there were a few of her mole-colored fingerprints on the surface.