Michelle Kretser - The Lost Dog

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The Lost Dog: краткое содержание, описание и аннотация

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De Kretser (The Hamilton Case) presents an intimate and subtle look at Tom Loxley, a well-intentioned but solipsistic Henry James scholar and childless divorcé, as he searches for his missing dog in the Australian bush. While the overarching story follows Tom's search during a little over a week in November 2001, flashbacks reveal Tom's infatuation with Nelly Zhang, an artist tainted by scandal-from her controversial paintings to the disappearance and presumed murder of her husband, Felix, a bond trader who got into some shady dealings. As Tom puts the finishing touches on his book about James and the uncanny and searches for his dog, de Kretser fleshes out Tom's obsession with Nelly-from the connection he feels to her incendiary paintings (one exhibition was dubbed Nelly's Nasties in the press) to the sleuthing about her past that he's done under scholarly pretenses. Things progress rapidly, with a few unexpected turns thrown in as Tom and Nelly get together, the murky circumstances surrounding Felix's disappearance are (somewhat) cleared up and the matter of the missing dog is settled. De Kretser's unadorned, direct sentences illustrate her characters' flaws and desires, and she does an admirable job of illuminating how life and art overlap in the 21st century.
***
‘A captivating read… I could read this book 10 times and get a phew perspective each time. It’s simply riveting.’ Caroline Davison, Glasgow Evening Times
‘… remarkably rich and complex… De Kretser has a wicked, exacting, mocking eye…While very funny in places, The Lost Dog is also a subtle and understated work, gently eloquent and thought-provoking… a tender and thoughtful book, a meditation on loss and fi nding, on words and wordlessness, and on memory, identity, history and modernity.’ The Dominion Post
‘Michelle de Kretser is the fastest rising star in Australia ’s literary firmament… stunningly beautiful.’ Metro
‘… a wonderful tale of obsession, art, death, loss, human failure and past and present loves. One of Australia ’s best contemporary writers.’
Harper’s Bazaar
‘In many ways this book is wonderfully mysterious. The whole concept of modernity juxtaposed with animality is a puzzle that kept this reader on edge for the entire reading. The Lost Dog is an intelligent and insightful book that will guarantee de Kretser a loyal following.’ Mary Philip, Courier-Mail
‘Engrossing… De Kretser confidently marshals her reader back and forth through the book’s complex flashback structure, keeping us in suspense even as we read simply for the pleasure of her prose… De Kretser knows when to explain and when to leave us deliciously wondering.’ Seattle Times
‘De Kretser continues to build a reputation as a stellar storyteller whose prose is inventive, assured, gloriously colourful and deeply thoughtful. The Lost Dog is a love story and a mystery and, at its best, possesses an accessible and seemingly effortless sophistication… a compelling book, simultaneously playful and utterly serious.’ Patrick Allington, Adelaide Advertiser ‘A nuanced portrait of a man in his time. The novel, like Tom, is multicultural, intelligent, challenging and, ultimately, rewarding.’
Library Journal
‘This book is so engaging and thought-provoking and its subject matter so substantial that the reader notices only in passing how funny it is.’ Kerryn Goldsworthy, Sydney Morning Herald
‘… rich, beautiful, shocking, affecting’ Clare Press, Vogue
‘… a cerebral, enigmatic reflection on cultures and identity… Ruminative and roving in form… intense, immaculate.’ Kirkus Reviews
‘De Kretser is as piercing in her observations of a city as Don DeLillo is at his best… this novel is a love song to a city… a delight to read, revealing itself in small, gem-like scenes.’ NZ Listener
‘… de Kretser’s trademark densely textured language, rich visual imagery and depth of description make The Lost Dog a delight to savour as well as a tale to ponder.’ Australian Bookseller and Publisher
‘A remarkably good novel, a story about human lives and the infi nite mystery of them.’ Next
‘Confident, meticulous plotting, her strong imagination and her precise, evocative prose. Like The Hamilton Case, The Lost Dog opens up rich vistas with its central idea and introduces the reader to a world beyond its fictional frontiers.’ Lindsay Duguid, Sunday Times
“[a] clever, engrossing novel… De Kretser’s beautifully shaded book moves between modern day Australia and post-colonial India. Mysteries and love affairs are unfolded but never fully resolved, and as Tom searches for his dog, it becomes apparent that its whereabouts is only one of the puzzles in his life.” Tina Jackson, Metro
‘A richly layered literary text.’ Emmanuelle Smith, Big Issue

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‘Yes.’

‘Hey!’ Nelly crowed with pleasure. ‘That’s great.’

Gazing down on him, hung with heavy ruby folds, she had the air of a tiny idol; one who might save him or do him great harm.

Downstairs, lamps had been switched on against the gathering evening. The glare of parquet was everywhere. A spotlighted alcove sheltered a pre-Colombian figure carved from stone. For a split second Tom saw the miniature double of the squat brown man who had let him into the house.

Paintings filled the walls. But Tom would not allow himself to linger before Posner’s trophies.

Nevertheless, as he came to the open door of the room where the woman had been vacuuming, he halted. Gleaming wood and muted jewel tones repeated the message of wealth tempered by taste that the house had been designed to communicate. But what held Tom’s attention was the landscape on the far wall.

He had forgotten how small it was. With light steps he crossed the room until he stood in front of it; and felt again the force of something that could not be contained in rational dimensions.

A reedy voice at his back murmured,‘ How with this rage shall beauty hold a plea, / Whose action is no stronger than a ower?

The pale pillar of Posner was rising from the black scoop of a chair. For a large man, he moved as if oiled.

A dribble of dismay made its way down Tom’s spine. That he should be in this place, twitching in Posner’s snare. That he should have been discovered coveting what Posner possessed. That Posner, a gross, material creature, should have Shakespeare at his disposal.

‘Not at all,’ said Posner, although Tom had not apologised. He spread his hands. ‘It exerts such a pull. I feel it myself.’

He came up close to Tom. Who was conscious, unexpectedly, of Posner’s appeal; of the calm that would follow submission to that pearl-glazed mass. He could offer up the gift of himself, and Posner would keep him safe in his pocket. He would take him out now and then and polish him on his sleeve.

‘I mean, just look at it.’ Posner’s hand rested on Tom’s shoulder, urging him gently around. ‘I think, I think , what makes it extraordinary is the way it risks sentimentality. How it doesn’t shy away from sheer gorgeousness. The way she’s laid on that paint. And this.’ His finger hovered above a rectangle of gold and burnt orange. ‘The whole thing’s such a huge risk. And she confronts it and makes use of it. Subordinates it to a larger design, like this scrap of Chinese paper. It’s an exorcism, in a way. It looks something dangerous in the face and accepts it. Controls it. And you think, How absolutely fucking marvellous.’

His fingers tightened a little on Tom’s shoulder.‘Would you like to touch it?’ His mouth approached Tom’s ear. ‘Touch it, if you like,’ breathed Posner.

After dinner, Tom assembled clothes, food, the equipment he had bought that afternoon. He checked his list again, aware that he was not entirely sober. He had begun drinking as soon as he had got home, and had kept it up more or less all evening.

He added a tube of Beroccas to his overnight bag.

It was his habit to try for private truthfulness. He paused in his preparations to acknowledge that what disturbed him most-more than his sense that Posner had anticipated the entire episode, more than his flustered, schoolboyish retreat- was the flicker of acquiescence Posner had drawn from him.

A champagne-bright afternoon in winter; the blank interval that July during which Tom had sworn off Nelly.

In a paddock by the river, where a post measured fl oods in imperial feet, he unclipped the dog’s lead. A giant metal man stood sentry over the place, one of a series of pylons striding beside the freeway. But there were also eucalypts and wattles deep in waving grasses, or leaning over the water. To leave the bike path for the leafy corridor that dipped into the paddock was like returning to a scene almost forgotten.

The dog vanished over a bank; reappeared eventually with damp paws. He never went out of his depth, but stood in the sluggish current even in the coldest weather, attentive to ducks. Sometimes a dog on the far side of the river made him bark.

Time passed. Shadows stretched over the beaten tin surface of the water. The sun was easing itself earthwards with the caution of an old, exhausted animal. In the yawning sky, which was still full of light, a dark path opened and lengthened. It was the city’s daily visitation from horror. The bats streamed up from the botanic gardens, following the river’s chill road to the orchards waiting in the east.

Tom walked back into the baroque ruins of a sunset, rose and gold curds whipped up in a Roman dream. It was a city that put on wonderful skies. He thought of a cloudscape in one of Nelly’s pictures: oyster-grey puffs blown over a yellow bed.

Up above, what wind-walks! what lovely behaviour / Of silk-sack clouds! Then he remembered believing, as a very young child, that the sun and the clouds followed wherever he walked.

A voice from a hedged garden hissed, ‘You’ve had every opportunity.’ But when Tom turned his head, there was no one there.

Without having intended to, he found he had deviated from his course and was in the vicinity of the Preserve. He began to fantasise about turning a corner and coming face to face with Nelly. This flight of imagination was so persuasive that the smell of her entered his nostrils. He saw her hand, emerging from its padded red sleeve, in the dog’s fur, and noticed what had escaped his attention until then: a tiny corkcoloured blemish between her thumb and index fi nger.

He came to a halt at the junction of two streets, beyond which the bulk of the Preserve detached itself against the darkening sky. The upper storeys could be plainly seen above the surrounding buildings. Nelly’s studio, which lay on the far side, was invisible, but the wall of panes in the central room was a sheet of gold, and Rory’s windows were lined with light.

The dog clicked to and fro on the corner; he wished to return to his dinner. With the onset of evening, it was very cold. Tom slipped his free hand into his pocket.

At that moment something pale moved in the shadows above the Preserve. In Tom’s chest a muscle jolted. With that first shock, he took an instinctive step backwards. Then, straining to decode the vision before him, he stood stone-still and peered. Posner was walking on the roof of the Preserve.

It was where Nelly and the others went to smoke. What business Posner, a non-smoker, had there on an icy evening was not apparent. Then it occurred to Tom that he might not be alone. Nelly might be strolling there, hidden by the parapet, drawing poisonous spice into her lungs, while the dealer regaled her with a witty dissection of the motives of the fi gure shrinking on the pavement below.

Posner came to a halt, the whey circle of his face directed at Tom. Who told himself that in his dark fleece, at that distance, he was invisible to the watcher on the roof. He mastered an impulse to look away; made himself return that blind gaze. For a frozen passage Posner and he remained motionless, stricken with each other.

But there was the dog, a patch of light shifting at Tom’s feet. He placed his hand on the furry spine and pressed. The dog sat.

This obedience so surprised Tom that he glanced down. When he looked up again, Posner had vanished.

The chill of the street, seeping up through his boots, had entered Tom’s marrow. He shivered, and heard soft growling. The dog’s hackles had risen. There must be a cat somewhere close at hand, crouched in the darkness that had spread like leaves.

Tom went in and out of rooms in his flat. In the laundry, a blanket-lined basket still held the dog’s smell.

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