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Alice Munro: The View from Castle Rock

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Alice Munro The View from Castle Rock

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A powerful new collection from one of our most beloved, admired, and honored writers. In stories that are more personal than any that she's written before, Alice Munro pieces her family's history into gloriously imagined fiction. A young boy is taken to Edinburgh's Castle Rock, where his father assures him that on a clear day he can see America, and he catches a glimpse of his father's dream. In stories that follow, as the dream becomes a reality, two sisters-in-law experience very different kinds of passion on the long voyage to the New World; a baby is lost and magically reappears on a journey from an Illinois homestead to the Canadian border. Other stories take place in more familiar Munro territory, the towns and countryside around Lake Huron, where the past shows through the present like the traces of a glacier on the landscape and strong emotions stir just beneath the surface of ordinary comings and goings. First love flowers under the apple tree, while a stronger emotion presents itself in the barn. A girl hired as summer help, and uneasy about her “place” in the fancy resort world she's come to, is transformed by her employer's perceptive parting gift. A father whose early expectations of success at fox farming have been dashed finds strange comfort in a routine night job at an iron foundry. A clever girl escapes to college and marriage.

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Bessie Scott dies fairly young, and it is probably after her death that the parties have begun. The children will have been banished, most likely, to some outbuilding or the sleeping loft of the house. There does not appear to have been any serious outlawry or loss of respectability. The French brandy may be worth noting, though, in the light of the adventures that come upon Will in his maturity.

He is out on the hills as the day turns to evening and he keeps hearing a sound like a chattering and a twittering. He knows all the sounds that birds can make and he understands that this is no bird. It seems to come out of a deep hollow nearby. So he creeps and creeps very softly to the edge of the hollow and flattens himself down, just raises up his head enough that he can look over.

And what does he see down below but a whole company of creatures all about as high as a two-year-old child, but none of them are children. They are little women, all dainty looking and dressed in green. And busy as they can be. Some baking bread in a bit of an oven and some pouring drink out of little kegs into glass pitchers and some fixing up the other one’s hair and all the time humming and chittering away and never looking up, never raising one of their heads but just keeping their eyes on their business. But the more he keeps listening to them the more he thinks he hears something familiar. And it comes clearer and clearer-the little chirp-chirp song they make. Finally it comes clear as a bell.

Will OPhaup, Will OPhaup, Will OPhaup.

His own name is all the word in their mouths. The song that sounded sweet enough to him when he first heard it is not that anymore, it is full of laughing but it is not decent laughing. It makes the cold sweat run down Will’s back. And he remembers at the same time that this is All Hallows’ Eve, the time in the year when these creatures can work their way however they please with any human being. So he jumps up and runs, he runs all the way back to his house faster than any devil could chase him.

All the way he hears the song of Will OPhaup, Will O'Phaup ringing just behind his ears and never growing any less or any fainter. He reaches his house and he gets inside and bars the door and gathers all his children round him and he begins to pray as loud as ever he can and as long as he prays he cannot hear. But let him just stop to get his breath and it comes down the chimney, it comes through the cracks in the door, and it gets louder as the creatures fight against his prayer and he does not dare to rest till on the stroke of midnight he cries Ob, Lord-have mercy and falls silent. And there is no more heard of the creatures, not a peep. It is a still night out as any night might be and the peace of Heaven over the whole valley.

Then another time, in the summer but around the darkening hour of the evening, he is making his way home from penning the sheep and he thinks that he sees some of his neighbors quite a distance away. It comes into his mind that they will be coming home from Moffat Fair, it being indeed the Moffat Fair Day. So he thinks he’ll take the opportunity of going ahead and speaking to them, and find out what the news is, and how they got on.

As soon as he gets close enough to them he calls out.

But nobody takes any notice. And then again he calls out, but still not one of them turns around or looks towards him. He can see them plain from their backs, all country folks in their plaids and their bonnets, both men and women, and normal-sized, but he cannot get to look at their faces, they stay turned away from him. And they do not look to be hurrying, they are dawdling along and gossiping and chatting and he can hear the noise they make but not quite the words.

So he follows faster and faster and finally he takes to a run, to catch up to them, but no matter how fast he runs he cannot do that-though they are not hurrying at all, they are still just dawdling. And so busy he is, thinking about catching up to them, that it does not occur to him for some while that they are not going homeward at all.

They are not going down the valley but up a narrow kind of little side valley with a trickle of a creek in it that flows down into the Ettrick. And with the light fading they seem to be getting dimmer but more numerous, a strange thing.

And down from the hills comes a cold draught of air though it is a warm summer evening.

And Will knows it then. These are no neighbor folk. And they are not leading him on to any place where he would want to go. And hard as he had run after them before, he turns now and runs the other way. This being an ordinary night and not All Hallows’ Eve they have no powers to chase him. His fear is different from the fear he felt the other time, but just as cold, because of the notion he has that they are ghosts of humans bewitched into fairies.

It would be a mistake to think that everybody believed these stories. There was the brandy factor. But most people, believing or not, would hear them with more than a mild shiver. They might feel some curiosity, and some skepticism, but mostly a large portion of plain dread. Fairies and ghosts and religion were never mixed up together under some benign designation {spiritual powers?) as they often are today. Fairies were not blithe and captivating. They belonged to the olden times, not the old historical times of Flodden where every Selkirk man was killed except the one who brought the news, or of the lawless men raiding by night across the Debatable Lands, or of Queen Mary-or even of the times before that, of William Wallace or Archibald Bell-the-Cat or the Maid of Norway, but the truly dark times, before the Antonine Wall and before the first Christian missionaries came across the sea from Ireland. They belonged to times of bad powers and evil confusion, and their attentions were oftener than not malicious, or even deadly.

Thomas Boston

As a Testament of Esteem for the

Reverend Thomas Boston Senior

whose private character was highly respectable,

whose public labours were blessed to many and

whose writings have contributed much to promote

the advancement of vital Christianity.

This monument erected by a religious

and grateful public.

Strive to enter in at the strait gate: for many, I say unto

you, will seek to enter in, and will not be able.

Luke xiii, 24.

Will’s sightings would certainly not stand well with the Kirk, and during the first part of the eighteenth century the Kirk was particularly powerful in the parish of Ettrick.

Its minister at that time was the preacher named Thomas Boston, who is remembered now-if he is remembered at all-as the author of a book called Human Nature in its Fourfold State, which was said to stand next to the Bible on the shelf of every pious home in Scotland. And every Presbyterian home in Scotland was meant to be a pious home. Constant investigation of private life and tortured reshapings of the faith went on to take care of that. There was no balm of ritual, no elegance of ceremony. Prayer was not only formal but personal, agonized. The readiness of the soul for eternal life was always in doubt and danger.

Thomas Boston kept this drama going without a break, for himself and for his parishioners. In his autobiography he speaks of his own recurring miseries, his dry spells, his sense of unworthiness and dullness even in the act of preaching the Gospel, or while praying in his study. He pleads for grace. He bares his breast to Heaven-at least symbolically-in his desperation. He would surely lacerate himself with thorned whips if such behavior would not be Popish, would not in fact constitute a further sin.

Sometimes God hears him, sometimes not. His craving for God can never leave him, but he can never count on its being satisfied. He can rise up filled with the Spirit and enter marathons of preaching, he presides at solemn festivals of Communion in which he knows himself to be the Vessel of God and witnesses the transformation of many souls. But he is careful not to take the credit himself. He knows that he is all too capable of the Sin of Pride, and knows too how swiftly Grace may be withdrawn from him.

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