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Alice Munro: The View from Castle Rock

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Alice Munro The View from Castle Rock

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A powerful new collection from one of our most beloved, admired, and honored writers. In stories that are more personal than any that she's written before, Alice Munro pieces her family's history into gloriously imagined fiction. A young boy is taken to Edinburgh's Castle Rock, where his father assures him that on a clear day he can see America, and he catches a glimpse of his father's dream. In stories that follow, as the dream becomes a reality, two sisters-in-law experience very different kinds of passion on the long voyage to the New World; a baby is lost and magically reappears on a journey from an Illinois homestead to the Canadian border. Other stories take place in more familiar Munro territory, the towns and countryside around Lake Huron, where the past shows through the present like the traces of a glacier on the landscape and strong emotions stir just beneath the surface of ordinary comings and goings. First love flowers under the apple tree, while a stronger emotion presents itself in the barn. A girl hired as summer help, and uneasy about her “place” in the fancy resort world she's come to, is transformed by her employer's perceptive parting gift. A father whose early expectations of success at fox farming have been dashed finds strange comfort in a routine night job at an iron foundry. A clever girl escapes to college and marriage.

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A third man-and that was the lot-came staggering across the shelf as if he had in mind to do that very thing.

“Where is it then?” he hollered. “Are we up on Arthur’s seat?”

“Ye are not,” said Andrew’s father. “Look beyond you.”

The sun was out now, shining on the stone heap of houses and streets below them, and the churches whose spires did not reach to this height, and some little trees and fields, then a wide silvery stretch of water. And beyond that a pale green and grayish-blue land, part in sunlight and part in shadow, a land as light as mist, sucked into the sky.

“So did I not tell you?” Andrew’s father said. “America. It is only a little bit of it, though, only the shore. There is where every man is sitting in the midst of his own properties, and even the beggars is riding around in carriages.”

“Well the sea does not look so wide as I thought,” said the man who had stopped staggering. “It does not look as if it would take you weeks to cross it.”

“It is the effect of the height we’re on,” said the man who stood beside Andrew’s father. “The height we’re on is making the width of it the less.”

“It’s a fortunate day for the view,” said Andrew’s father. “Many a day you could climb up here and see nothing but the fog.”

He turned and addressed Andrew.

“So there you are my lad and you have looked over at America,” he said. “God grant you one day you will see it closer up and for yourself.”

***

Andrew has been to the Castle one time since, with a group of the lads from Ettrick, who all wanted to see the great cannon, Mons Meg. But nothing seemed to be in the same place then and he could not find the route they had taken to climb up to the rock. He saw a couple of places blocked off with boards that could have been it. But he did not even try to peer through them-he had no wish to tell the others what he was looking for. Even when he was ten years old he had known that the men with his father were drunk. If he did not understand that his father was drunk-due to his father’s sure-footedness and sense of purpose, his commanding behavior-he did certainly understand that something was not as it should be. He knew he was not looking at America, though it was some years before he was well enough acquainted with maps to know that he had been looking at Fife.

Still, he did not know if those men met in the tavern had been mocking his father, or if it was his father playing one of his tricks on them.

Old James the father. Andrew. Walter. Their sister Mary. Andrew’s wife Agnes, and Agnes and Andrew’s son James, under two years old.

In the harbor of Leith, on the 4th of June, 1818, they set foot on board a ship for the first time in their lives.

Old James makes this fact known to the ship’s officer who is checking off the names.

“The first time, serra, in all my long life. We are men of the Ettrick. It is a landlocked part of the world.”

The officer says a word which is unintelligible to them but plain in meaning. Move along. He has run a line through their names. They move along or are pushed along, Young James riding on Mary’s hip.

“What is this?” says Old James, regarding the crowd of people on deck. “Where are we to sleep? Where have all these rabble come from? Look at the faces on them, are they the blackamoors?”

“Black Highlanders, more like,” says his son Walter. This is a joke, muttered so his father cannot hear-Highlanders being one of the sorts the old man despises.

“There are too many people,” his father continues. “The ship will sink.”

“No,” says Walter, speaking up now. “Ships do not often sink because of too many people. That’s what the fellow was there for, to count the people.”

Barely on board the vessel and this seventeen-year-old whelp has taken on knowing airs, he has taken to contradicting his father. Fatigue, astonishment, and the weight of the greatcoat he is wearing prevent Old James from cuffing him.

All the business of life aboard ship has already been explained to the family. In fact it has been explained by the old man himself. He was the one who knew all about provisions, accommodations, and the kind of people you would find on board. All Scotsmen and all decent folk. No Highlanders, no Irish.

But now he cries out that it is like the swarm of bees in the carcass of the lion.

“An evil lot, an evil lot. Oh, that ever we left our native land!”

“We have not left yet,” says Andrew. “We are still looking at Leith. We would do best to go below and find ourselves a place.”

More lamentation. The bunks are narrow, bare planks with horsehair pallets both hard and prickly.

“Better than nothing,” says Andrew.

“Oh, that it was ever put in my head to bring us here, onto this floating sepulchre.”

Will nobody shut him up? thinks Agnes. This is the way he will go on and on, like a preacher or a lunatic, when the fit takes him. She cannot abide it. She is in more agony herself than he is ever likely to know.

“Well, are we going to settle here or are we not?” she says.

Some people have hung up their plaids or shawls to make a half-private space for their families. She goes ahead and takes off her outer wrappings to do the same.

The child is turning somersaults in her belly. Her face is hot as a coal and her legs throb and the swollen flesh in between them-the lips the child must soon part to get out-is a scalding sack of pain. Her mother would have known what to do about that, she would have known which leaves to mash to make a soothing poultice.

At the thought of her mother such misery overcomes her that she wants to kick somebody.

Andrew folds up his plaid to make a comfortable seat for his father. The old man seats himself, groaning, and puts his hands up to his face, so that his speaking has a hollow sound.

“I will see no more. I will not harken to their screeching voices or their satanic tongues. I will not swallow a mouth of meat nor meal until I see the shores of America.”

All the more for the rest of us, Agnes feels like saying.

Why does Andrew not speak plainly to his father, reminding him of whose idea it was, who was the one who harangued and borrowed and begged to get them just where they are now?

Andrew will not do it, Walter will only joke, and as for Mary she can hardly get her voice out of her throat in her father’s presence.

Agnes comes from a large Hawick family of weavers, who work in the mills now but worked for generations at home. And working there they learned all the arts of cutting each other down to size, of squabbling and surviving in close quarters. She is still surprised by the rigid manners, the deference and silences in her husband’s family. She thought from the beginning that they were a queer sort of people and she thinks so still. They are as poor as her own folk, but they have such a great notion of themselves. And what have they got to back this up? The old man has been a wonder in the tavern for years, and their cousin is a raggedy lying poet who had to flit to Nithsdale when nobody would trust him to tend sheep in Ettrick. They were all brought up by three witchey-women of aunts who were so scared of men that they would run and hide in the sheep pen if anybody but their own family was coming along the road.

As if it wasn’t the men that should be running from them.

Walter has come back from carrying their heavier possessions down to a lower depth of the ship.

“You never saw such a mountain of boxes and trunks and sacks of meal and potatoes,” he says excitedly. “A person has to climb over them to get to the water pipe. Nobody can help but spill their water on the way back and the sacks will be wet through and the stuff will be rotted.”

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