Jerome Salinger - The Catcher in the Rye

Brossard and Ackley both had seen the picture that was playing, so all we did, we just had a couple of hamburgers and played the pinball machine for a little while, then took the bus back to Pencey. I didn’t care about not seeing the movie, anyway. It was supposed to be a comedy, with Cary Grant in it, and all that crap. Besides, I’d been to the movies with Brossard and Ackley before. They both laughed like hyenas at stuff that wasn’t even funny. I didn’t even enjoy sitting next to them in the movies.

It was only about a quarter to nine when we got back to the dorm. Old Brossard was a bridge fiend, and he started looking around the dorm for a game. Old Ackley parked himself in my room, just for a change. Only, instead of sitting on the arm of Stradlater’s chair, he laid down on my bed, with his face right on my pillow and all. He started talking in this very monotonous voice, and picking at all his pimples. I dropped about a thousand hints, but I couldn’t get rid of him. All he did was keep talking in this very monotonous voice about some babe he was supposed to have had sexual intercourse with the summer before. He’d already told me about it about a hundred times. Every time he told it, it was different. One minute he’d be giving it to her in his cousin’s Buick, the next minute he’d be giving it to her under some boardwalk. It was all a lot of crap, naturally. He was a virgin if ever I saw one. I doubt if he ever even gave anybody a feel. Anyway, finally I had to come right out and tell him that I had to write a composition for Stradlater, and that he had to clear the hell out, so I could concentrate. He finally did, but he took his time about it, as usual. After he left, I put on my pajamas and bathrobe and my old hunting hat, and started writing the composition.

The thing was, I couldn’t think of a room or a house or anything to describe the way Stradlater said he had to have. I’m not too crazy about describing rooms and houses anyway. So what I did, I wrote about my brother Allie’s baseball mitt. It was a very descriptive subject. It really was. My brother Allie had this left-handed fielder’s mitt. He was left-handed. The thing that was descriptive about it, though, was that he had poems written all over the fingers and the pocket and everywhere. In green ink. He wrote them on it so that he’d have something to read when he was in the field and nobody was up at bat. He’s dead now. He got leukemia and died when we were up in Maine, on July 18, 1946. You’d have liked him. He was two years younger than I was, but he was about fifty times as intelligent. He was terrifically intelligent. His teachers were always writing letters to my mother, telling her what a pleasure it was having a boy like Allie in their class. And they weren’t just shooting the crap. They really meant it. But it wasn’t just that he was the most intelligent member in the family. He was also the nicest, in lots of ways. He never got mad at anybody. People with red hair are supposed to get mad very easily, but Allie never did, and he had very red hair. I’ll tell you what kind of red hair he had. I started playing golf when I was only ten years old. I remember once, the summer I was around twelve, teeing off and all, and having a hunch that if I turned around all of a sudden, I’d see Allie. So I did, and sure enough, he was sitting on his bike outside the fence—there was this fence that went all around the course—and he was sitting there, about a hundred and fifty yards behind me, watching me tee off. That’s the kind of red hair he had. God, he was a nice kid, though. He used to laugh so hard at something he thought of at the dinner table that he just about fell off his chair. I was only thirteen, and they were going to have me psychoanalyzed and all, because I broke all the windows in the garage. I don’t blame them. I really don’t. I slept in the garage the night he died, and I broke all the goddam windows with my fist, just for the hell of it. I even tried to break all the windows on the station wagon we had that summer, but my hand was already broken and everything by that time, and I couldn’t do it. It was a very stupid thing to do, I’ll admit, but I hardly didn’t even know I was doing it, and you didn’t know Allie. My hand still hurts me once in a while when it rains and all, and I can’t make a real fist any more—not a tight one, I mean—but outside of that I don’t care much. I mean I’m not going to be a goddam surgeon or a violinist or anything anyway.

Anyway, that’s what I wrote Stradlater’s composition about. Old Allie’s baseball mitt. I happened to have it with me, in my suitcase, so I got it out and copied down the poems that were written on it. All I had to do was change Allie’s name so that nobody would know it was my brother and not Stradlater’s. I wasn’t too crazy about doing it, but I couldn’t think of anything else descriptive. Besides, I sort of liked writing about it. It took me about an hour, because I had to use Stradlater’s lousy typewriter, and it kept jamming on me. The reason I didn’t use my own was because I’d lent it to a guy down the hall.

It was around ten-thirty, I guess, when I finished it. I wasn’t tired, though, so I looked out the window for a while. It wasn’t snowing out any more, but every once in a while you could hear a car somewhere not being able to get started. You could also hear old Ackley snoring. Right through the goddam shower curtains you could hear him. He had sinus trouble and he couldn’t breathe too hot when he was asleep. That guy had just about everything. Sinus trouble, pimples, lousy teeth, halitosis, crumby fingernails. You had to feel a little sorry for the crazy sonuvabitch.

Some things are hard to remember. I’m thinking now of when Stradlater got back from his date with Jane. I mean I can’t remember exactly what I was doing when I heard his goddam stupid footsteps coming down the corridor. I probably was still looking out the window, but I swear I can’t remember. I was so damn worried, that’s why. When I really worry about something, I don’t just fool around. I even have to go to the bathroom when I worry about something. Only, I don’t go. I’m too worried to go. I don’t want to interrupt my worrying to go. If you knew Stradlater, you’d have been worried, too. I’d double-dated with that bastard a couple of times, and I know what I’m talking about. He was unscrupulous. He really was.

Anyway, the corridor was all linoleum and all, and you could hear his goddam footsteps coming right towards the room. I don’t even remember where I was sitting when he came in—at the window, or in my chair or his. I swear I can’t remember.

He came in griping about how cold it was out. Then he said, “Where the hell is everybody? It’s like a goddam morgue around here.” I didn’t even bother to answer him. If he was so goddam stupid not to realize it was Saturday night and everybody was out or asleep or home for the week end, I wasn’t going to break my neck telling him. He started getting undressed. He didn’t say one goddam word about Jane. Not one. Neither did I. I just watched him. All he did was thank me for letting him wear my hound’s-tooth. He hung it up on a hanger and put it in the closet.

Then when he was taking off his tie, he asked me if I’d written his goddam composition for him. I told him it was over on his goddam bed. He walked over and read it while he was unbuttoning his shirt. He stood there, reading it, and sort of stroking his bare chest and stomach, with this very stupid expression on his face. He was always stroking his stomach or his chest. He was mad about himself.

All of a sudden, he said, “For Chrissake, Holden. This is about a goddam baseball glove.”

“So what?” I said. Cold as hell.

“Wuddaya mean so what? I told ya it had to be about a goddam room or a house or something.”