John Irving - Last Night In Twisted River

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From the author of A Widow for One Year, A Prayer for Owen Meany and other acclaimed novels, comes a story of a father and a son – fugitives in 20th-century North America.
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, a twelve-year-old boy mistakes the local constable's girlfriend for a bear. Both the twelve-year-old and his father become fugitives, pursued by the constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.
In a story spanning five decades, Last Night in Twisted River – John Irving's twelfth novel – depicts the recent half-century in the United States as a world 'where lethal hatreds were generally permitted to run their course.' From the novel's taut opening sentence – 'The young Canadian, who could not have been more than fifteen, had hesitated too long.' – to its elegiac final chapter, what distinguishes Last Night in Twisted River is the author's unmistakable voice, the inimitable voice of an accomplished storyteller.

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“Mr. Angel!” Danny heard Max calling; the boy was almost never off his bike, but this time Danny saw him running.

Several of the apples, placed as slalom gates, had been squashed flat in the alley. Danny saw that both boys’ bikes were lying on their sides, off the pavement; Joe lay curled up in a fetal position next to his bike.

Danny could see that Joe was conscious, and he appeared more frightened than hurt. “Did it hit you? Did the car hit you?” he asked his son. The boy quickly shook his head but otherwise wouldn’t move; he just stayed in a tight ball.

“We crashed, trying to get out of the way-the Mustang was coming right at us,” Max said. “It was the blue Mustang-it always goes too fast,” Max told Danny. “It’s gotta be a customized job-it’s a funny blue.”

“You’ve seen the car before?” Danny asked. (Clearly, Max knew cars.)

“Yeah, but not here-not in the alley,” the boy said.

“Go get the Pajama Lady, Max,” Danny told the kid. “You can find her. She’s upstairs, with my pop.” Danny had never called his dad a “pop” before; where the word came from must have had something to do with the fright of the moment. He knelt beside Joe, almost afraid to touch him, while the boy shivered. He was like a fetus willing himself back to the womb, or trying to, the writer thought. “Joe?” his father said. “Does anything hurt? Is anything broken? Can you move?”

“I couldn’t see a driver. It was just a car,” the boy said-still not moving, except for the shivering. Probably the sunlight had been reflecting off the windshield, Danny thought.

“Some teenager, I’ll bet,” Danny said.

“There was no driver,” Joe insisted. Later Max would claim to have never seen the driver, though he’d seen the speeding blue Mustang in the neighborhood before.

“Pajama Lady!” Danny heard Max calling. “Pop!”

The cook had sat up in bed beside the drowsy Yi-Yiing. “Who’s ‘Pop,’ do you suppose?” he asked her.

“I’m guessing that I’m the Pajama Lady,” Yi-Yiing answered sleepily. “You must be Pop.”

Quite a commotion ensued when Yi-Yiing and the cook learned that Joe had fallen off his bike and there’d been a car involved. Max would probably take to his grave the image of how fast the Pajama Lady ran barefoot to the scene of the accident, where Joe was now sitting up-rocking back and forth in his father’s arms. The cook, with his limp, was slower to arrive; by then, Youn had interrupted her novel-in-progress to see what was the matter.

The elegantly dressed dame at the farthest end of the alley-her trash barrels had been knocked over by the vanishing blue Mustang-approached fearfully. She was elderly and frail, but she wanted to see if the boys on their bicycles were all right. Like Max, the regal old woman had seen the blue Mustang in the neighborhood before-but never the driver.

“What kind of blue?” Danny asked her.

“Not a common blue-it’s too blue,” the old dame said.

“It’s a customized job, Mr. Angel-I told you,” Max said.

“You’re all right, you’re all right,” Yi-Yiing kept saying to Joe; she was feeling the boy all over. “You never hit your head, did you?” she asked him; he shook his head. Then she began to tickle him, maybe to relieve them both. Her Hong Kong pajamas this morning were an iridescent fish-scale green.

“Everything’s fine, isn’t it?” Youn asked Danny. The Korean divorcée probably wanted to get back to her writing.

No, everything isn’t “fine,” the writer Danny Angel was thinking-not with the driverless blue Mustang on the loose-but he smiled at her (Youn was also barefoot, wearing a T-shirt and jeans) and at his worried-looking father. The cook must have limped naked into the upstairs hall before he realized he lacked clothes, because he was wearing just a pair of Danny’s running shorts; Danny had left them on the railing at the top of the stairs.

“Are you taking a run, Pop?” Danny asked his dad, the new word seeming strangely natural to them both-as if a bullet dodged marked a turning point, or a new beginning, in both their lives and young Joe’s. Maybe it did.

COLBY WAS THE COP’S NAME. “Officer Colby,” the cook kept calling him, in the kitchen of the Court Street house-perhaps in mock respect of that other, long-ago policeman in his life. Except for the bad haircut, the young Iowa City cop in no way resembled Carl. Colby was fair-skinned with Scandinavian-blue eyes and a neatly trimmed blond mustache; he apologized for not responding sooner to Danny’s call about the dangerous driver, but those weekends when the Iowa football team played at home kept the local police busy. The policeman’s demeanor was at once friendly and earnest-Danny liked him immediately. (The writer could not help but observe how observant the policeman was; Colby had an eye for small details, such as those beer stickers on the fridge.) Officer Colby told Danny and his dad that he’d received previous reports of a blue Mustang; as Max had said, the car was probably a customized job, but there were some inconsistencies in the various sightings.

The hood ornament was either the original mustang or-according to a hysterical housewife in the parking lot of a supermarket near Fairchild and Dodge-an obscene version of a centaur. Other witnesses identified a nonspecific but clearly out-of-state license plate, while a university student who’d been run off Dubuque Street on his motorcycle said that the blue Mustang definitely had Iowa plates. As Officer Colby told the cook and his writer son, there were no descriptions of the driver.

“The boys will be home from school any minute,” Danny said to the cop, who’d politely glanced at his watch. “You can talk to them. I saw nothing but an unusual shade of blue.”

“May I see your son’s room?” the officer asked.

A curious request, Danny thought, but he saw no reason to object. It took only a minute, and Colby made no comment on the beer posters; the three men returned to the kitchen to wait for the kids. As for the back alley, where the blue Mustang had almost hit the boys on their bikes, Officer Colby pronounced it safe for bike-riding “under normal circumstances.” However, the officer seemed to share Yi-Yiing’s overall feelings about kids on bicycles in Iowa City. It was better for the kids to walk, or take the bus-certainly they should avoid riding their bikes downtown. There were more and more students driving, many of them newcomers to the university town-not to mention the out-of-towners on the big sports weekends.

“Joe doesn’t ride his bike downtown-only in this neighborhood-and he always walks his bike across the street,” Danny told the policeman, who looked as if he doubted this. “No, really,” the writer said. “I’m not so sure about Max, our neighbor’s eight-year-old. I think Max’s parents are more liberal-I mean concerning where Max can ride his bike.”

“Here they are,” the cook said; he’d been watching the back alley for Joe and Max to appear on their bicycles.

The eight-year-olds seemed surprised to see Officer Colby in the kitchen; like the third graders they were, and almost as if they were passing a secret message in class, they looked quickly at each other and then stared at the kitchen floor.

“The beer-truck boys,” Colby said. “Maybe you boys should keep in mind that the blue Mustang has been seen all over town.” The officer turned his attention to Danny and his dad. “They’re good kids, but they like getting beer stickers and posters and those sew-on badges from the beer-truck drivers. I see these boys at the bars downtown. I just remind them that they can’t go inside the bars, and I occasionally have to tell them not to follow the beer trucks from bar to bar-not on their bikes. Clinton and Burlington streets are particularly bad for bikes.”

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