John Irving - Last Night In Twisted River

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From the author of A Widow for One Year, A Prayer for Owen Meany and other acclaimed novels, comes a story of a father and a son – fugitives in 20th-century North America.
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, a twelve-year-old boy mistakes the local constable's girlfriend for a bear. Both the twelve-year-old and his father become fugitives, pursued by the constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.
In a story spanning five decades, Last Night in Twisted River – John Irving's twelfth novel – depicts the recent half-century in the United States as a world 'where lethal hatreds were generally permitted to run their course.' From the novel's taut opening sentence – 'The young Canadian, who could not have been more than fifteen, had hesitated too long.' – to its elegiac final chapter, what distinguishes Last Night in Twisted River is the author's unmistakable voice, the inimitable voice of an accomplished storyteller.

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“That’s okay-I know you’re just trying to help me,” the boy told him.

“We should be hearing some word from Exeter any day now,” Mr. Leary said anxiously; he was desperate to change the subject from the pen-name faux pas.

“I hope so,” Danny Baciagalupo said seriously. A more thoughtful expression had returned to young Dan’s face; he’d stopped scowling.

Mr. Leary, who was agitated that he’d overstepped his bounds, knew that the boy went to work at Vicino di Napoli almost every afternoon after school; the well-meaning English teacher let Danny go on his way.

As he often did after school, Mr. Leary did some errands in the neighborhood. He still lived in the area of Northeastern University, where he’d gone to graduate school and met his wife; he took the subway to the Haymarket station every morning, and he took it home again, but he did his shopping (what little there was of it) in the North End. He’d taught at the Michelangelo for so long, virtually everyone in the neighborhood knew him; he’d taught either them or their children. Simply because they teased him-after all, he was Irish-didn’t mean that they didn’t like Mr. Leary, whose eccentricities amused them.

The afternoon of his ill-conceived “bold suggestion,” Mr. Leary paused in the garden at St. Leonard Church, once again fretting at the absence of an ’ s- obviously, to the old English teacher, the church should have been named St. Leonard’ s . Mr. Leary did his confessing at St. Stephen’s, which had a proper’ s . He simply liked St. Stephen’s better; it was more like a Catholic church anywhere. St. Leonard was somehow more Italian- even that familiar prayer in the garden of the church was translated into Italian. “Ora sono qui. Preghiamo insieme. Dio ti aiuta.” (“Now I’m here. Let’s pray together. God will help you.”)

Mr. Leary prayed that God would help Daniel Baciagalupo get a full scholarship to Exeter. And there was another thing he’d never liked about St. Leonard, Mr. Leary thought, as he was leaving the garden. He hadn’t gone inside the church; there was a plaster saint inside, San Peregrine, with his right leg bandaged. Mr. Leary found the statue vulgar.

And there was something else he preferred about St. Stephen’s, the old Irishman was musing-how the church was across from the Prado, where the old men gathered to play checkers in the good weather. Mr. Leary occasionally stopped to play checkers with them. A few of those old guys were really good, but the ones who hadn’t learned English irritated Mr. Leary; not learning English was either not American enough or too Italian to suit him.

A former pupil (a fireman now) called to the old teacher outside the fire station on the corner of Hanover and Charter streets, and Mr. Leary stopped to chat with the robust fellow. In no particular order, Mr. Leary then refilled a prescription at Barone’s Pharmacy; in the same location, he paused at Tosti’s, the record store, where he occasionally bought a new album. The one Italian “indulgence” that Mr. Leary loved was opera-well, to be fair, he also loved the way they served the espresso at the Caffè Vittoria, and the Sicilian meat loaf Danny Baciagalupo’s dad made at Vicino di Napoli.

Mr. Leary made a small purchase at the Modern, a pastry shop on Hanover. He bought some cannoli to take home for his breakfast-the pastry cylinders were filled with sweetened ricotta cheese, nuts, and candied fruits. Mr. Leary had to confess to loving those Italian indulgences, too.

He didn’t like to look up Hanover Street in the direction of Scollay Square, though he walked in that direction to take the subway home from the Haymarket station every school day. South of the Haymarket was the Casino Theatre, and in the near vicinity of the Scollay Square subway station was the Old Howard. At both establishments, Mr. Leary tried to see the new striptease shows on the nights they opened-before the censors saw the shows and inevitably “trimmed” them. His regular attendance at these striptease joints made Mr. Leary feel ashamed, although his wife had died long ago. His wife probably wouldn’t have cared that he went to see the strippers-or she would have minded this indulgence less than if he’d remarried, which he hadn’t. Yet Mr. Leary had seen a few of these strippers perform so many times, in a way he occasionally felt that he was married to them. He had memorized the mole (if it was a mole) on Peaches, the so-called Queen of Shake. Lois Dufee-whose name, Mr. Leary believed, was incorrectly spelled-was six feet four and had peroxide-blond hair. Sally Rand danced with balloons, and there was another dancer who used feathers. Precisely what he saw these and other strippers do was the usual subject of what he confessed at St. Stephen’s-that and the repeated acknowledgment that he didn’t miss his wife, not anymore. He’d once missed her, but-like his wife herself-the missing-her part had left him.

It was a relatively new habit of Mr. Leary’s-since he had written to Exeter-that, before he finally left the North End every school day afternoon, he would stop back at the Michelangelo and see if there was anything in his mailbox. He was thinking to himself that he had a new confession to make at St. Stephen’s-for it weighed on him like a sin that he’d proposed a nom de plume to the Baciagalupo boy-when he sorted through the mail, which had arrived late in the day. Yet what a good name for a writer Daniel Leary would have been! the old Irishman was thinking. Then he saw the pearl-gray envelope with the crimson lettering, and what very classy lettering it was!

Phillips ExeterAcademy

Do you finally believe? Mr. Leary thought to himself. No prayer in a churchyard was ever wasted-even in that ultra-Italian garden at St. Leonard. “God will help you -Dio ti aiuta,” the crafty old Irishman said aloud, in English and Italian (just to be on the safe side, before he opened the envelope and read the letter from the scholarship person at Exeter).

Mr. Carlisle was coming to Boston. He wanted to visit the Michelangelo School and meet Mr. Leary. Mr. Carlisle very much looked forward to meeting Daniel Baciagalupo-and the boy’s father, the cook, and the boy’s stepmother, too. Mr. Leary realized that he may have overstepped his bounds, once more, by referring to the widow Del Popolo as Danny’s “stepmother;” to the English teacher’s knowledge, the cook and the curvy waitress weren’t married.

Naturally, Mr. Leary had overstepped himself in a few other areas as well. While young Dan had told his English teacher that his dad was reluctant to let the boy leave home and go away to school-and Carmella Del Popolo had actually cried at the very idea-Mr. Leary had already submitted his favorite student’s transcripts to the venerable academy. He’d even persuaded a couple of other teachers at the Mickey to write recommendations for young Baciagalupo. Mr. Leary had virtually applied for admission on behalf of Daniel Baciagalupo-all without telling the boy’s father what he was up to! Now, in Mr. Carlisle’s letter, there were references to the family’s need to submit financial statements-something the rather remote cook might be opposed to, it occurred to Mr. Leary, who was hoping he had not overstepped his bounds (again) to the degree that he’d utterly failed with the pen-name plan. The nom de plume had been an embarrassing mistake.

Oh, my, Mr. Leary was thinking-time to pray more! But he courageously took the Exeter letter in hand, together with his little parcel of pastries from the Modern, and he once more sallied forth on Hanover Street-this time not to the garden in the churchyard at St. Leonard but to Vicino di Napoli, where he knew he would find the Baciagalupo boy together with the “rather remote” cook, as Mr. Leary thought of Danny’s dad, and that overweight woman the widow Del Popolo.

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