John Irving - Last Night In Twisted River

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From the author of A Widow for One Year, A Prayer for Owen Meany and other acclaimed novels, comes a story of a father and a son – fugitives in 20th-century North America.
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, a twelve-year-old boy mistakes the local constable's girlfriend for a bear. Both the twelve-year-old and his father become fugitives, pursued by the constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.
In a story spanning five decades, Last Night in Twisted River – John Irving's twelfth novel – depicts the recent half-century in the United States as a world 'where lethal hatreds were generally permitted to run their course.' From the novel's taut opening sentence – 'The young Canadian, who could not have been more than fifteen, had hesitated too long.' – to its elegiac final chapter, what distinguishes Last Night in Twisted River is the author's unmistakable voice, the inimitable voice of an accomplished storyteller.

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Anyway, that mystery car just disappeared; the plowman never saw the driver.

The snowplow then made its way downhill, over the pass-in the direction of I-70-and that was when the plowman came upon the wreck on U.S. 40, Joe’s upside-down car. There’d been no other traffic over the pass, or the plowman would have seen it, so the plowman’s interpretation of the skid marks in the snow was probably correct. The other car-its tires spinning, its rear end drifting sideways-had skidded from the uphill lane into the downhill lane, where Joe was driving. From the tracks in the snow, the plowman could see that Joe had been forced to change lanes-to avoid the head-on collision. But the two cars had never made contact; they’d traded lanes without touching.

On a wet, snowy road, the plowman knew, a car coming uphill can recover from a skid-just take your foot off the gas, and the car slows down and stops skidding. In Joe’s case, of course, his car just kept going; he hit the huge snowbank that had buried the guardrail on the steep side of U.S. 40, where the drivers coming up Berthoud Pass don’t like to look down. It’s a long way down at that section of the road, but the soft-looking snowbank was densely packed and frozen hard; the snowbank bounced Joe’s car back into the uphill lane of U.S. 40, where the car tipped over. From those skid marks, the plowman could tell that Joe’s car had slid on its roof down the steepest part of the highway. Both the driver’s-side door and the door on the passenger side had sprung open.

How had one of Danny Angel’s interviewers asked the question? “Wouldn’t you say, Mr. Angel-regarding how slowly your son was driving, and the fact that he didn’t hit the other car-that, in all likelihood, it was an accident your son and the girl would have survived if they’d been wearing their seat belts?”

“In all likelihood,” Danny had repeated.

The police said it was impossible to imagine that the driver of the other car hadn’t been aware of Joe and Meg’s predicament; even with all the fishtailing, the so-called Denver driver must have seen what had happened to Joe’s car. But he didn’t stop, whoever he (or she) was. If anything, according to the plowman, the other car had sped up-as if to get away from the accident.

Danny and his dad rarely talked about the accident itself, but of course the cook knew what his writer son thought. To anyone with an imagination, to lose a child is attended by a special curse. Dominic understood that his beloved Daniel lost his beloved Joe over and over again-maybe in a different way each time. Danny would also wonder if the other car ever had a driver, for surely it was the blue Mustang. That rogue car had been looking for Joe all these years. (At the time of the accident on Berthoud Pass, it had been almost fourteen years since that near accident in the alleyway in back of the Court Street house in Iowa City, when Max-who’d seen the blue Mustang more than once-and the eight-year-old Joe himself had sworn there was no driver.)

It was a driverless blue Mustang, and it had a mission. Just as Danny, in his mind’s eye, had once imagined his slain two-year-old in diapers on Iowa Avenue, so had the plowman from Winter Park found Joe’s actual body-dead in the road.

CHAPTER 13. KISSES OF WOLVES

AT 7:30 ON A SATURDAY EVENING-IT WAS DECEMBER 23, the last night before the restaurant closed for the Christmas holiday-Patrice was chock-full. Arnaud was jubilant, greeting everyone at each table as if they were family. The owner’s excitement was infectious. All the diners were informed of the upcoming changes ahead for the restaurant; a more casual atmosphere and menu awaited them in the New Year. “Lower prices, too!” Arnaud told them-shaking hands, bussing cheeks. When the restaurant reopened, even the name would be different.

“No more ‘Patrice,’” Arnaud announced, gliding from table to table. “The new name is one you won’t easily forget. It has, I think, a certain edge!”

“The new restaurant is called Edge ?” Ketchum asked the Frenchman suspiciously. The old logger was increasingly hard of hearing-especially in his right ear, and Arnaud was speaking at the woodsman’s right side. (There was a noisy crowd that night, and the place was crammed.)

Too much gunfire, Danny Angel was thinking. Ketchum had what he called “shooter’s ear,” but the writer knew that Ketchum was chainsaw-deaf in both ears. It probably wouldn’t have mattered which ear Patrice was addressing.

“No, no-the name isn’t Edge, it’s Kiss of the Wolf!” Arnaud cried, loudly enough for the new name to register with Ketchum.

Danny and the logger had a window table for two, overlooking what they could see of Yonge Street -above the frosted glass. When the restaurateur had glided on to the next table, Ketchum gave Danny a penetrating stare. “I heard what the Frenchie said,” the old river driver began. “Kiss of the fucking Wolf! Shit-that sounds like a name only a writer would have thought up!”

“It wasn’t me,” Danny told him. “It was Silvestro’s idea, and Patrice liked it. Dad didn’t have anything to do with it, either.”

“Mountains of moose shit,” Ketchum said matter-of-factly. “It’s as if you fellas are trying to get caught!”

“We’re not going to get caught because of the restaurant’s name,” Danny told the logger. “Don’t be ridiculous, Ketchum. The cowboy can’t find us that way.”

“Carl is still looking for you-that’s all I’m saying, Danny. I don’t know why you want to help the cowboy find you.”

Danny didn’t say anything; he believed it was crazy to think that Carl could ever connect Kiss of the Wolf to the Baciagalupo name. The retired deputy sheriff didn’t speak Italian!

“I’ve seen wolves. I’ve come upon their kill, too,” the old woodsman said to Danny. “I’ll tell you what a kiss of the wolf looks like. A wolf rips your throat out. If there’s a pack going after you, or some other critter, they get you turning to face them, every which way, but there’s always one who’s getting ready to rip your throat out-that’s what they’re looking for, the throat-shot. Kisses of wolves aren’t so pretty!”

“What do you feel like eating?” Danny asked, just to change the subject.

“I’m fairly torn about it,” Ketchum said. He wore reading glasses-of all things!-but they failed to lend him a scholarly appearance. The scar from the eight-inch cast-iron skillet was too pronounced, his beard too bushy. The plaid shirt and fleece vest had too much of Twisted River about them to give Ketchum even a vestige of city life-not to mention fine dining. “I was considering the French-style grilled lamb chops, or the calf’s liver with Yukon frites,” the woodsman said. “What the fuck are Yukon frites?” he asked Danny.

“Big potatoes,” Danny answered. “They’re Yukon Gold potatoes, cut on the large side.”

“The côte de boeuf kind of caught my attention, too,” the logger said.

“The côte de boeuf is for two,” Danny told him.

“That’s why I noticed it,” Ketchum said. He had been drinking Steam Whistle on tap, but he’d switched to Alexander Keith by the bottle; the ale had a little more to it. “Constipated Christ!” Ketchum suddenly exclaimed. “There’s a wine that costs a hundred and sixty-eight dollars!”

Danny saw that it was a Barolo Massolino, from Piedmont. “Let’s have it,” the writer said.

“Just so long as you’re paying,” Ketchum told him.

OUT IN THE KITCHEN, it was bedlam as usual. The cook was helping Scott with the profiteroles, which were served with caramel ice cream and a bittersweet-chocolate sauce; Dominic was preparing the croutons and the rouille for Joyce and Kristine’s fish soup as well. It had been the cook’s task, earlier, to make the tagliatelle for the veal scallopini, and tonight the pasta would also be served with Silvestro’s duck confit. But Dominic had made the tagliatelle long before the restaurant (and the kitchen) got busy; he’d started a red-wine reduction with rosemary, too.

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