Anthony Burgess - A Clockwork Orange (UK Version)

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A Clockwork Orange (UK Version): краткое содержание, описание и аннотация

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In Anthony Burgess’s A Clockwork Orange, Burgess creates a gloomy future full of violence, rape and destruction. In this dystopian novel, Burgess does a fantastic job of constantly changing the readers’ allegiance toward the books narrator and main character, Alex. Writing in a foreign language, Burgess makes the reader feel like an outsider. As the novel begins, the reader has no emotional connection to Alex. This non-emotional state comes to a sudden halt when Alex and his droogs begin a series of merciless acts of violence. The reader rapidly begins to form what seems to be an irreversible hatred toward the books narrator. However, as time progresses, Burgess cleverly changes the tone of his novel. Once wishing only the harshest punishments be bestowed upon him, it is these same punishments that begin to change how the reader feels. In fact, by the end of the book, one almost begins to have pity for Alex. The same character that was once hated soon emerges as one of many victims taken throughout the course of the book. Throughout Alex’s narration, Burgess manages to change the readers’ allegiance toward a once seemingly evil character.
Alex is the type of character one loves to hate; he makes it all too easy to dislike him. He is a brutal, violent, teenage criminal with no place in society. His one and only role is to create chaos, which he does too well. Alex’s violent nature is first witnessed during the first chapter, and is soon seen again when Alex and his gang chose to brutally beat an innocent drunkard. This beating off the homeless man serves no purpose other then to amuse Alex’s gang. The acts committed were not performed for revenge, the one reason given was that Alex did not enjoy seeing a homeless drunk, “I could never stand to see a moodge all filthy and rolling and burping and drunk, whatever his age might be, but more especially when he was real starry like this one was”. Alex continues to explain his reason for dislike, “his platties were a disgrace, all creased and untidy and covered in cal”, from this explanation one realizes his reasons for nearly killing a man are simply based on pleasure, desire, and a dislike toward the untidy. By the end of the second chapter Burgess’s inventive usage of a different language to keep the reader alienated from forming opinions about Alex ceases to work. At this point in time Alex’s true nature is revealed, and not even his unfamiliar Nadsat language can save him from being strongly disliked by the reader.
The more the reader learns of Alex, the more and more he is disliked; Alex’s relationship with his parents only builds on ones already negative opinions toward Alex. Coming from a normal family and a sturdy household free of domestic violence, there is no excuse for Alex’s violent nature. In fact, Alex’s loving parents are just as baffled by his immoral personality as the reader, although because of their naivete, they know much less of what he does. This leaves the reader uninformed and wondering: why is Alex the way he is? Fortunately, just as one begins to question Alex’s motives, Alex gives an answer, “badness is of the self, the one…is not our modern history, my brothers the story of brave malenky selves fighting these big machines? I am serious with you, brothers, over this. But what I do I do because I like to do”. He could not have explained it more clearly. While from one point of view Alex visions himself as a revolutionary, even simpler then that, he is basically admitting he commits violent acts because he enjoys doing so. Later in the book Alex offers another solution for his violent nature, “Being young is like being one of these malenky machines…and so it would itty on to like the end of the world”. These malenky machines he is referring to are very similar to the clockwork orange Burgess talks to in his introduction. Whatever reasons he gives, none of them are valid enough to prevent the reader from hating Alex.
In spite of all the hatred aimed toward Alex at this point, seemingly it is not enough to prevent the pity one begins to feel when Alex is abandoned by his “droogs”. Knowing he is the leader of his group, Alex constantly gives orders to his gang. Unfortunately it is due to his tendency to need leadership that a quarrel begins with his gang. After settling the original dispute that arises, Alex and his “droogs” are not so successful at ending their second squabble. Framed by his friends, Alex is arrested while they run away. Furthermore, he is beaten by the police, and sentenced to fourteen years of jail. It only takes two of them for the reader to realize the difficulties that Alex is living through. Throughout the first part of the book, there is in fact only one sign that Alex is not utterly evil, that being his music. Along with his abandonment from friends, it is the music that Burgess uses to help change the readers opinion, and eventually to have pity toward his young antagonist.
As the reader continues to pry deeper into Alex’s life it is shocking to learn of the music he listens to, it is because of this music and the actions taken against him that one truly begins to feel sorry for Burgess’s little Alex. The music that Alex chooses to listen is very ironic. While it causes him to do evil things, the fact remains that he listens to normal music, one of the first things he is not disliked for, “lying there on my bed with glazzies tight shut and rookers behind my gulliver, I broke and spattered and cried aaaaaaah with the bliss of it". His particular interest in Ludwig Van arises during one of his sessions while undergoing Ludivico’s Technique. Upon hearing what he perceives to be heavenly music Alex cry’s out about the injustice in the procedure, “I don’t mind about the ultra-violence and all that cal. I can put up with that. But it’s not fair on the music”. It is during this same treatment that the reader really begins to feel sympathy toward him. Striped of his ability to choose right from wrong, and now the same clockwork orange that F. Alexander earlier told him about, Alex becomes one of the governments’ machines. Forced to do exactly what they want him to, become their “true Christian”, Alex poses the question to his doctors, “How about me? Where do I come into all this? Am I like just some animal or dog…am I to be just like a clockwork orange?” Alex is all alone in the world, no longer capable of performing cruel deeds, he is denied by all whom he once knew. The same character one used to wish the harshest punishment upon received it, and when he got it, it becomes strikingly evident that it was much more then even the worst person would ever deserve.
Burgess does a magical job at making the reader quickly forget the horrible deeds Alex once committed. Instead by making powerful moral statements, Burgess goes so far that the reader not only turns the other cheek toward Alex’s crimes, but also feels genuinely sorry for him. Alex may not be completely cured, but that is not the issue at hand. Through means of pity and by playing with the readers’ emotions throughout the book, during A Clockwork Orange, Burgess is constantly playing with the reader’s allegiances.

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"Oh," said Georgie, cunning and crafty in his grin, "the old moloko-plus first, would you not say? Something to sharpen us up, boy, but you especially, we having the start on you."

"You have govoreeted my thoughts for me," I smiled away. "I was about to suggest the dear old Korova. Good good good. Lead, little Georgie." And I made with a like deep bow, smiling like bezoomny but thinking all the time. But when we got into the street I viddied that thinking is for the gloopy ones and that the oomny ones use like inspiration and what Bog sends. For now it was lovely music that came to my aid. There was an auto ittying by and it had its radio on, and I could just slooshy a bar or so of Ludwig van (it was the Violin Concerto, last movement), and I viddied right at once what to do. I said, in like a thick deep goloss: "Right, Georgie, now," and I whisked out my cut-throat britva. Georgie said: "Uh?" but he was skorry enough with his nozh, the blade coming sloosh out of the handle, and we were on to each other. Old Dim said: "Oh no, not right that isn't, and made to uncoil the chain round his tally, but Pete said, putting his rooker firm on old Dim: "Leave them. It's right like that." So then Georgie and Your Humble did the old quiet cat-stalk, looking for openings, knowing each other's style a bit too horrorshow really. Georgie now and then going lurch lurch with his shining nozh but not no wise connecting. And all the time lewdies passed by and viddied all this but minded their own, it being perhaps a common street-sight. But then I counted odin dva tree and went ak ak ak with the britva, though not at litso or glazzies but at Georgie's nozh-holding rooker and, my little brothers, he dropped. He did. He dropped his nozh with a tinkle tankle on the hard winter sidewalk. I had just ticklewickled his fingers with my britva, and there he was looking at the malenky dribble of krovvy that was redding out in the lamplight. "Now," I said, and it was me that was starting, because Pete had given old Dim the soviet not to uncoil the oozy from round his tally and Dim had taken it, "now, Dim, let's thou and me have all this now, shall us?" Dim went, "Aaaaaaarhgh," like some bolshy bezoomny animal, and snaked out the chain from his waist real horrorshow and skorry, so you had to admire. Now the right style for me here was to keep low like in frog-dancing to protect litso and glazzies, and this I did, brothers, so that poor old Dim was a malenky bit surprised, him being accustomed to the straight face-on lash lash lash. Now I will say that he whished me horrible on the back so that it stung like bezoomny, but that pain told me to dig in skorry once and for all and be done with old Dim. So I swished with the britva at his left noga in its very tight tight and I slashed two inches of cloth and drew a malenky drop of krovvy to make Dim real bezoomny. Then while he went hauwwww hauwww hauwww like a doggie I tried the same style as for Georgie, banking all on one move – up, cross, cut – and I felt the britva go just deep enough in the meat of old Dim's wrist and he dropped his snaking oozy yelping like a little child. Then he tried to drink in all the blood from his wrist and howl at the same time, and there was too much krovvy to drink and he went bubble bubble bubble, the red like fountaining out lovely, but not for very long. I said:

"Right, my droogies, now we should know. Yes, Pete?"

"I never said anything," said Pete. "I never govoreeted one slovo. Look, old Dim's bleeding to death."

"Never," I said. "One can die but once. Dim died before he was born. That red red krovvy will soon stop." Because I had not cut into the like main cables. And I myself took a clean tashtook from my carman to wrap round poor old dying Dim's rooker, howling and moaning as he was, and the krovvy stopped like I said it would, O my brothers. So they knew now who was master and leader, sheep, thought I. It did not take long to quieten these two wounded soldiers down in the snug of the Duke of New York, what with large brandies (bought with their own cutter, me having given all to my dad, and a wipe with tashtooks dipped in the water-jug. The old ptitsas we'd been so horrorshow to last night were there again, going, "Thanks, lads" and "God bless you, boys" like they couldn't stop, though we had not repeated the old sammy act with them. But Pete said: "What's it to be, girls?" and bought black and suds for them, him seeming to have a fair amount of pretty polly in his carmans, so they were on louder than ever with their "God bless and keep you all,lads" and "We'd never split on you, boys" and "The best lads breathing, that's what you are." At last I said to Georgie: "Now we're back to where we were, yes? Just like before and all forgotten, right?"

"Right right right," said Georgie. But old Dim still looked a bit dazed and he even said: "I could have got that big bastard, see, with my oozy, only some veck got in the way," as though he'd been dratsing not with me but with some other malchick. I said:

"Well, Georgieboy, what did you have in mind?"

"Oh," said Georgie, "not tonight. Not this nochy, please."

"You're a big strong chelloveck," I said, "like us all. We're not little children, are we, Georgieboy? What, then, didst thou in thy mind have?"

"I could have chained his glazzies real horrorshow," said Dim, and the old baboochkas were stil on with their "Thanks, lads."

"It was this house, see," said Georgie. "The one with the two lamps outside. The one with the gloopy name like."

"What gloopy name?"

"The Mansion or the Manse or some such piece of gloop. Where this very starry ptitsa lives with her cats and all these very starry valuable veshches."

"Such as?"

"Gold and silver and like jewels. It was Will the English who like said."

"I viddy," I said. "I viddy horrorshow." I knew where he meant – Oldtown, just beyond Victoria Flatblock. Well, the real horrorshow leader knows always when like to give and show generous to his like unders. "Very good, Georgie," I said. "A good thought, and one to be followed. Let us at once itty." And as we were going out the old baboochkas said: "We'll say nothing, lads. Been here all the time you have, boys." So I said: "Good old girls. Back to buy more in ten minutes." And so I led my three droogs out to my doom.

6

Just past the Duke of New York going east was offices and then there was the starry beat-up biblio and then was the bolshy flatblock called Victoria Flatblock after some victory or other, and then you came to the like starry type houses of the town in what was called Oldtown. You got some of the real horrorshow ancient domies here, my brothers, with starry lewdies living in them, thin old barking like colonels with sticks and old ptitsas who were widows and deaf starry damas with cats who, my brothers, had felt not the touch of any chelloveck in the whole of their pure like jeeznies. And here, true, there were starry veshches that would fetch their share of cutter on the tourist market – like pictures and jewels and other starry pre-plastic cal of that type. So we came nice and quiet to this domy called the Manse, and there were globe lights outside on iron stalks, like guarding the front door on each side, and there was a light like dim on in one of the rooms on the ground level, and we went to a nice patch of street dark to watch through the window what was ittying on. This window had iron bars in front of it, like the house was a prison, but we could viddy nice and clear what was ittying on. What was ittying on was that this starry ptitsa, very grey in the voloss and with a very liny like litso, was pouring the old moloko from a milk-bottle into saucers and then setting these saucers down on the floor, so you could tell there were plenty of mewing kots and koshkas writhing about down there. And we could viddy one or two, great fat scoteenas, jumping up on to the table with their rots open going mare mare mare. And you could viddy this old baboochka talking back to them, govoreeting in like scoldy language to her pussies. In the room you could viddy a lot of old pictures on the walls and starry very elaborate clocks, also some like vases and ornaments that looked starry and dorogoy. Georgie whispered: "Real horrorshow deng to be gotten for them, brothers. Will the English is real anxious." Pete said: "How in?" Now it was up to me, and skorry, before Georgie started telling us how. "First veshch," I whispered, "is to try the regular way, the front. I will go very polite and say that one of my droogs has had a like funny fainting turn on the street. Georgie can be ready to show, when she opens, thatwise. Then to ask for water or to phone the doc. Then in easy." Georgie said:

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