Anthony Burgess - A Clockwork Orange (UK Version)

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A Clockwork Orange (UK Version): краткое содержание, описание и аннотация

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In Anthony Burgess’s A Clockwork Orange, Burgess creates a gloomy future full of violence, rape and destruction. In this dystopian novel, Burgess does a fantastic job of constantly changing the readers’ allegiance toward the books narrator and main character, Alex. Writing in a foreign language, Burgess makes the reader feel like an outsider. As the novel begins, the reader has no emotional connection to Alex. This non-emotional state comes to a sudden halt when Alex and his droogs begin a series of merciless acts of violence. The reader rapidly begins to form what seems to be an irreversible hatred toward the books narrator. However, as time progresses, Burgess cleverly changes the tone of his novel. Once wishing only the harshest punishments be bestowed upon him, it is these same punishments that begin to change how the reader feels. In fact, by the end of the book, one almost begins to have pity for Alex. The same character that was once hated soon emerges as one of many victims taken throughout the course of the book. Throughout Alex’s narration, Burgess manages to change the readers’ allegiance toward a once seemingly evil character.
Alex is the type of character one loves to hate; he makes it all too easy to dislike him. He is a brutal, violent, teenage criminal with no place in society. His one and only role is to create chaos, which he does too well. Alex’s violent nature is first witnessed during the first chapter, and is soon seen again when Alex and his gang chose to brutally beat an innocent drunkard. This beating off the homeless man serves no purpose other then to amuse Alex’s gang. The acts committed were not performed for revenge, the one reason given was that Alex did not enjoy seeing a homeless drunk, “I could never stand to see a moodge all filthy and rolling and burping and drunk, whatever his age might be, but more especially when he was real starry like this one was”. Alex continues to explain his reason for dislike, “his platties were a disgrace, all creased and untidy and covered in cal”, from this explanation one realizes his reasons for nearly killing a man are simply based on pleasure, desire, and a dislike toward the untidy. By the end of the second chapter Burgess’s inventive usage of a different language to keep the reader alienated from forming opinions about Alex ceases to work. At this point in time Alex’s true nature is revealed, and not even his unfamiliar Nadsat language can save him from being strongly disliked by the reader.
The more the reader learns of Alex, the more and more he is disliked; Alex’s relationship with his parents only builds on ones already negative opinions toward Alex. Coming from a normal family and a sturdy household free of domestic violence, there is no excuse for Alex’s violent nature. In fact, Alex’s loving parents are just as baffled by his immoral personality as the reader, although because of their naivete, they know much less of what he does. This leaves the reader uninformed and wondering: why is Alex the way he is? Fortunately, just as one begins to question Alex’s motives, Alex gives an answer, “badness is of the self, the one…is not our modern history, my brothers the story of brave malenky selves fighting these big machines? I am serious with you, brothers, over this. But what I do I do because I like to do”. He could not have explained it more clearly. While from one point of view Alex visions himself as a revolutionary, even simpler then that, he is basically admitting he commits violent acts because he enjoys doing so. Later in the book Alex offers another solution for his violent nature, “Being young is like being one of these malenky machines…and so it would itty on to like the end of the world”. These malenky machines he is referring to are very similar to the clockwork orange Burgess talks to in his introduction. Whatever reasons he gives, none of them are valid enough to prevent the reader from hating Alex.
In spite of all the hatred aimed toward Alex at this point, seemingly it is not enough to prevent the pity one begins to feel when Alex is abandoned by his “droogs”. Knowing he is the leader of his group, Alex constantly gives orders to his gang. Unfortunately it is due to his tendency to need leadership that a quarrel begins with his gang. After settling the original dispute that arises, Alex and his “droogs” are not so successful at ending their second squabble. Framed by his friends, Alex is arrested while they run away. Furthermore, he is beaten by the police, and sentenced to fourteen years of jail. It only takes two of them for the reader to realize the difficulties that Alex is living through. Throughout the first part of the book, there is in fact only one sign that Alex is not utterly evil, that being his music. Along with his abandonment from friends, it is the music that Burgess uses to help change the readers opinion, and eventually to have pity toward his young antagonist.
As the reader continues to pry deeper into Alex’s life it is shocking to learn of the music he listens to, it is because of this music and the actions taken against him that one truly begins to feel sorry for Burgess’s little Alex. The music that Alex chooses to listen is very ironic. While it causes him to do evil things, the fact remains that he listens to normal music, one of the first things he is not disliked for, “lying there on my bed with glazzies tight shut and rookers behind my gulliver, I broke and spattered and cried aaaaaaah with the bliss of it". His particular interest in Ludwig Van arises during one of his sessions while undergoing Ludivico’s Technique. Upon hearing what he perceives to be heavenly music Alex cry’s out about the injustice in the procedure, “I don’t mind about the ultra-violence and all that cal. I can put up with that. But it’s not fair on the music”. It is during this same treatment that the reader really begins to feel sympathy toward him. Striped of his ability to choose right from wrong, and now the same clockwork orange that F. Alexander earlier told him about, Alex becomes one of the governments’ machines. Forced to do exactly what they want him to, become their “true Christian”, Alex poses the question to his doctors, “How about me? Where do I come into all this? Am I like just some animal or dog…am I to be just like a clockwork orange?” Alex is all alone in the world, no longer capable of performing cruel deeds, he is denied by all whom he once knew. The same character one used to wish the harshest punishment upon received it, and when he got it, it becomes strikingly evident that it was much more then even the worst person would ever deserve.
Burgess does a magical job at making the reader quickly forget the horrible deeds Alex once committed. Instead by making powerful moral statements, Burgess goes so far that the reader not only turns the other cheek toward Alex’s crimes, but also feels genuinely sorry for him. Alex may not be completely cured, but that is not the issue at hand. Through means of pity and by playing with the readers’ emotions throughout the book, during A Clockwork Orange, Burgess is constantly playing with the reader’s allegiances.

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5

What happened, though, was that I woke up late (near seven-thirty by my watch) and, as it turned out, that was not so clever. You can viddy that everything in this wicked world counts. You can pony that one thing always leads to another. Right right right. My stereo was no longer on about Joy and I Embrace Ye O Ye Millions, so some veck had dealt it the off, and that would be either pee or em, both of them now being quite clear to the slooshying in the living-room and, from the clink clink of plates and slurp slurp of peeting tea from cups, at their tired meal after the day's rabbiting in factory the one, store the other. The poor old. The pitiable starry. I put on my over-gown and looked out, in guise of loving only son, to say:

"Hi hi hi, there. A lot better after the day's rest. Ready now for evening work to earn that little bit." For that's what they said they believed I did these days. "Yum, yum, mum. Any of that for me?" It was like some frozen pie that she'd unfroze and then warmed up and it looked not so very appetitish, but

I had to say what I said. Dad looked at me with a not-so-pleased suspicious like look but said nothing, knowing he dared not, and mum gave me a tired like little smeck, to thee fruit of my womb my only son sort of. I danced to the bathroom and had a real skorry cheest all over, feeling dirty and gluey, then back to my den for the evening's platties. Then, shining, combed, brushed and gorgeous, I sat to my lomtick of pie. Papapa said:

"Not that I want to pry, son, but where exactly is it you go to work of evenings?"

"Oh," I chewed, "it's mostly odd things, helping like. Here and there, as it might be." I gave him a straight dirty glazzy, as to say to mind his own and I'd mind mine. "I never ask for money, do I? Not money for clothes or for pleasures? All right, then, why ask?"

My dad was like humble mumble chumble. "Sorry, son," he said. "But I get worried sometimes. Sometimes I have dreams. You can laugh if you like, but there's a lot in dreams. Last night I had this dream with you in it and I didn't like it one bit."

"Oh?" He had gotten me interessovatted now, dreaming of me like that. I had like a feeling I had had a dream, too, but I could not remember proper what. "Yes?" I said, stopping chewing my gluey pie.

"It was vivid," said my dad. "I saw you lying on the street and you had been beaten by other boys. These boys were like the boys you used to go around with before you were sent to that last Corrective School."

"Oh?" I had an in-grin at that, papapa believing I had really reformed or believing he believed. And then I remembered my own dream, which was a dream of that morning, of Georgie giving his general's orders and old Dim smecking around toothless as he wielded the whip. But dreams go by opposites I was once told. "Never worry about thine only son and heir, O my father," I said. "Fear not. He canst taketh care of himself, verily."

"And," said my dad, "you were like helpless in your blood and you couldn't fight back." That was real opposites, so I had another quiet malenky grin within and then I took all the deng out of my carmans and tinkled it on the saucy table-cloth. I said:

"Here, dad, it's not much. It's what I earned last night. But perhaps for the odd peet of Scotchman in the snug somewhere for you and mum."

"Thanks, son," he said. "But we don't go out much now. We daren't go out much, the streets being what they are. Young hooligans and so on. Still, thanks. I'll bring her home a bottle of something tomorrow." And he scooped this ill-gotten pretty into his trouser carmans, mum being at the cheesting of the dishes in the kitchen. And I went out with loving smiles all round.

When I got to the bottom of the stairs of the flatblock I was somewhat surprised. I was more than that. I opened my rot like wide in the old stony gapes. They had come to meet me. They were waiting by the all scrawled-over municipal wall-painting of the nagoy dignity of labour, bare vecks and cheenas stern at the wheels of industry, like I said, with all this dirt pencilled from their rots by naughty malchicks. Dim had a big thick stick of black greasepaint and was tracing filthy slovos real big over our municipal painting and doing the old Dim guff – wuh huh huh – while he did it. But he turned round when Georgie and Pete gave me the well hello, showing their shining droogy zoobies, and he horned out: "He are here, he have arrived, hooray," and did a clumsy turnitoe bit of dancing.

"We got worried," said Georgie. "There we were awaiting and peeting away at the old knify moloko, and you might have been like offended by some veshch or other, so round we come to your abode. That's right, Pete, right?"

"Oh, yes, right," said Pete.

"Appy polly loggies," I said careful. "I had something of a pain in the gulliver so had to sleep. I was not wakened when I gave orders for wakening. Still, here we all are, ready for what the old nochy offers, yes?" I seemed to have picked up that yes? from P. R. Deltoid, my Post-Corrective Adviser. Very strange.

"Sorry about the pain," said Georgie, like very concerned. "Using the gulliver too much like, maybe. Giving orders and discipline and such, perhaps. Sure the pain is gone? Sure you'll not be happier going back to the bed?" And they all had a bit of a malenky grin.

"Wait," I said. "Let's get things nice and sparkling clear. This sarcasm, if I may call it such, does not become you, O my little friends. Perhaps you have been having a bit of a quiet govoreet behind my back, making your own little jokes and such-like. As I am your droog and leader, surely I am entitled to know what goes on, eh? Now then, Dim, what does that great big horsy gape of a grin portend?" For Dim had his rot open in a sort of bezoomny soundless smeck. Georgie got in very skorry with:

"All right, no more picking on Dim, brother. That's part of the new way."

"New way?" I said. "What's this about a new way? There's been some very large talk behind my sleeping back and no error. Let me slooshy more." And I sort of folded my rookers and leaned comfortable to listen against the broken banister-rail, me being still higher than them, droogs as they called themselves, on the third stair.

"No offence, Alex," said Pete, "but we wanted to have things more democratic like. Not like you like saying what to do and what not all the time. But no offence." George said: "Offence is neither here nor elsewhere. It's the matter of who has ideas. What ideas has he had?" And he kept his very bold glazzies turned full on me. "It's all the small stuff, malenky veshches like last night. We're growing up, brothers."

"More," I said, not moving. "Let me slooshy more."

"Well," said Georgie, "if you must have it, have it then. We itty round, shop-crasting and the like, coming out with a pitiful rookerful of cutter each. And there's Will the English in the Muscleman coffee mesto saying he can fence anything that any malchick cares to try to crast. The shiny stuff, the ice," he said, still with these like cold glazzies on me. "The big big big money is available is what Will the English says."

"So," I said, very comfortable out but real razdraz within. "Since when have you been consorting and comporting with Will the English?"

"Now and again," said Georgie, "I get around all on my oddy knocky. Like last Sabbath for instance. I can live my own jeezny, droogy, right?"

I didn't care for any of this, my brothers. "And what will you do," I said, "with the big big big deng or money as you so highfaluting call it? Have you not every veshch you need? If you need an auto you pluck it from the trees. If you need pretty polly you take it. Yes? Why this sudden shilarny for being the big bloated capitalist?"

"Ah," said Georgie, "you think and govoreet sometimes like a little child." Dim went huh huh huh at that. "Tonight," said Georgie, "we pull a mansize crast." So my dream had told truth, then. Georgie the general saying what we should do and what not do, Dim with the whip as mindless grinning bulldog. But I played with care, with great care, the greatest, saying, smiling: "Good. Real horrorshow. Initiative comes to them as wait. I have taught you much, little droogie. Now tell me what you have in mind, Georgie-boy."

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