Thomas Pynchon - The Crying of Lot 49

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Short, straightforward in narrative, and relatively linear in plot,
is considered by many to be Pynchon's most accessible novel, and is therefore the one most commonly read, whether to fulfill the syllabus of a literature course or simply for pleasure. Nevertheless, it remains an enigmatic book that has been analyzed, discussed, and dissected almost as much as
Even thirty years after publication it is still considered quite open to interpretation: some critics feel that it is ultimately meaningless and impossible to interpret, while others have found it to be rather cohesive, and even possessed by a set of ethical directives. Others, as J. Grant remarks, perhaps mindful of Oedipa's notion that "excluded middles" are "bad shit," have worked to find a functional interface between book and reader. All, however, agree that it is a vital work and a postmodern classic.

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Next day, with the courage you find you have when there is nothing more to lose, she got in touch with C. Morris Schrift, and inquired after his mysterious client.

"He decided to attend the auction in person," was all Schrift would tell her. "You might run into him there." She might.

The auction was duly held, on a Sunday afternoon, in perhaps the oldest building in San Narciso, dating from before World War II. Oedipa arrived a few minutes early, alone, and in a cold lobby of gleaming redwood floorboards and the smell of wax and paper, she met Genghis Cohen, who looked genuinely embarrassed.

"Please don't call it a conflict of interests," he drawled earnestly. "There were some lovely Mozambique triangles I couldn't quite resist. May I ask if you've come to bid, Miz Maas."

"No," said Oedipa, "I'm only being a busybody."

"We're in luck. Loren Passerine, the finest auctioneer in the West, will be crying today."

"Will be what?"

"We say an auctioneer 'cries' a sale," Cohen said.

"Your fly is open," whispered Oedipa. She was not sure what she'd do when the bidder revealed himself. She had only some vague idea about causing a scene violent enough to bring the cops into it and find out that way who the man really was. She stood in a patch of sun, among brilliant rising and falling points of dust, trying to get a little warm, wondering if she'd go through with it.

"It's time to start," said Genghis Cohen, offering his arm. The men inside the auction room wore black mohair and had pale, cruel faces. They watched her come in, trying each to conceal his thoughts. Loren Passerine, on his podium, hovered like a puppet-master, his eyes bright, his smile practiced and relentless. He stared at her, smiling, as if saying, I'm surprised you actually came. Oedipa sat alone, toward the back of the room, looking at the napes of necks, trying to guess which one was her target, her enemy, perhaps her proof. An assistant closed the heavy door on the lobby windows and the sun. She heard a lock snap shut; the sound echoed a moment. Passerine spread his arms in a gesture that seemed to belong to the priesthood of some remote culture; perhaps to a descending angel. The auctioneer cleared his throat. Oedipa settled back, to await the crying of lot 49.

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