Christopher Moore - A Dirty Job

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Charlie Asher is a pretty normal guy. A little hapless, somewhat neurotic, sort of a hypochondriac. He's what's known as a Beta Male: the kind of fellow who makes his way through life by being careful and constant — you know, the one who's always there to pick up the pieces when the girl gets dumped by the bigger/taller/stronger Alpha Male.
But Charlie's been lucky. He owns a building in the heart of San Francisco, and runs a secondhand store with the help of a couple of loyal, if marginally insane, employees. He's married to a bright and pretty woman who actually loves him for his normalcy. And she, Rachel, is about to have their first child.
Yes, Charlie's doing okay for a Beta. That is, until the day his daughter, Sophie, is born. Just as Charlie — exhausted from the birth — turns to go home, he sees a strange man in mint-green golf wear at Rachel's hospital bedside, a man who claims that no one should be able to see him. But see him Charlie does, and from here on out, things get really weird...
People start dropping dead around him, giant ravens perch on his building, and it seems that everywhere he goes, a dark presence whispers to him from under the streets. Strange names start appearing on his nightstand notepad, and before he knows it, those people end up dead, too. Yup, it seems that Charlie Asher has been recruited for a new job, an unpleasant but utterly necessary one: Death. It's a dirty job. But hey, somebody's gotta do it.
Christopher Moore, the man whose Lamb served up Jesus' "missing years" (with the funny parts left in), and whose Fluke found the deep humor in whale researchers' lives, now shines his comic light on the undiscovered country we all eventually explore — death and dying — and the results are hilarious, heartwarming, and a hell of a lot of fun.

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He drew the sword from his cane and crept down the stairs in a crouch, moving along the edge of each step to minimize squeakage. Halfway down he saw the source of the animal noises and he recoiled, leaping nearly halfway back up the staircase.

“For the love of God!”

“It needed to be done,” Lily said. She was astraddle Ray Macy, her plaid pleated skirt (mercifully) draped out over him, covering the parts that would have caused Charlie to have to tear his eyes out, which he was thinking about doing anyway.

“It did,” Ray agreed breathlessly.

Charlie peeked down into the back room—they were still at it, Lily riding Ray like he was a mechanical bull, one bare breast bouncing out of the lapel of her chef ’s coat.

“He was despondent,” she said. “I found him giving himself hickies with the shop vac. It’s for the greater good, Asher.”

“Well, stop it,” Charlie said.

“No, no, no, no, no,” said Ray.

“It’s a charity thing,” Lily said.

“You know, Lily,” Charlie said, covering his eyes, “you could exercise your charity in other ways, like Salvation Army Santa or something.”

“I don’t want to fuck those guys. Most of them are raging alcoholics, and they stink. At least Ray is clean.”

“I don’t mean do one, I mean be one. Ring the bell with the little red kettle. Jeez.”

“I am clean,” said Ray.

“You shut up,” Charlie said. “She’s young enough to be your daughter.”

“He was suicidal,” Lily said. “I may be saving his life.”

“She is,” Ray said.

“Shut up, Ray,” Charlie said. “This is pathetic, desperate pity sex, that’s all it is.”

“He knows that,” Lily said.

“I don’t mind,” said Ray.

“I’m doing this for the cause, too,” Lily said. “Ray was holding out on you.”

“I was?” said Ray.

“How?” Charlie said.

“He found a woman who was buying all the soul vessels. She was with the clients you missed. Somewhere in the Mission. He wasn’t going to tell you about her.”

“I don’t know what you’re talking about,” Ray said. Then added, “Faster, please.”

“Tell him the address,” Lily said.

“Lily,” Charlie said, “this isn’t really necessary.”

“No,” Ray said.

There was a loud smack. Charlie opened his eyes. They were still there, doing it, but Ray’s right cheek was bright red and Lily was winding up to slap him again.

“Tell him!”

“It’s on Guerrero Street, between Eighteenth and Nineteenth, I don’t know the number, but it’s a big green Victorian, you can’t miss it. Three Jewels Buddhist Center.”

SMACK!

“Ouch, I told him,” Ray whined.

“That’s for not getting the address, BITCH!” Lily said. Then to Charlie: “There you go, Asher. I want a prime position when you take over the Underworld!”

Charlie thought that one of the first things he was going to change when he took over was expanding The Great Big Book of Death to include how to handle situations like this. But instead he said, “You got it, Lily. You’ll be in charge of dress code and torture.”

“Sweet,” Lily said. “’Scuse me, Asher, I have to finish this.” Then to Ray: “Hear that? No more flannel shirts for you, grommet!” SMACK!

The grunts coming from Ray increased in frequency and intensity.

“Sure,” Charlie said. “I’ll just go out the other door.”

“See ya,” Ray said.

“I’m never going to look either one of you in the eye again, okay?”

“Sounds good, Asher,” Lily said. “Be careful.”

Charlie crept back up the steps, went out the front door of his apartment and down the elevator to the street entrance, suppressing his gag reflex the whole way. On the street he flagged down a cab and rode into the Mission, trying to wipe the image of his shagging employees out of his mind.

The Morrigan had followed the gift souls that had escaped through the drains to a deserted street in the Mission. Now they waited, watching the green Victorian building from storm-drain grates at either end of the street. They were more cautious now, their rapacious nature having been dampened somewhat by having been severely blown up the night before.

They called them the gift souls because the little patchwork creatures brought the souls right to them in the sewers—the gifts showing up in the Morrigan’s weakest moment. After the accursed Boston terrier had chased them through miles of pipelines, leaving them battered and exhausted on a high ledge at a pipe junction, along marched twenty or so of the darling little nightmares, all dressed up in finery and carrying just what they needed to heal their wounds and replenish their strength: human souls. And thus renewed, they were able to scare away that obnoxious little dog. The Morrigan were back—not to the strength they’d achieved before the explosion, maybe not even enough to fly, but certainly enough to venture Above once again, especially with so many souls at hand.

No one was out on the streets tonight except the junkies, the hookers, and the homeless. After the fucked-up day in the City, most everyone had decided that it was just a better idea to stay in, safer. To the Morrigan (for all they cared), they were safer in their homes the same way a tuna fish is safer in a can, but no one knew that yet. No one knew what they were hiding from except Charlie Asher, and he was getting out of a cab right in front of them as they watched.

“It’s New Meat,” said Macha.

“We should give him a new name,” said Babd. “I mean, he’s really not that new anymore.”

“Hush,” hushed Macha.

“Hey, lover,” Babd called out of her drain. “Did you miss me?”

Charlie paid the cabbie and stood in the middle of the street looking at the big jade-green Queen Anne. There were lights on in the turret upstairs and in one window downstairs. He could just make out the sign that read THREE JEWELS BUDDHIST CENTER. He started to step toward the house and saw movement in the lattice under the porch—eyes shining. A cat maybe. His cell phone rang and he flipped it open.

“Charlie, it’s Rivera. I have some good news; we found Carrie Long, the woman from the pawnshop, and she’s still alive. She was tied up and thrown in a Dumpster a block from her store.”

“That’s great,” Charlie said. But he wasn’t feeling great. The things that had been moving under the porch were coming out. Moving up the stairs, standing on the porch, lining up and facing him. Twenty or thirty of them, a little more than a foot tall, dressed in ornate period costumes. Each had the skeletal face of a dead animal, cats, foxes, badgers—animals Charlie couldn’t identify, but just the skulls—the eye sockets empty, black. Yet they stared.

“You won’t believe what she said put her there, Charlie. Little creatures, little monsters, she said.”

“About fourteen inches tall,” Charlie said.

“Yeah, how’d you know?”

“Lots of teeth and claws, like animal parts stuck together, all dressed up like they were going to a grand costume ball?”

“What are you telling me, Charlie? What do you know?”

“Just guessing,” Charlie said. He unclipped the latch on his sword-cane.

“Hey, lover,” came a female voice from behind him. “Did you miss me?”

Charlie turned. She was crawling out of the drain almost directly behind him.

“The bad news,” Rivera said, “is we found the junk dealer and the bookstore guy from Book ’em Danno—pieces of them.”

“That is bad news,” Charlie said. He started moving up the street, away from the sewer harpy and the porch full of Satan’s sock puppets.

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