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Christopher Moore: A Dirty Job

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Christopher Moore A Dirty Job

A Dirty Job: краткое содержание, описание и аннотация

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Charlie Asher is a pretty normal guy. A little hapless, somewhat neurotic, sort of a hypochondriac. He's what's known as a Beta Male: the kind of fellow who makes his way through life by being careful and constant — you know, the one who's always there to pick up the pieces when the girl gets dumped by the bigger/taller/stronger Alpha Male. But Charlie's been lucky. He owns a building in the heart of San Francisco, and runs a secondhand store with the help of a couple of loyal, if marginally insane, employees. He's married to a bright and pretty woman who actually loves him for his normalcy. And she, Rachel, is about to have their first child. Yes, Charlie's doing okay for a Beta. That is, until the day his daughter, Sophie, is born. Just as Charlie — exhausted from the birth — turns to go home, he sees a strange man in mint-green golf wear at Rachel's hospital bedside, a man who claims that no one should be able to see him. But see him Charlie does, and from here on out, things get really weird... People start dropping dead around him, giant ravens perch on his building, and it seems that everywhere he goes, a dark presence whispers to him from under the streets. Strange names start appearing on his nightstand notepad, and before he knows it, those people end up dead, too. Yup, it seems that Charlie Asher has been recruited for a new job, an unpleasant but utterly necessary one: Death. It's a dirty job. But hey, somebody's gotta do it. Christopher Moore, the man whose Lamb served up Jesus' "missing years" (with the funny parts left in), and whose Fluke found the deep humor in whale researchers' lives, now shines his comic light on the undiscovered country we all eventually explore — death and dying — and the results are hilarious, heartwarming, and a hell of a lot of fun.

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And Charlie went through the whole story to her, the umbrella, the bus, the hand from the storm sewer, the bolt for home with the giant dark shadow above the rooftops, and when he was finished, Lily asked, “So how do you know his name?”

“Huh?” Charlie said. Of all of the horrible, fantastic things she might have asked about, why that?

“How do you know the guy’s name?” Lily repeated. “You barely spoke to the guy before he bit it. You see it on his receipt or something?”

“No, I…” He didn’t have any idea how he knew the man’s name, but suddenly there was a picture in his head of it written out in big, block letters. He leapt off the stool. “I gotta go, Lily.”

He ran through the door into the stockroom and up the steps.

“I still need a note for school,” Lily shouted from below, but Charlie was dashing through the kitchen, past a large Russian woman who was bouncing his baby daughter in her arms, and into the bedroom, where he snatched up the notepad he kept on his nightstand by the phone.

There, in his own blocky handwriting, was written the name William Creek and, under it, the number 12. He sat down hard on the bed, holding the notepad like it was a vial of explosives.

Behind him came the heavy steps of Mrs. Korjev as she followed him into the bedroom. “Mr. Asher, what is wrong? You run by like burning bear.”

And Charlie, because he was a Beta Male, and there had evolved over millions of years a standard Beta response to things inexplicable, said, “Someone is fucking with me.”

Lily was touching up her nail polish with a black Magic Marker when Stephan, the mailman, came through the shop door.

“’Sup, Darque?” Stephan said, sorting a stack of mail out of his bag. He was forty, short, muscular, and black. He wore wraparound sunglasses, which were almost always pushed back on his head over hair braided in tight cornrows. Lily had mixed feelings about him. She liked him because he called her Darque, short for Darquewillow Elventhing, the name under which she received mail at the shop, but because he was cheerful and seemed to like people, she deeply mistrusted him.

“Need you to sign,” Stephan said, offering her an electronic pad, on which she scribbled Charles Baudelaire with great flourish and without even looking.

Stephan plopped the mail on the counter. “Working alone again? So where is everyone?”

“Ray’s in the Philippines, Charlie’s traumatized.” She sighed. “Weight of the world falls on me—”

“Poor Charlie,” Stephan said. “They say that’s the worst thing you can go through, losing a spouse.”

“Yeah, there’s that, too. Today he’s traumatized because he saw a guy get hit by a bus up on Columbus.”

“Heard about that. He gonna be okay?”

“Well, fuck no, Stephan, he got hit by a bus.” Lily looked up from her nails for the first time.

“I meant Charlie.” Stephan winked, despite her harsh tone.

“Oh, he’s Charlie.”

“How’s the baby?”

“Evidently she leaks noxious substances.” Lily waved the Magic Marker under her nose as if it might mask the smell of ripened baby.

“All good, then,” Stephan smiled. “That’s it for today. You got anything for me?”

“I took in some red vinyl platforms yesterday. Men’s size ten.”

Stephan collected vintage seventies pimp wear. Lily was to be on the lookout for anything that came through the shop.

“How tall?”

“Four inches.”

“Low altitude,” Stephan said, as if that explained everything. “Take care, Darque.”

Lily waved her Magic Marker at him as he left, and started sorting through the mail. There were mostly bills, a couple of flyers, but one thick black envelope that felt like a book or catalog. It was addressed to Charlie Asher “in care of” Asher’s Secondhand and had a postmark from Night’s Plutonian Shore, which evidently was in whatever state started with a U . (Lily found geography not only mind-numbingly boring, but also, in the age of the Internet, irrelevant.)

Was it not addressed to the care of Asher’s Secondhand? Lily reasoned. And was she, Lily Darquewillow Elventhing, not manning the counter, the sole employee—nay—the de facto manager, of said secondhand store? And wasn’t it her right—nay—her responsibility to open this envelope and spare Charlie the irritation of the task? Onward, Elventhing! Your destiny is set, and if it be not destiny, then surely there is plausible deniability, which in the parlance of politics is the same thing .

She drew a jewel-encrusted dagger from under the counter (the stones valued at over seventy-three cents) and slit the envelope, pulled out the book, and fell in love.

The cover was shiny, like a children’s picture book, with a colorful illustration of a grinning skeleton with tiny people impaled on his fingertips, and all of them appeared to be having the time of their lives, as if they were enjoying a carnival ride that just happened to involve having a gaping hole being punched through the chest. It was festive—lots of flowers and candy in primary colors, done in the style of Mexican folk art. The Great Big Book of Death, was the title, spelled out across the top of the cover in cheerful, human femur font letters.

Lily opened the book to the first page, where a note was paper-clipped.

This should explain everything. I’m sorry.

— MF

Lily removed the note and opened the book to the first chapter: “So Now You’re Death: Here’s What You’ll Need.”

And it was all she needed. This was, very possibly, the coolest book she had ever seen. And certainly not anything Charlie would be able to appreciate, especially in his current state of heightened neurosis. She slipped the book into her backpack, then tore the note and the envelope into tiny pieces and buried them at the bottom of the wastebasket.

4

THE BETA MALE IN HIS NATURAL ENVIRONMENT

Jane,” said Charlie, “I am convinced by the events of the last few weeks that nefarious forces or people—unidentified but no less real—are threatening life as we know it, and in fact, may be bent on unraveling the very fabric of our existence.”

“And that’s why I have to eat yellow mustard?” Jane was sitting at Charlie’s breakfast counter eating Little Smokies cocktail sausages out of the package, dipping them in a ramekin of French’s yellow. Baby Sophie was sitting on the counter in her car-seat/bassinet/imperial-storm-trooper-helmet thingy.

Charlie paced the kitchen, marking off his evidentiary points in the air with a sausage as he went. “First, there was the guy in Rachel’s room that mysteriously disappeared from the security tapes.”

“Because he was never there. Look, Sophie likes yellow mustard like you.”

“Second,” Charlie continued, despite his sister’s persistent indifference, “all the stuff in the shop was glowing like it was radioactive. Don’t put that in her mouth.”

“Oh my God, Charlie, Sophie’s straight. Look at her go after that Lil’ Smokie.”

“And third, that Creek guy, got hit by a bus up on Columbus yesterday, I knew his name and he had an umbrella that was glowing red.”

“I’m so disappointed,” said Jane. “I was looking forward to raising her on the all-girls team—giving her the advantages I never had, but look at her work that sausage. This kid is a natural.”

“Get that out of her mouth!”

“Relax, she can’t eat it. She doesn’t even have teeth. And it’s not like there’s a moaning Teletubby on the other end of it. Oh, jeez, it’s going to take major tequila to get that picture out of my head.”

“She can’t have pork, Jane. She’s Jewish! Are you trying to turn my daughter into a shiksa?”

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