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Christopher Moore: A Dirty Job

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Christopher Moore A Dirty Job

A Dirty Job: краткое содержание, описание и аннотация

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Charlie Asher is a pretty normal guy. A little hapless, somewhat neurotic, sort of a hypochondriac. He's what's known as a Beta Male: the kind of fellow who makes his way through life by being careful and constant — you know, the one who's always there to pick up the pieces when the girl gets dumped by the bigger/taller/stronger Alpha Male. But Charlie's been lucky. He owns a building in the heart of San Francisco, and runs a secondhand store with the help of a couple of loyal, if marginally insane, employees. He's married to a bright and pretty woman who actually loves him for his normalcy. And she, Rachel, is about to have their first child. Yes, Charlie's doing okay for a Beta. That is, until the day his daughter, Sophie, is born. Just as Charlie — exhausted from the birth — turns to go home, he sees a strange man in mint-green golf wear at Rachel's hospital bedside, a man who claims that no one should be able to see him. But see him Charlie does, and from here on out, things get really weird... People start dropping dead around him, giant ravens perch on his building, and it seems that everywhere he goes, a dark presence whispers to him from under the streets. Strange names start appearing on his nightstand notepad, and before he knows it, those people end up dead, too. Yup, it seems that Charlie Asher has been recruited for a new job, an unpleasant but utterly necessary one: Death. It's a dirty job. But hey, somebody's gotta do it. Christopher Moore, the man whose Lamb served up Jesus' "missing years" (with the funny parts left in), and whose Fluke found the deep humor in whale researchers' lives, now shines his comic light on the undiscovered country we all eventually explore — death and dying — and the results are hilarious, heartwarming, and a hell of a lot of fun.

Christopher Moore: другие книги автора


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You can’t really sugarcoat it at this point, can you? The number forty-one bus creamed him. He flew a good fifty feet through the air before he hit the back window of a SAAB like a great gabardine sack of meat, then bounced back to the pavement and commenced to ooze fluids. His belongings—the satchel, the umbrella, a gold tie bar, a Tag Heuer watch—skittered on down the street, ricocheting off tires, shoes, manhole covers, some coming to rest nearly a block away.

Charlie stood at the curb trying to breathe. He could hear a tooting sound, like someone was blowing a toy train whistle—it was all he could hear, then someone ran into him and he realized it was the sound of his own rhythmic whimpering. The guy—the guy with the umbrella—had just been wiped out of the world. People rushed, crowded around, a dozen were barking into cell phones, the bus driver nearly flattened Charlie as he rushed down the sidewalk toward the carnage. Charlie staggered after him.

“I was just going to ask him—”

No one looked at Charlie. It had taken all of his will, as well as a pep talk from his sister, to leave the apartment, and now this?

“I was just going to tell him that his umbrella was on fire,” Charlie said, as if he was explaining to his accusers. But no one accused him, really. They ran by him, some headed toward the body, some away from it—they batted him around and looked back, baffled, like they’d collided with a rough air current or a ghost instead of a man.

“The umbrella,” Charlie said, looking for the evidence. Then he spotted it, almost down at the next corner, lying in the gutter, still glowing red, pulsating like failing neon. “There! See!” But people were gathered around the dead man in a wide semicircle, their hands to their mouths, and no one was paying any attention to the frightened thin man spouting nonsense behind them.

He threaded his way through the crowd toward the umbrella, determined now to confirm his conviction, too far in shock to be afraid. When he was only ten feet away from it he looked up the street to make sure another bus wasn’t coming before he ventured off the curb. He looked back just as a delicate, tar-black hand snaked out of the storm drain and snatched the compact umbrella off the street.

Charlie backed away, looking around to see if anyone had seen what he had seen, but no one had. No one even made eye contact. A policeman trotted by and Charlie grabbed his sleeve as he passed, but when the cop spun around and his eyes went wide with confusion, then what appeared to be real terror, Charlie let him go. “Sorry,” he said. “Sorry. I can see you’ve got work to do—sorry.”

The cop shuddered and pushed through the crowd of onlookers toward the battered body of William Creek.

Charlie started running, across Columbus and up Vallejo, until his breath and heartbeat in his ears drowned all the sounds of the street. When he was a block away from his shop a great shadow moved over him, like a low-flying aircraft or a huge bird, and with it Charlie felt a chill vibrate up his back. He lowered his head, pumped his arms, and rounded the corner of Mason just as the cable car was passing, full of smiling tourists who looked right through him. He glanced up, just for a second, and he thought he saw something above, disappearing over the roof of the six-story Victorian across the street, then he bolted through the front door of his shop.

“Hey, boss,” Lily said. She was sixteen, pale, and a little bottom heavy—her grown-woman form still in flux between baby fat and baby bearing. Today her hair happened to be lavender: fifties-housewife helmet hair in Easter-basket cellophane pastel.

Charlie was bent over, leaning against a case full of curios by the door, sucking in deep raspy gulps of secondhand store mustiness. “I—think—I—just—killed—a—guy,” he gasped.

“Excellent,” Lily said, ignoring equally his message and his demeanor. “We’re going to need change for the register.”

“With a bus,” Charlie said.

“Ray called in,” she said. Ray Macy was Charlie’s other employee, a thirty-nine-year-old bachelor with an unhealthy lack of boundaries between the Internet and reality. “He’s flying to Manila to meet the love of his life. A Ms. LoveYouLongTime . Ray’s convinced that they are soul mates.”

“There was something in the sewer,” Charlie said.

Lily examined a chip in her black nail polish. “So I cut school to cover. I’ve been doing that since you’ve been, uh, gone. I’m going to need a note.”

Charlie stood up and made his way to the counter. “Lily, did you hear what I said?”

He grabbed her by the shoulders, but she spun out of his grasp. “Ouch! Fuck. Back off, Asher, you sado freak, that’s a new tattoo.” She punched him in the arm, hard, and backed away, rubbing her own shoulder. “I heard, you. Cease your trippin’, s’il vous plaît .” Lately, since discovering Baudelaire’s Fleurs du Mal in a stack of used books in the back room, Lily had been peppering her speech with French phrases. “French better expresses the profound noirness of my existence,” she had said.

Charlie put both hands on the counter to keep them from shaking, then spoke slowly and deliberately, like he was speaking to someone for whom English was a second language: “Lily, I’m having kind of a bad month, and I appreciate that you are throwing away your education so you can come here and alienate customers for me, but if you don’t sit down and show me a little fucking human decency, then I’m going to have to let you go.”

Lily sat down on the chrome-and-vinyl diner stool behind the register and pulled her long lavender bangs out of her eyes. “So you want me to pay close attention to your confession to murder? Take notes, maybe get an old cassette recorder off the shelf and get everything down on tape? You’re saying that by trying to ignore your obvious distress, which I would have to later recall to the police, so I can be personally responsible for sending you to the gas chamber, that I’m being inconsiderate?”

Charlie shuddered. “Jeez, Lily.” He was continually surprised at the speed and accuracy of her creepiness. She was like some creepiness child prodigy. But on the bright side, her extreme darkness made him realize that he probably wasn’t going to go to the gas chamber.

“It wasn’t that kind of killing. There was something following me, and—”

“Silence!” Lily put her hand up, “I’d rather not show my employee spirit by committing every detail of your heinous crime to my photographic memory to be recalled in court later. I’ll just say that I saw you but you seemed normal for someone without a clue.”

“You don’t have a photographic memory.”

“I do, too, and it’s a curse. I can never forget the futility of—”

“You forgot to take out the trash at least eight times last month.”

“I didn’t forget.”

Charlie took a deep breath, the familiarity of arguing with Lily was actually calming him down. “Okay then, without looking, what color shirt are you wearing?” He raised an eyebrow like he had her there.

Lily smiled and for a second he could see that she was just a kid, kind of cute and goofy under the fierce makeup and attitude. “Black.”

“Lucky guess.”

“You know I only own black.” She grinned. “Glad you didn’t ask hair color, I just changed this morning.”

“That’s not good for you, you know. That dye has toxins.”

Lily lifted the lavender wig to reveal her close-cut maroon locks underneath, then dropped it again. “I’m all natural.” She stood and patted the bar stool. “Sit, Asher. Confess. Bore me.”

Lily leaned back against the counter, and tilted her head to look attentive, but with her dark eye makeup and lavender hair it came off more like a marionette with a broken string. Charlie came around the counter and sat on the stool. “I was just in line behind this William Creek guy, and I saw his umbrella glowing…”

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