Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

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Fluke, Or, I Know Why the Winged Whale Sings: краткое содержание, описание и аннотация

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After reverently lambasting the most cherished rites and credos of virtually every one of the world's major religions in his transcendently hilarious novel
the one and only Christopher Moore returns with a wild look at interspecies communication, adventure on the high seas, and an eons-old mystery.
Marine behavioral biologist Nate Quinn is in love — with the salt air and sun-drenched waters off Maui… and especially with the majestic ocean-dwelling behemoths that have been bleeping and hooting their haunting music for more than twenty million years. But just why do the humpback whales sing? That's the question that has Nate and his crew poking, charting, recording, and photographing any large marine mammal that crosses their path. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: No one on Nate's team has ever seen such a thing; not his longtime partner, photographer Clay Demodocus, not their saucy young research assistant, Amy. Not even spliff-puffing white-boy Rastaman, Kona (the former Preston Applebaum of New Jersey), could boast such a sighting in one of his dope-induced hallucinations. And when a roll of film returns from the lab missing the crucial tail shot — and their research facility is summarily trashed — Nate realizes that something very fishy indeed is going on.
This, apparently, is big, involving dangerously interested other parties — competitive researchers, the cutthroat tourist industry, perhaps even the military. The weirdness only gets weirder when a call comes in from Nate's big-bucks benefactor saying that a whale has made contact — by phone. And it's asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has daunted and driven Nate throughout his adult life is within his reach. But it's waiting for him in the form of an amazing adventure beneath the waves, 623 feet down, somewhere off the coast of Chile. And it's not what anyone would think.
It must be said: Christopher Moore's
is a whale of a novel.

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"Give us a flush, boys!" Poe said.

Water came gushing down the floor of the whale from the front. Pantsless, Ensign Poe took three steps and went into a slide toward the tail like he was sliding into third base on a wet rain tarp. As he reached the end of the chamber, he spread his arms out to his sides at right angles. There was a sucking sound, and he sank up to his armpits into an orifice that only a second ago had appeared as just an impression in solid skin.

"Wow, that's cold," said Poe. "How deep are we?"

Scooter clicked and whistled a couple of times.

"Ninety feet," said Poynter. "Can't be that bad."

"Feels colder. I think my 'nads have crawled up inside my body."

Nate simply stared, gape-jawed, at the arms and head of the ensign, just above floor level.

"You see, Doc," said Poynter, "most of the time we call it the 'back orifice' instead of the anus, you know, because otherwise, with us moving in and out of it, there's implications. His lower body is in the sea right now, at three atmospheres, yet the back orifice is sealed around him and it's not crushing his chest. It's not crushing your chest, is it, Poe?"

"No, sir. It's snug for sure, but I can breathe."

"How is that possible?" asked Nate.

"You're a diver. You've been down, what, a hundred and twenty, hundred and thirty feet?"

"A hundred and fifty, by accident, but what does that have to do with this?"

"You never had sphincter failure at that depth, did you? Blow up like a puffer fish?"

"No."

"Well, there you go, Nate. This here is just advanced poop-chute technology. We don't even understand it ourselves, but it's the key to sanitation on these small ships, and it's how we get in and out. Normally the mouth on these humpback ships doesn't even open, which gives us a lot more room, but this one was made specially to retrieve 'Dirts. That's you people."

"Made? By whom?" Of course they were made. Nothing like this could have evolved.

"Later," said Poynter. "Poe, you done?"

"Aye, aye, Captain."

"Get back in here."

"Mighty cold out here, sir. I'm telling you, my tackle's going to look like I'm posing for a baby picture."

"I'm sure the doc will take that into account, Poe."

Nate could feel a slight change in pressure in his ears, and Poe oozed back into the whale. The orifice sealed behind him, leaving almost no water on the floor. The ensign sidled, crablike, to the front of the ship, shielding his privates with his hands. He retrieved his pants from a storage nook that opened with a flap of skin like the blowhole on a killer whale. The whale's interior was lined with the storage nooks, but you couldn't even see the seams by the dim bioluminescence when they were closed.

"You're going to learn how to do that, Nate. It's just the civilized thing to do until we transfer you to the blue. Can't have you doing your business in the ship."

When he'd had to go to the bathroom, they'd sent Nate to the back of the whale, where he'd gone on the floor. Seconds later the whaley boys had let a bit of water in through a crack in the mouth, which washed across the floor and effectively flushed the mess out the back orifice.

"The blue?" Nate asked.

"Yeah, we can't take you where they want you in this little thing. We'll transfer you to a blue and send you on. You'll have to go through the poop chutes."

"So there's a blue-whale ship as well?"

"Ships," Poynter corrected. "Yeah, and other species, too."

"Right whales are my favorites," Poe said. "Slower than hell, but really wide. Plenty of room. You'll see."

"So they — the whaley boys — can regulate the pressure that precisely? They can let in water, expel it, keep the pressure in here from giving us the bends? Allow us to transfer from one of these ships to another?"

"Yep, they're tapped in to the whale directly. They're like his cerebral cortex, I guess. The whale ships have a brain, but that only takes care of autonomic functions. Allows it to act like a whale for hours on end — diving, breathing, stuff like that. But without one of the whaley boys tapped in, they're just dumb machines, limited function. The pilots control higher functions — navigation and such. They really show off their stuff in these humpbacks — the breaching, the singing, you know."

"This thing sings?" Nate couldn't help himself. He wanted to hear a whale sing from the inside.

"Of course it sings. You heard it sing."

Since Nate had been on, the only sound the whale ship had made was the beating of its enormous flukes and the explosive blow every ten minutes or so.

"I hate it when they sing," said Poe.

"What's the purpose of the song?" Nate asked. He didn't care who these guys were or what they were doing. He now had the opportunity to get the answer to a question he'd pursued for most of his adult life. "Why do they sing?"

"Because we tell them to," said Poynter. "Why'd you think?"

"No. It's not right." Nate buried his face in his hands. "Kidnapped by morons."

Scooter let loose with a series of frantic chirps. The whaley boy was staring out the eye into the blue Pacific.

"School of tuna outside," said Poe.

"Go, Scooter," said Poynter. "Go get some."

The restraints retracted from around Scooter's waist, and the creature stood up for the first time since Nate had come on board. He was taller than Nate, maybe six-six, with lean gray legs that looked like those of a giant bullfrog crossbred with a fullback and terminated in long, webbed feet that resembled the rear flippers of a walrus. Scooter took three quick steps and dove at the floor in the back of the whale. There was a whooshing sound, and he disappeared, headfirst, through the back orifice, which sealed behind him with a distinct pop.

Poe stepped into the seat that Scooter had vacated and looked out through the eye. "Nate, check this out. Watch how these guys hunt."

Nate looked out the whale's eye and saw Scooter's lithe form swim by at incredible speed, darting back and forth with astounding agility in pursuit of a twenty-pound tuna.

In the water the whaley boy's eyes no longer bugged out as they did inside the whale. Like whales and dolphins, Nate realized, whaley boys possessed muscles that could actually change the shape of the eye for focusing in either air or water. Scooter did a rapid turn and snatched the tuna in his jaws not ten feet from the eye of the whale. Nate could hear the snap and saw blood in the water around Scooter's mouth.

"Yes!" said Poe. "It's sashimi tonight."

Nate had eaten nothing but raw fish since he'd been on board the whale ship, but this was the first time he'd seen it caught. Still, he couldn't quite share Poe's enthusiasm. "Is this all you eat? Raw fish?"

"It beats the alternatives," said Poe. "The whale carries a nutrient paste that's like krill puree."

"Oh, my God," said Nate.

Poynter leaned in close to Nate, so he was only inches from the scientist's ear. "Thus the somewhat substantial demand for culinary variety, as in — oh, I don't know — a pastrami on rye!"

"I said I was sorry," Nate muttered.

"Yeah, right."

"Drop me off anywhere. I'll go get you one."

"We don't land these things on shore."

"You don't?"

"Except to paint 'bite me' on the flukes," said Poe.

"Yeah, except for that," said Poynter.

Skippy meeped as Scooter scooted in through the poop chute with tuna in hand. Upon seeing the pilot's entrance, Nate started thinking, for the first time since he'd been eaten, about how to escape.

* * *

This is just stupid, Amy thought. She'd been paddling like a madwoman for four hours and was still barely halfway to Molokai. She'd been past the channel wind line for two of those four hours and so battled four-foot swells and a crosswind that threatened to take her out to sea.

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