Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

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Fluke, Or, I Know Why the Winged Whale Sings: краткое содержание, описание и аннотация

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After reverently lambasting the most cherished rites and credos of virtually every one of the world's major religions in his transcendently hilarious novel
the one and only Christopher Moore returns with a wild look at interspecies communication, adventure on the high seas, and an eons-old mystery.
Marine behavioral biologist Nate Quinn is in love — with the salt air and sun-drenched waters off Maui… and especially with the majestic ocean-dwelling behemoths that have been bleeping and hooting their haunting music for more than twenty million years. But just why do the humpback whales sing? That's the question that has Nate and his crew poking, charting, recording, and photographing any large marine mammal that crosses their path. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: No one on Nate's team has ever seen such a thing; not his longtime partner, photographer Clay Demodocus, not their saucy young research assistant, Amy. Not even spliff-puffing white-boy Rastaman, Kona (the former Preston Applebaum of New Jersey), could boast such a sighting in one of his dope-induced hallucinations. And when a roll of film returns from the lab missing the crucial tail shot — and their research facility is summarily trashed — Nate realizes that something very fishy indeed is going on.
This, apparently, is big, involving dangerously interested other parties — competitive researchers, the cutthroat tourist industry, perhaps even the military. The weirdness only gets weirder when a call comes in from Nate's big-bucks benefactor saying that a whale has made contact — by phone. And it's asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has daunted and driven Nate throughout his adult life is within his reach. But it's waiting for him in the form of an amazing adventure beneath the waves, 623 feet down, somewhere off the coast of Chile. And it's not what anyone would think.
It must be said: Christopher Moore's
is a whale of a novel.

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Inside the whale smelled like fish.

Standing, or sort of standing — riding was a more appropriate term, as everything inside the whale was moving — behind the seated creatures were two men, one about forty, the other twenty-five, both barefoot but wearing military khakis without insignias or any badges of rank, but the older man was obviously in command. Quinn had tried for five minutes to ask them the questions coming into his mind, but each time he opened his mouth, he had to stop himself from throwing up. He'd always considered himself pretty seaworthy until now.

"What…?" he managed to get out before his gorge rose again.

"It really helps with the incredulity if you accept that you're dead," said the older man.

"I'm dead?"

"I didn't say that, but if you accept that you are, it sort of quells the anxiety."

"Yeah, if you're already dead, what bad can really happen?" said the younger guy.

"Then I am dead?"

"Nope. Breathe and go with the motion," said the older guy. "It's not going to stop, so if you fight it, you'll lose."

"Your lunch," added the young guy, and then he let loose a giggle at his own joke.

"There's less motion toward the front. The head tracks close to level. But you knew that."

Quinn hadn't been able to apply any of his analytical powers to the situation because he flat couldn't accept it. Yes, in another world he realized that he knew that the whale's head would have less motion than the tail, but he'd never even considered that he might be thinking about it from the perspective of an internal organ.

"I'm inside a whale?"

"Ding, ding, ding, he's gotten the bonus answer." The young guy leaned back against the back of the seat where one of the gray creatures was sitting, and a chairlike protrusion rose out of the floor to catch him. "Tell him what he's won, Captain."

"Hospitality, Poe. Help the doctor up to the front so we can talk without him tossing his cookies."

The younger guy helped Quinn to his feet and across the undulating floor to the chair thing that had risen behind one of the gray creatures facing the back of the ship. Once close to the creatures, Quinn couldn't take his eyes off them. They were humanoid, in that they had two arms, two legs, a torso, and a head, but their heads were like that of a pilot whale, with a large melon in the front — for transmitting and receiving sound underwater, Quinn guessed — and their eyes were set wide to the side, so the creatures would see with binocular vision. Their hands were inserted into consoles that rose out of the floor and appeared to have no instrumentation whatsoever except for some bioluminescent nodules that looked like cloudy eyeballs and emitted different colors of light. The creatures appeared as if they had become part of the whale.

"We call them the whaley boys," the older man said. "They pilot the whale."

"The one directly behind you is Scooter, the other one is Skippy. Say hi, guys."

The creatures turned as far as the chairs would allow them and made clicking and squeaking noises, then seemed to smile at Quinn. While smiling they showed mouthfuls of sharp, peglike teeth. With the teeth set against their dark gray skins and the melon above, the whaley boys put Quinn in mind of more cheerful versions of the creature from the Alien movies. Scooter saluted Nate with a hand consisting of four very long webbed fingers and only the suggestion of a thumb.

"They say hi," said Poe. "I'm Poe. This is Captain Poynter." Poynter, the older man, tipped his hat and offered a hand to shake. Quinn took it and waggled it limply.

"The whaley boys don't speak English as we know it," Poe said, "although they have a few squeaks that come out like words. They're tapped directly in to the whale's nervous system. They steer it, control all the processes at any given time. We can't do much on the whales without them. Certainly could never drive one. The whales and the whaley boys are made for each other."

Poe pushed against the back of Skippy's seat, and another seat formed out of the floor to cradle him as he leaned back into it. "I love that," Poe said.

Poynter backed up to a rubbery bulkhead, and a seat formed out of the wall to catch him as well.

"If they're paying attention, they'll never let you fall." Poe grinned. "Of course, almost everything in here is soft — child safe, don't you know — except the spine, which runs over the top, so you wouldn't be hurt if you did fall. But just the same, we're secured when they're doing maneuvers. You think you're sick now — wait until we go for a breach. Don't freak out." Poe turned to the whaley boys. "Secure the doc, boys." The arms of the seat shape wrapped over Quinn's lap. Parts came over his shoulders and fused across his chest, then around his hips and over his lap. Quinn freaked out.

"Get it off me! Get it off me! I can't breathe!"

"Prepare for breach," said Poynter.

Scooter chirped. Skippy grinned. Similar restraints extruded from all their seats, securing them.

The attitude of the whale changed, going up at a nearly sixty-degree angle — and then the angle went sharper as they moved. Quinn was looking backward at the tail section of the teardrop interior. The lurching movement of the luminescent strips was starting to nauseate him. He could feel his internal organs shifting with the acceleration, and then the whale ship went vertical and airborne. At the apex of the motion, Quinn's stomach tried to escape through his diaphragm, then shifted as they fell sideways. There was an enormous concussion as the ship hit the water. Slowly the whale came back around, and they were horizontal again.

The whaley boys chirped and clicked gleefully, grinning back at Quinn, then at each other, then back at Quinn, nodding as if to say, Was that cool, or what? Their necks were nearly as wide as their shoulders, and Quinn could see heavy muscles moving under the skin. "They love that," said Poynter.

"I kind of like it, too," said Poe. "Except when they go overboard and do twenty or thirty breaches in a row. Even I get sick when they do that. And the noise… well, you heard it."

Quinn shook his head, closed his eyes, then opened them again. The only way to deal with this experience was to accept it at face value: He was in a whale, one that was somehow being used as a submarine by human and nonhuman sentient creatures. Everything he knew no longer applied, but then again, maybe it did. What put him on the less loopy side of sanity was noticing the whaley boys' thick necks.

"They're amphibious, right?" Quinn asked Poynter. "Their necks are thick to take the stress of swimming at high speeds?" Quinn rose in his chair as far as the restraints would allow and saw that Scooter did indeed have a blowhole just behind his melon. He was a humanoid whale, or a dolphin creature. Scooter was impossible. All of this was impossible. The details, not the big picture, Quinn reminded himself. In the big picture there be madness. "They're like a whale/human hybrid, aren't they?"

"Which would be why we call them the whaley boys," said Poynter.

"Wait, are you accusing us of something?" asked Poe. "Because these guys are not the love children of us and some whales. We don't do that kind of thing."

"Well, there was that one time," said Poynter.

"Okay, yeah, just that one time," said Poe.

But Quinn was studying Scooter, and Scooter was eyeing him right back. "Although they appear to be able to turn their heads, like beluga whales. Their neck vertebrae probably aren't fused like most whales'." The scientist rising, Quinn was comfortable now, his fear taken away by curiosity. He was focused on finding out things, which was his home turf, even in this completely unreal situation. If he focused on the details, the big picture wouldn't throw him over the edge into drooling lunacy.

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