Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

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Fluke, Or, I Know Why the Winged Whale Sings: краткое содержание, описание и аннотация

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After reverently lambasting the most cherished rites and credos of virtually every one of the world's major religions in his transcendently hilarious novel
the one and only Christopher Moore returns with a wild look at interspecies communication, adventure on the high seas, and an eons-old mystery.
Marine behavioral biologist Nate Quinn is in love — with the salt air and sun-drenched waters off Maui… and especially with the majestic ocean-dwelling behemoths that have been bleeping and hooting their haunting music for more than twenty million years. But just why do the humpback whales sing? That's the question that has Nate and his crew poking, charting, recording, and photographing any large marine mammal that crosses their path. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: No one on Nate's team has ever seen such a thing; not his longtime partner, photographer Clay Demodocus, not their saucy young research assistant, Amy. Not even spliff-puffing white-boy Rastaman, Kona (the former Preston Applebaum of New Jersey), could boast such a sighting in one of his dope-induced hallucinations. And when a roll of film returns from the lab missing the crucial tail shot — and their research facility is summarily trashed — Nate realizes that something very fishy indeed is going on.
This, apparently, is big, involving dangerously interested other parties — competitive researchers, the cutthroat tourist industry, perhaps even the military. The weirdness only gets weirder when a call comes in from Nate's big-bucks benefactor saying that a whale has made contact — by phone. And it's asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has daunted and driven Nate throughout his adult life is within his reach. But it's waiting for him in the form of an amazing adventure beneath the waves, 623 feet down, somewhere off the coast of Chile. And it's not what anyone would think.
It must be said: Christopher Moore's
is a whale of a novel.

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"You haven't told her?" Amy asked.

Clay shook his head. "Why would I? I haven't given up on Nate. I've seen too much. Last year they thought they'd lost one of the black-coral divers. The boat came back to where they'd sent him down, and he was gone. A week later he called from Molokai for them to come get him. He'd swum over and had been so busy partying he'd forgotten to call.

"Doesn't sound like Nate," Kona said. "He told me that he hated fun."

"Still, it would be wrong not to let the Old Broad know what's happened," Amy said.

Clay patted them each on the back. "Intrepid," he said.

* * *

As he drove up the volcano, Clay tried to formulate some gentle way of breaking the news to the Old Broad. Since his mother had passed away, Clay had taken the bearing of bad news very seriously — so seriously, in fact, that he usually let someone else do the bearing. He'd been in Antarctica on assignment for National Science, snowed in at the naval weather station for six months when his mother, still in Greece, had gone missing. She was seventy-five, and the villagers knew she couldn't have gone far, yet, search as they might, they did not find her for three days. Finally her location was revealed by her ripening odor. They found her dead in an olive tree, where she had climbed to do some pruning. Clay's older brothers, Hektor and Sidor, would not hold the funeral without Clay, the baby, yet they knew their brother would be completely out of touch for months. "He is the rich American," came the ouzo-besotted lament. "He should take care of Mama. Perhaps he will even fly us to America for the funeral." And so the two brothers, having inherited their mother's weakness for alcohol and their father's bad judgment, packed the remains of Mother Demodocus in an olive barrel, filled the barrel with the preserving brine, and shipped it off to their rich younger brother's house in San Diego. The problem was, in their grief (or perhaps it was their stupor) they forgot to send a letter, leave a message, or, for that matter, put a packing label on the barrel, so months later, when Clay returned to find the barrel on his porch, he broke into it thinking he was about to enjoy a delicious snack of kala-mata olives from home. It was not the way to find out about his mother's death, and it engendered in Clay very strong views about loyalty and the bearing of bad news.

I will do this right, he thought as he pulled into the Old Broad's driveway. There's no reason for this to be a shock.

* * *

There were cats and crystals everywhere. The Old Broad led him through the house and had him sit in a wicker emperor's chair that looked out over the channel while she fetched some mango iced tea for them. The house could have been designed by Gauguin and landscaped by Rousseau. It was small, just five rooms and a carport, but it sat on twenty acres of fruit-salad jungle: banana trees, mango, lemon, tangerine, orange, papaya, and coconut palm, as well as a florist's dream of orchids and other tropical flowers. The Old Broad had cultivated a low, soft grass under all the trees that was like a golf-course green over sponge cake. The house was made almost entirely of dark koa wood, nut brown and with black grain running through it, polished to a smooth satin and as hard as ebony. There was a high-peaked galvanized-tin roof with a vented tower in the center to draw heat out the top and cool air in from under the wide eaves that surrounded the whole house. There were no windows, just open sliding walls. You could look through any part of the house to the other and see the tropical garden. The Old Broad's telescope and «big-eye» binoculars stood on steel and concrete mountings in front of where Clay sat, looking very much out of place: the artillery of science planted in paradise. At Clay's feet a skinny cat happily crunched the legs off a scorpion.

The Old Broad handed Clay a tall, icy glass and sat in another emperor's chair beside him. She was barefoot and wore a flowered caftan and a yellow-and-red hibiscus blossom in her hair that was half the size of her face. She had probably been a dish back around the time of Lincoln, Clay thought.

"It's so nice to see you, Clay. I don't get many visitors. Not that I'm lonely, you know. I have the cats and the whales to talk to. But that's not like having one of my boys to visit with."

Oh, jeez, Clay thought. One of her boys. Oh, jeez. He had to tell her. He knew he had to tell her. He had come up here to tell her, and he was going to tell her, and that was that. "This is excellent tea, Elizabeth. Mango, you say?"

"That's right. Just a little bit of mint. Now, what is it you needed to talk to me about?"

"And ice? I think the coldness makes it, gives it a fantastic, uh…"

"Temperature? Yes, ice is an essential ingredient in iced tea, Clay. Thus the name."

Sarcasm is so ugly on the aged, thought Clay. No one likes a sarcastic oldster. He said, "Iced tea, you mean?" Oh, this is just going to kill her, he thought.

"If this is about a new boat, Clay, don't be shy. I know how you loved that boat, and we'll get you another one. I'm just not sure we can go for one quite that nice. My investments haven't been doing well the last couple of years."

"No, no, it's not the boat. The boat was insured. It's Nate."

"And how is Nathan? I hope he's handling his little infatuation with your new researcher with a bit of dignity. He was wearing it on his sleeve that night at the sanctuary. You'd think a man as smart as Nathan would have better control over his impulses."

"Nate had a thing for Amy?" Clay was going to tell her, really. He was just working up to it.

"You said 'had, " said the Old Broad. "You said Nate 'had' a thing for Amy."

"Elizabeth, there's been an accident. Three days ago Nate went into the water to get a better look at a singer, and… well, we haven't been able to find him." Clay put down his tea so he could catch the old woman should she faint. "I'm very sorry."

"Oh, that. Yes, I heard about that. Nate's fine, Clay. The whale told me."

And here Clay found himself balancing on another dilemma. Should he let her have her belief, no matter how crazy it might be, or should he dash her spirits to earth with the truth?

Although Nate had found Elizabeth's eccentricities irritating, Clay had always liked her insistence that the whales spoke to her. He wished it were true. He scooted to the edge of his chair and took her hand in his.

"Elizabeth, I don't think you understand what I'm saying —»

"He took the pastrami and rye, right? He said he would."

"Um, that's not exactly pertinent. He's been gone for three days, and they were right at the wind line toward Molokai when he was lost. Rough sea. He's probably gone, Elizabeth."

"Well, of course he's gone, Clay. You'll just have to carry on until he gets back." Now she patted his hand. "He did take the sandwich, right? The whale was very specific."

"Elizabeth! You're not listening to me. This is not about the whales singing to you through the trees. Nate is gone!"

"Don't you shout at me, Clay Demodocus. I'm trying to comfort you. And it wasn't a song through the trees. What do you think? I'm some crazy old woman? The whale called on the phone."

"Oh, Jesus, Joseph, and Mary, I don't know how to do this»

"More tea?" asked the Old Broad.

* * *

As Clay made the long drive down the volcano and back to Papa Lani, he tried to fight letting his spirits rise. The Old Broad was completely convinced that Nathan Quinn was just fine and dandy, although she could give no reason other than to say that the whale, after ordering a pastrami on rye, had told her that everything would be all right.

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