Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

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Fluke, Or, I Know Why the Winged Whale Sings: краткое содержание, описание и аннотация

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After reverently lambasting the most cherished rites and credos of virtually every one of the world's major religions in his transcendently hilarious novel
the one and only Christopher Moore returns with a wild look at interspecies communication, adventure on the high seas, and an eons-old mystery.
Marine behavioral biologist Nate Quinn is in love — with the salt air and sun-drenched waters off Maui… and especially with the majestic ocean-dwelling behemoths that have been bleeping and hooting their haunting music for more than twenty million years. But just why do the humpback whales sing? That's the question that has Nate and his crew poking, charting, recording, and photographing any large marine mammal that crosses their path. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: No one on Nate's team has ever seen such a thing; not his longtime partner, photographer Clay Demodocus, not their saucy young research assistant, Amy. Not even spliff-puffing white-boy Rastaman, Kona (the former Preston Applebaum of New Jersey), could boast such a sighting in one of his dope-induced hallucinations. And when a roll of film returns from the lab missing the crucial tail shot — and their research facility is summarily trashed — Nate realizes that something very fishy indeed is going on.
This, apparently, is big, involving dangerously interested other parties — competitive researchers, the cutthroat tourist industry, perhaps even the military. The weirdness only gets weirder when a call comes in from Nate's big-bucks benefactor saying that a whale has made contact — by phone. And it's asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has daunted and driven Nate throughout his adult life is within his reach. But it's waiting for him in the form of an amazing adventure beneath the waves, 623 feet down, somewhere off the coast of Chile. And it's not what anyone would think.
It must be said: Christopher Moore's
is a whale of a novel.

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Then the whale moved. The wash of the tail pushed Quinn back, but he maintained his bearings and started toward the surface, trying to keep his eye on the animal. The whale turned around in little more than its own length and shot toward Nate. He kicked laterally, trying to move to one side or another, then up, so he'd be tossed over the top of the animal rather than under it as it came up, because it was definitely going to bump him.

He looked back beyond his fins as he kicked and saw the whale adjust its direction to keep coming toward him. Nate kicked once for the surface, then looked back again to see the animal's enormous mouth opening beneath him. No, this can't be happening, he thought.

The panic rising in his chest demanded air, but it was as if the entire ocean had opened up a hole behind him, and he wasn't going to make it to the surface. The whale came halfway out of the water as it scooped him up, and Nate saw sky, and white water, and baleen fringing the upper jaw above — all of it framed by the huge trapezoid that was the whale's open mouth. Then he felt the whale sinking back, and he saw the baleen close over him. He rolled into a ball, hoping not to be crushed by the jaws, hoping to be spit out as a horrible dining mistake. But then the great tongue came forward, warm and rough, driving him against the baleen plates — it was like being smashed into a wrought-iron fence by a wet Nerf Volkswagen. He could feel the baleen ripping the skin on his back as the tongue covered him, pressing the seawater out around him as it would strain krill, then crushing him until the last of the air exploded from his body and he blacked out.

PART TWO

Jonah's People

Men really need sea monsters in their personal oceans.

For the ocean, deep and black in the depths,

is like the low dark levels of our minds in which

the dream symbols incubate and sometimes rise

up to sight like the Old Man of the Sea.

— JOHN STEINBECK

CHAPTER SIXTEEN

Shoes Off in the Whale!

"Shoes off in the whale!" a male voice said out of the dark.

Quinn could see nothing. His entire body ached like, well, like it had been chewed. He crawled to his hands and knees on what felt like wet latex. He reached down and felt for his feet. He still had his flippers on, and logic protested through his confusion. "I'm not wearing shoes. These are fins."

"Shoes off in the whale! And don't try and make a break for the anus."

Two things that, if asked about an hour earlier, Nate might have said with conviction he'd never hear in a lifetime of conversation.

"What?" Quinn said, squinting into the dark. He realized that he was still wearing his dive mask and reached up to push it back.

"I'll bet he didn't bring the pastrami on rye I asked for either, did he?" came the voice.

Shapes began to define themselves in the darkness, and Nate saw a face not a foot away from his. He gasped and pulled away from it, for although it seemed to be examining him with great interest, the face was not human.

* * *

Clay Demodocus was known throughout the world as one of the calmest, most level-tempered, most generous and considerate individuals in the entire milieu of marine biology. His reputation preceded him when he went on assignment, and people took it for granted that he would remain amiable throughout a long voyage in cramped quarters, as well as efficient in his own work, respectful of the work of others, and cool-headed in an emergency. Because he often had to subjugate himself to the head researcher on any given assignment, Clay did not indulge in ego battles and testosterone-slinging contests with researchers or crew. None of these qualities were evident when he went over the desk of the Coast Guard commandant and stopped only inches from head-butting the tall, athletic-looking officer. "You call this search off now and I'll see to it that your name is remembered for all time in concert with Adolf Eichmann and Vlad the Impaler. Nathan Quinn is a legend in his field, and every time there's a documentary on whales on the Discovery Channel, or National Geographic, or Animal Planet, or PBS, or the fucking Cartoon Channel, I'll see to it that your name is mentioned right after Nate's as the man who left him out there. You'll be the official Coast Guard pariah for the next hundred years. This will be the Coast Guard's My Lai. Every time a kid drowns, your name will be mentioned — nay, every time someone gets a soaker, the name of Commodore Whateveryournameis shall be brought forth and your effigy burned in the streets and your head stuck on a pole, lipsticked, and marched around school yards, forever. And all because you're too goddamned lamebrained to put a couple of helicopters into the air to find my friend. Is that what you want?"

Clay had strong views on loyalty.

The commodore had been in the Coast Guard for most of his adult life, spending the majority of his time and energy either rescuing people or training others to do so, and as a result he was taken aback more than somewhat by Clay's tirade. He looked across his office to where Kona and Amy stood by the door, looking nearly as haggard as he felt. The surfer looked at him and shook his head sadly.

"It's been three days, Mr. Demodocus. In open water with no life preserver? You're not a tourist — you know the odds. If he were alive, he'd have drifted far out of where we're able to patrol by now anyway. We're doing no fewer than ten rescues a day on Maui. I can't have our helicopters out to sea when there's just no chance."

"What about tide maps, currents?" Clay pleaded. "Can't we try to predict which way he might have drifted? Narrow the search area."

The commodore had to look away from Clay when he answered. The first thing the surfer kid with the uneven dreadlocks had said when they'd come into his office was "Sucks to be you." And right now the commodore couldn't have agreed more. He'd lost friends at sea; he understood. "I'm sorry," he said.

Clay sighed heavily, and his shoulders sagged. Amy came forward and took him by the arm. "Let's go home, Clay."

Clay nodded and allowed himself to be led out of the commodore's office.

As they made their way across the parking lot to Clay's truck Kona said, "That was amazing, Clay."

"Throwing a fit? Yeah, I'm proud of that, especially since it worked so well."

"Why didn't you say anything about the whale eating Nate?" In the three days since Quinn had disappeared, Kona had forgotten to speak brophonics and Rasta talk almost completely, and now he just sounded like a kid from New Jersey with a "whoa, dude" surfer accent.

"Whales don't eat people, Kona," Clay said. "You know better."

"I know what I saw," Amy said.

Clay stopped and stepped away from both of them. "Look, if you're going to do this stuff, you have to be practical. I believe that you saw what you say you saw, but nothing about it helps. First, a humpback's throat is only about a foot in diameter. They couldn't swallow a human if they wanted to. So if the whale did scoop up Nate, then there's a good chance he was spit out very quickly. Second, if I told that story to everyone else, either they'd think you were being hysterical or, if they believed you, they'd assume that Nate had been drowned immediately, and there wouldn't have been a search. I believe you, kid, but don't think anyone else will."

"So what now?" Kona asked.

Clay looked at the two of them, standing there like abandoned puppies, and he pushed aside his own grief. "We finish Nate's work. We do this work, we carry on. Right now I've got to go up the mountain and see the Old Broad. Nate was like a son to her."

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