Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

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Fluke, Or, I Know Why the Winged Whale Sings: краткое содержание, описание и аннотация

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After reverently lambasting the most cherished rites and credos of virtually every one of the world's major religions in his transcendently hilarious novel
the one and only Christopher Moore returns with a wild look at interspecies communication, adventure on the high seas, and an eons-old mystery.
Marine behavioral biologist Nate Quinn is in love — with the salt air and sun-drenched waters off Maui… and especially with the majestic ocean-dwelling behemoths that have been bleeping and hooting their haunting music for more than twenty million years. But just why do the humpback whales sing? That's the question that has Nate and his crew poking, charting, recording, and photographing any large marine mammal that crosses their path. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: No one on Nate's team has ever seen such a thing; not his longtime partner, photographer Clay Demodocus, not their saucy young research assistant, Amy. Not even spliff-puffing white-boy Rastaman, Kona (the former Preston Applebaum of New Jersey), could boast such a sighting in one of his dope-induced hallucinations. And when a roll of film returns from the lab missing the crucial tail shot — and their research facility is summarily trashed — Nate realizes that something very fishy indeed is going on.
This, apparently, is big, involving dangerously interested other parties — competitive researchers, the cutthroat tourist industry, perhaps even the military. The weirdness only gets weirder when a call comes in from Nate's big-bucks benefactor saying that a whale has made contact — by phone. And it's asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has daunted and driven Nate throughout his adult life is within his reach. But it's waiting for him in the form of an amazing adventure beneath the waves, 623 feet down, somewhere off the coast of Chile. And it's not what anyone would think.
It must be said: Christopher Moore's
is a whale of a novel.

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"Constantly Baffled, hold there, we are coming to you."

"Don't come to me. I'm not going anywhere. Go to the other boat. Repeat, they have an emergency situation and are not responding to marine radio."

The Conservation Enforcement boat lifted up in the water under the power of two 125-horse Honda outboards and beelined toward them.

"Fuck!"

Nate dropped the mike and started to shake, a shiver born not of temperature, as it was eighty degrees on the channel, but out of frustration and fear. What had happened to Clay to prompt Amy to go to his rescue? Maybe she had misjudged the situation and gone down needlessly. She didn't have much experience in the water, or at least he didn't think she had. But if things were okay, then why weren't they up…?

"Kona, did Clair say whether she could see Amy and Clay?

"No, boss, she just wanted to know about the regulator." Kona sat down in the bottom of the boat and hung his head between his knees. "I'm sorry, boss. I thought if it was yellow, it could go in the water. I didn't know. It slipped."

Nate wanted to tell the kid it was all right, but he didn't like lying to people. "Clay put you on the research permit, right, Kona? You remember signing a paper with a lot of names on it?"

"No, mon. That five-oh coming up now?"

"Yeah, whale cops. And if Clay didn't put you on the permit, you're going to be going home with them."

CHAPTER ELEVEN

The Mermaid

and the Martian

The depth gauge read two hundred feet by the time Amy finally snagged the top of Clay's rebreather and pulled herself down to where she was looking into his mask. If it weren't for a small trail of blood streaming from his scalp, making him look like he was leaking black motor oil into the blue, he might have been sleeping, and she smiled in spite of herself. The sea dog survives. Somehow — maybe through years of conditioning his reflexes to keep his mouth shut — Clay had bitten down on the mouthpiece of the rebreather. He was breathing steadily. She could hear the hiss of the apparatus.

She wasn't sure that Clay's mouthpiece would stay in all the way to the surface, and, if it came out, the photographer would surely drown, even if she replaced it quickly. Unlike a normal scuba regulator, which was frightfully easy to purge, you couldn't let water get into a rebreather or it could foul the carbon-dioxide scrubbers and render the device useless. And she'd need both her hands for the swim up. One to hold on to Clay and one to vent air from his buoyancy-control vest, which would fill with air as they rose, causing them both to shoot to the surface and get the bends. (Amy wasn't wearing a BC vest or a wet suit; she wasn't supposed to have needed them.) After wasting a precious thirty seconds of air to consider the problem, she took off her bikini top and wrapped it around Clay's head to secure his mouthpiece. Then she hooked her hand into his buoyancy vest and started the slow kick to the surface.

At a hundred and fifty feet she made the mistake of looking up. The surface might have been a mile away. Then she checked her watch and pulled up Clay's arm so she could see the dive computer on his wrist. Already the liquid-crystal readout was blinking, telling her that Clay needed two decompression stops on the way up. One at fifty feet and one at twenty, from ten to fifteen minutes each. With his rebreather he'd have plenty of air. Amy wasn't wearing a dive computer, but by ball-parking it from her pressure gauge, she figured she had between five and ten minutes of air left. She was about half an hour short.

Well, this is going to be awkward, she thought.

* * *

The whale cops wore light blue uniform shirts with shorts and aviator-style mirrored sunglasses that looked as if they'd been surgically set into their faces. They were both in their thirties and had spent some time in the gym, although one was heavier and had rolled up his short sleeves to let his grapefruit biceps breathe. The other was thin and wiry. They brought their boat alongside Nate's and threw over a bumper to keep the boats from rubbing together in the waves.

"Howzit, bruddahs!" Kona said.

"Not now," Nate whispered.

"I need to see your permit," said the heavier cop.

Nate had pulled a plastic envelope out from under the console as they approached. They went through this several times a year. He handed it over to the cop, who took out the document and unfolded it.

"I'll need both of your IDs."

"Come on," Nate said, handing over his driver's license. "You guys know me. Look, we've sheared a pin and there's a diver emergency on our other boat."

"You want us to call the Coast Guard?"

"No, I want you to take us over there."

"That's not what we do, Dr. Quinn," said the thin cop, looking up from the permit. "The Coast Guard is equipped for emergencies. We are not."

"Dis haole, lolo pela, him," said Kona. (Meaning, he's just a dumb white guy.)

"Don't talk that shit to me," said the heavier cop. "You want to speak Hawaiian, I'll talk to you in Hawaiian, but don't talk that pidgin shit to me. Now, where's your ID?"

"Back at my cabin."

"Dr. Quinn, your people need to have ID at all times on a research vessel, you know that."

"He's new."

"What's your name, kid?"

"Pelekekona Keohokalole," said Kona.

The cop took off his sunglasses — for the first time ever, Nate thought. He looked at Kona.

"You're not on the permit."

"Try Preston Applebaum," said Kona.

"Are you trying to fuck with me?"

"He is," said Nate. "Just take him in, and on the way take me to our other boat."

"I think we'll tow both of you in and deal with the permit issues when we get into harbor."

Suddenly, amid the static of the marine radio on in the background, Clair's voice: "Nate, are you there? I lost Amy's bubbles. I can't see her bubbles. I need help here! Nate! Anyone!"

Nate looked at the whale cop, who looked at his partner, who looked away.

Kona jumped up on the gunwale of the police boat and leaned into the wiry cop's face. "Can we do the territorial macho power trip after we get our divers out of the water, or do you have to kill two people to show us how big your fucking dicks are?"

* * *

Clair ran around the boat searching for Amy's bubble trail, hoping she was just missing it, had lost it in the waves — hoping that it was still there. She looked at the hang tank sitting in the floor of the boat, still unattached to the regulator, then ran back to the radios, keying both the marine radio and the cell-phone radio and trying not to scream.

"SOS here. Please, I'm a couple of miles off the dump, I have divers down, in trouble."

The harbormaster at Lahaina came back, said he'd send someone, and then a dive boat who was out at the lava cathedrals at Lanai said they had to get their divers out of the water but could be there in thirty minutes. Then Nathan Quinn came back.

"Clair, this is Nate. I'm on the way. How long ago did the bubbles stop?"

"Clair checked her watch. Four, five minutes ago."

"Can you see them?"

"No, nothing. Amy went deep, Nate. I watched her go down until she disappeared."

"Do you have hang tanks in the water?"

"No, I can't get the damn regulators on. Clay always did it."

"Just tie off the tanks and tie the regulators to the tanks and get them over the side. Amy and Clay can hook them up if they get to them."

"How deep? I have three tanks."

"Ninety, sixty, and thirty. Just get them in the water, Clair. We'll worry about exact depth when I get there. Just hang them so they can find them. Tie glow sticks on them if you have any. Should be there in five minutes. We can see you."

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