Christopher Moore - Fluke, Or, I Know Why the Winged Whale Sings

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Fluke, Or, I Know Why the Winged Whale Sings: краткое содержание, описание и аннотация

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After reverently lambasting the most cherished rites and credos of virtually every one of the world's major religions in his transcendently hilarious novel
the one and only Christopher Moore returns with a wild look at interspecies communication, adventure on the high seas, and an eons-old mystery.
Marine behavioral biologist Nate Quinn is in love — with the salt air and sun-drenched waters off Maui… and especially with the majestic ocean-dwelling behemoths that have been bleeping and hooting their haunting music for more than twenty million years. But just why do the humpback whales sing? That's the question that has Nate and his crew poking, charting, recording, and photographing any large marine mammal that crosses their path. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: No one on Nate's team has ever seen such a thing; not his longtime partner, photographer Clay Demodocus, not their saucy young research assistant, Amy. Not even spliff-puffing white-boy Rastaman, Kona (the former Preston Applebaum of New Jersey), could boast such a sighting in one of his dope-induced hallucinations. And when a roll of film returns from the lab missing the crucial tail shot — and their research facility is summarily trashed — Nate realizes that something very fishy indeed is going on.
This, apparently, is big, involving dangerously interested other parties — competitive researchers, the cutthroat tourist industry, perhaps even the military. The weirdness only gets weirder when a call comes in from Nate's big-bucks benefactor saying that a whale has made contact — by phone. And it's asking for a hot pastrami and Swiss on rye. Suddenly the answer to the question that has daunted and driven Nate throughout his adult life is within his reach. But it's waiting for him in the form of an amazing adventure beneath the waves, 623 feet down, somewhere off the coast of Chile. And it's not what anyone would think.
It must be said: Christopher Moore's
is a whale of a novel.

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Nate started the engine just as Kona broke the surface, spitting out the snorkel and taking in a great gasp of air. Kona shook his head, signifying that he hadn't accomplished the mission. "Too deep, boss."

"Come, come, come. To the side." Nate waved him to the boat. Quinn brought the boat broadside to Kona, then reached over with both hands. "Come on." Kona took his hands, and Quinn jerked the surfer over the gunwale. Kona landed in a heap in the bottom of the boat.

"Boss —»

"Hang on, Clay's in trouble."

"But, boss —»

Quinn buried the throttle, yanked the boat around, and cringed at the bunny-in-a-blender screech as the hydrophone cord wrapped around the prop, sheared the prop pin, and chopped itself into a whole package of expensive, waterproof licorice sticks.

"Fuck!" Nate snatched off his baseball cap and whipped it onto the console.

The hydrophone sank peacefully to the bottom, bopping the singer on the back as it went. Nate killed the engine and grabbed the radio. "Clair, are they up yet? I'm not going to be able to get there."

* * *

Amy felt as if someone were driving huge ice picks into her eardrums. She pinched her nostrils closed and blew to equalize the pressure, even as she kicked to go deeper, but she was moving too fast to get equalized.

She was down fifty feet now. Clay was a hundred feet below her, the pressure would triple before she got there. She felt as if she were swimming through thick, blue honey. She'd seen the whale tail hit Clay and toss him back, but the good news was that she hadn't seen a cloud of bubbles come up. There was a chance that the regulator had stayed in Clay's mouth and he was still breathing. Of course, it could also mean that he was dead or that his neck had snapped and he was paralyzed. Whatever his condition, he certainly wasn't moving voluntarily, just sinking slowly, relentlessly toward the bottom.

Amy fought the pressure, the resistance of the water, and did math problems as she kicked deeper. The rescue tank held only a thousand pounds of air, a third of the capacity of a normal tank. She guessed that she'd be at around a hundred and seventy-five to two hundred feet before she caught Clay. That would give her just enough air to get him to the surface without stopping to decompress. Even if Clay was unhurt, there was a good chance he was going to get decompression sickness, the bends, and if he lived through that, he'd spend three or four days in the hyperbaric decompression chamber in Honolulu.

Ah, the big palooka is probably dead anyway, she thought, trying to cheer herself up.

* * *

Although Clay Demodocus had lived a life spiced with adventures, he was not an adventurer. Like Nate, he did not seek danger, risk, or fulfillment by testing his mettle against nature. He sought calm weather, gentle seas, comfortable accommodations, kind and loyal people, and safety, and it was only for the work that he compromised any of those goals. The last to go, the least compromised, was safety. The loss of his father, a hard-helmet sponge diver, had taught him that. The old man was just touching bottom at eight hundred feet when a drunken deck hand dragged his ass across the engine start button, causing the prop to cut his father's air line. The pressure immediately drove Papa Demodocus's entire body into the bronze helmet, leaving only his weighted shoes showing, and it was in his great helmet that he was lowered into the grave. Little Clay (Cleandros in those days in Greece) was only five at the time, and that last vision of his father haunted him for years. He never did see a Marvin the Martian cartoon — that great goofy helmet body riding cartoon shoes — when he did not have to fight a tear and sniffle for Papa.

As Clay drifted down into the briny blue, he saw a bright light and a dark shape waiting there on the other side. Out of the light came a short but familiar figure. The face was still dark, but Clay knew the voice, even after so many years. "Welcome, Earth Being," said the vacuum-packed Greek.

"Papa," said Clay.

* * *

Clair dragged the heavy tank out of the Always Confused 's bait well and tried to attach the regulator in order to hang it off a line for Amy and Clay to breathe from so they could decompress before coming up. Clay had shown her how to do this a dozen times, but she had never paid attention. It was his job to put the technothingies together. She didn't need to know this stuff. It wasn't as if she was ever going to go diving without him. She'd let him drone on about safety this and life-threatening that while she applied her attention to putting on sunscreen or braiding her hair so it wouldn't tangle in the equipment. Now she was blinking back tears and cursing herself for not having listened. When she thought she finally might have the regulator screwed on correctly, she grabbed it and dragged the tank to the side of the boat. The regulator came off in her hands.

"Goddamn it!" She snatched the radio and keyed the mike. "Nate, I need some help here."

"Go ahead, sistah," came back. "He be in the briny blue, fixing the propeller."

"Kona, do you know how a regulator goes on a scuba tank?"

"Yah mon, you got to keep the bowl above the water or your herb get wet and won't take the fire."

Clair took a deep breath and fought back a sob. "See if you can put Nate on."

Back on the Constantly Baffled, Nate was in the water with snorkel and fins fighting the weight of half a dozen wrenches and sockets he'd put in the pockets of his cargo shorts. He almost had the propeller off the boat. With luck he could install the shear pin and be up and running in a couple of minutes. It wasn't a complex procedure. It had just been made a lot trickier when Nate found that he couldn't reach the prop to work on it from inside the boat. Then, suddenly, his air supply was cut off.

He kicked up, spit the snorkel out of his mouth, and found himself staring Kona right in the face. The fake Hawaiian hung over the back of the boat, his thumb covering the end of Nate's snorkel, his other hand holding the radio, which he'd let slip halfway underwater.

"Call for you, boss."

Nate gasped and snatched the receiver out of Kona's hand — held it up out of the water. "What in the hell are you doing? That's not waterproof." He tried to sling the water out of the cell phone and keyed the mike. "Clair! Can you hear me?" No sound, not even static.

"But it's yellow," said Kona, as if that explained everything.

"I can see it's yellow. What did Clair say? Is Clay all right?"

"She wanted to know how to put the regulator on the tank. You have to keep the bowl above the water, I tell her."

"It's not a bong, you idiot. It's a real scuba tank. Help me out."

Nate handed up his fins, then stepped on the trim planes on the stern and pulled himself into the boat. At the console he turned on the marine radio and started calling. "Clair, you listening? This is the Constantly Baffled calling the Always Confused. Clair, are you there?"

"Constantly Baffled," cut in a stern, official-sounding male voice, "this is the Department of Conservation and Resources Enforcement. Are you displaying your permit flag?"

"Conservation, we have an emergency situation, a diver in trouble off our other boat. I'm dead in the water with a broken shear pin. The other boat is roughly two miles off the dump."

" Constantly Baffled, why are you not displaying your permit flag?"

"Because I forgot to put the damn thing up. We have two divers in the water, both possibly in trouble, and the woman on board is unable to put together a hang tank." Nate looked around. He could see the whale cops' boat about a thousand yards to the west toward Lanai. They were alongside another boat. Nate could see the familiar figure of the Count standing in the bow, looming there like doom in an Easter bonnet. Bastard!

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