Christopher Moore - Fool

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Fool: краткое содержание, описание и аннотация

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"This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity, as well as nontraditional grammar, split infinitives, and the odd wank… If that's the sort of thing you think you might enjoy, then you have happened upon the perfect story!"
Verily speaks Christopher Moore, much beloved scrivener and peerless literary jester, who hath writteneth much that is of grand wit and belly-busting mirth, including such laurelled bestsellers of the
as
, and
(no offense). Now he takes on no less than the legendary Bard himself (with the utmost humility and respect) in a twisted and insanely funny tale of a moronic monarch and his deceitful daughters — a rousing story of plots, subplots, counterplots, betrayals, war, revenge, bared bosoms, unbridled lust… and a ghost (there's always a bloody ghost), as seen through the eyes of a man wearing a codpiece and bells on his head.
Fool
A man of infinite jest, Pocket has been Lear's cherished fool for years, from the time the king's grown daughters — selfish, scheming Goneril, sadistic (but erotic-fantasy-grade-hot) Regan, and sweet, loyal Cordelia — were mere girls. So naturally Pocket is at his brainless, elderly liege's side when Lear — at the insidious urging of Edmund, the bastard (in every way imaginable) son of the Earl of Gloucester — demands that his kids swear their undying love and devotion before a collection of assembled guests. Of course Goneril and Regan are only too happy to brownnose Dad. But Cordelia believes that her father's request is kind of… well… stupid, and her blunt honesty ends up costing her her rightful share of the kingdom and earns her a banishment to boot.
Well, now the bangers and mash have really hit the fan. The whole damn country's about to go to hell in a handbasket because of a stubborn old fart's wounded pride. And the only person who can possibly make things right… is Pocket, a small and slight clown with a biting sense of humor. He's already managed to sidestep catastrophe (and the vengeful blades of many an offended nobleman) on numerous occasions, using his razor-sharp mind, rapier wit… and the equally well-honed daggers he keeps conveniently hidden behind his back. Now he's going to have to do some very fancy maneuvering — cast some spells, incite a few assassinations, start a war or two (the usual stuff) — to get Cordelia back into Daddy Lear's good graces, to derail the fiendish power plays of Cordelia's twisted sisters, to rescue his gigantic, gigantically dim, and always randy friend and apprentice fool, Drool, from repeated beatings… and to shag every lusciously shaggable wench who's amenable to shagging along the way.
Pocket may be a fool… but he's definitely not an idiot.

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“Jolly good show, hag!” said I. I liked these crones, they had a fine-edged wit.

Rosemary rolled her good eye at the earl, lifted her skirts, aimed her withered bottom at Kent, and rubbed a palsied claw over it. “Round and firm, good knight. Round and firm.”

Kent gagged a little and backed away a few steps. “Gods save us! Away you ghastly carbuncled tart!”

I would have looked away, should have, but I had never seen a green one. A weaker man might have plucked out his own eyes, but being a philosopher, I knew the sight could never be unseen, so I persevered.

“Hop on, Kent,” said I. “Beast-shagging is thy calling and thou surely have been called.”

Kent backed into a tree and half cold-cocked himself. He slid down the trunk, dazed.

Rosemary dropped her skirts. “Just having you on.” The crones cackled as they huddled again. “We’ve a proper toading for you once the fool’s business is finished, though. A moment, please…”

The witches whispered for a moment, then resumed their march around the cauldron.

“Nose of Turk, and Tartar’s lips,
Griffin spunk and monkey hips,
Mandrake rubbed with tiger nads,
To divine undoing for the old king mad.”

“Oh bollocks,” said Sage, “we’re all out of monkey hips.”

Parsley looked into the cauldron and gave it a stir. “We can make do without them. You can substitute a fool’s finger.”

“No,” said I.

“Well, then, get a finger from that comely hunk of man-meat with the bootblack on his beard—he seems foolish enough.”

“No,” said Kent, still a tad dazed. “And it’s not bootblack, it’s a clever disguise.”

The witches looked to me. “There’s no counting on accuracy without the monkey hips or fool’s finger,” said Rosemary.

I said: “Let us make do and gallantly bugger on, shall we, ladies?”

“All right,” said Parsley, “but don’t blame us if we bollocks-up your future.”

There was more stirring and chanting in dead languages, and no little bit of wailing, and finally, when I was about to doze off, a great bubble rose in the cauldron and when it burst it released a cloud of steam that formed itself into a giant face, not unlike the tragedy mask used by traveling players. It glowed against the misty night.

“’Ello,” said the giant face, sounding Cockney and a little drunk.

“Hello, large and steamy face,” said I.

“Fool, Fool, you must save the Drool,
Quick to Gloucester, or blood will pool.”

“Oh, for fuck’s sake, this one rhymes, too?” said I to the witches. “Can’t a bloke find a straightforward prose apparition?”

“Quiet, fool!” snapped Sage, who I was back to thinking of as Warty. To the face, she said, “Apparition of darkest power, we’re clear on the where and the what, but the fool was hoping for some direction of the how variety.”

“Aye. Sorry,” said large steamy face. “I’m not slow, you know, your recipe was short a monkey hip.”

“We’ll use two next time,” said Sage.
“Well, all right, then…
“To reverse the will of a flighty king,
Remove his train to clip his wings.
To eldest daughters knights be dower,
And soon a fool will yield the power.”

The steamy face grinned.

I looked at the witches. “So I’m to somehow get Goneril and Regan to take Lear’s knights in addition to everything else they have?”

“He never lies,” said Rosemary.

“He’s often wildly fucking inaccurate,” said Parsley, “but not a liar.”

“Again,” said I to the apparition, “good to know what to do and all, but a method to the madness would be most welcome as well. A strategy, as it were.”

“Cheeky little bastard, ent ’e?” said Steamy to the witches.

“Want us to put a curse on him?” asked Sage.

“No, no, the lad’s a rocky road ahead without adding a curse to slow him.” The apparition cleared his throat (or at least made the throat-clearing noise, as, strictly speaking, he had no throat).

“A princess to your will shall bend,
If seduction in a note, you send,
And fates of kings and queens shall tell,
When bound are passions with a spell.”

With that, the apparition faded away.

“That’s it, then?” I asked. “A couple of rhymes and we’re finished? I have no idea what I’m to do.”

“Bit thick yourself, then, are you?” said Sage. “You’re to go to Gloucester. You’re to separate Lear from his knights and see that they’re under the power of his daughters. Then you’re to write letters of seduction to the princesses and bind their passions with a magic spell. Couldn’t be any clearer if it was rhymed.”

Kent was nodding and shrugging as if the bloody obviousness of it all had sluiced through the wood in an illuminating deluge, leaving me the only one dry.

“Oh, do fuck off, you grey-bearded sot. Where would you get a magic spell to bind the bitches’ passion?”

“Them,” said Kent, pointing rudely at the hags.

“Us,” said the hags in chorus.

“Oh,” said I, letting the flood wash over me. “Of course.”

Rosemary stepped forward and held forth three shriveled grey orbs, each about the size of a man’s eye. I did not take them, fearing they might be something as disgusting as they appeared to be—desiccated elf scrotums or some such.

“Puff balls, from a fungus that grows deep in the wood,” said Rosemary.

“In lover’s breath these spores release
An enchanting charm you shall unleash
Passion which can be never broken
For him whose name next is spoken.”

“So, to recap, simply and without rhyme?”

“Squeeze one of these bulbs under your lady’s nose, then say your name and she will find your charms irresistible and become overwhelmed with desire for you,” explained Sage.

“Redundant then, really?” said I with a grin.

The hags laughed themselves into a wheeze-around, then Rosemary dropped the puff balls into a small silk pouch and handed it to me.

“There’s the matter of payment,” said she, as I reached for the purse.

“I’m a poor fool,” said I. “All we have between us is my scepter and a well-used shoulder of pork. I suppose I could wait while each of you takes Kent for a roll in the hay, if that will do.”

“You will not!” said Kent.

The hag held up a hand. “A price to be named later,” said she. “Whenever we ask.”

“Fine, then,” said I, snatching the purse away from her.

“Swear it,” she said.

“I swear,” said I.

“In blood.”

“But—” As quick as a cat she scratched the back of my hand with her ragged talon. “Ouch!” Blood welled in the crease.

“Let it drip in the cauldron and swear,” said the crone.

I did as I was told. “Since I’m here, is there any chance I could get a monkey?”

“No,” said Sage.

“No,” said Parsely.

“No,” said Rosemary. “We’re all out of monkeys, but we’ll put a glamour on your mate so his disguise isn’t so bloody pathetic.”

“Go to it, then,” said I. “We must be off.”

ACT II

How sharper than a serpent’s tooth it is to have a thankless child.

— King Lear, Act I, Scene 4

TEN

ALL YOUR DREAD PLEASURES

The sky threatened a dismal dawn as we reached Castle Albany. The drawbridge was up.

“Who goes there?” shouted the sentry.

“’Tis Lear’s fool, Pocket, and his man at arms, Caius.” Caius is the name the witches gave Kent to use to bind his disguise. They’d cast a glamour on him: his beard and hair were now jet black, as if by nature, not soot, his face lean and weathered, only his eyes, as brown and gentle as a moo cow’s, showed the real Kent. I advised him to pull down the wide brim of his hat should we encounter old acquaintances.

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