Tom Wolfe - I Am Charlotte Simmons

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Dupont University—the Olympian halls of learning housing the cream of America's youth, the roseate Gothic spires and manicured lawns suffused with tradition . . . Or so it appears to beautiful, brilliant Charlotte Simmons, a freshman from Sparta, North Carolina (pop. 900), who has come here on full scholarship in full flight from her tobacco-chewing, beer-swilling high school classmates. But Charlotte soon learns, to her mounting dismay, that Dupont is closer in spirit to Sodom than to Athens, and that sex, crank, and kegs trump academic achievement every time.
As Charlotte encounters Dupont's privileged elite—her roommate, Beverly, a fleshy, Groton-educated Brahmin in lusty pursuit of lacrosse players; Jayjay Johanssen, the only white starting player on Dupont's godlike basketball team, whose position is threatened by a hotshot black freshman from the projects; the Young Turk of Saint Ray fraternity, Hoyt Thorpe, whose heady sense of entitlement and social domination is clinched by his accidental brawl with a bodyguard for the governor of California; and Adam Geller, one of the Millennium Mutants who run the university's "independent" newspaper and who consider themselves the last bastion of intellectual endeavor on the sex-crazed, jock-obsessed campus—she gains a new, revelatory sense of her own power, that of her difference and of her very innocence, but little does she realize that she will act as a catalyst in all of their lives.

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One of the Mexicans slid another pizza box down the counter, and Adam had barely touched it before the all-seeing Neapolitan yelled, “You got a you eight! You get a you ess on da road! You stan’ aroun’ when you t’ru!”

Adam staggered away from the counter holding a stack of pizza flats that rose up higher than his head. Delivery boys used a battered, underpowered eight-year-old Bitsosushi hatchback. PowerPizza was part of a gaudy strip of student-oriented shops, and Adam’s first stop would be six or eight blocks behind it in an apartment building he was only vaguely aware of, since he had never heard of any student living there. On the other hand, he couldn’t imagine anybody other than students with rude animal appetites craving five full-size flats of pizza. The order came to more than fifty dollars, in any event. It would take somebody mean or clueless to tip him less than five dollars. Off the job, he was cautious at the wheel of a car. On this job you had to be a stock-car driver if you wanted to make any money. He sped through the seedy, feebly lit old residential area behind PowerPizza, barely even one-pumping the stop signs.

The apartment building was a dingy brick affair, four or five stories high, with a small entry vestibule containing a deck of about twenty mailboxes, a panel of apartment buzzers, and a glass interior door through which Adam could see a lobby that wasn’t much but had an elevator, thank God. The five flats of pizza were so unwieldy, Adam had to put them down in order to study the buzzer panel. Jones 3A…Jones 3A…Found it, pushed the button, waited for the clicking sound, pushed the door open, and did the usual acrobatics, holding the door open with the heel of his sneaker while he bent over and lifted the five flats up off the floor. Christ! Did something to his back, which put him in an even worse mood. What was Destiny’s child doing in a situation like this? How could it be that he, Adam Gellin, was a delivery boy backing his way into a third-rate apartment building in a shady part of a dreary little city in Pennsylvania, carrying five boxed slabs of idiot food while a lock-mad security-hinged plate-glass door pressed against his butt, trying to deny him entry? And his back hurt like hell.

When he reached the third floor, he found himself in a hallway with seven or eight identical flush doors, but he didn’t have to guess which one was waiting for five orders of pizza. Belly laughs, whoops, the rumble of a lot of people talking at once, and the languid synthesizer sounds of a piece of so-called Sample Rap called “Elliptical Rider” by C. C. Good Jookin’ were audible behind the door of what was undoubtedly Jones 3A. They sound black, Adam said to himself. Consciously, that made no difference. Inside his rib cage his heart had other ideas, however, and sped up. He took a deep breath and pressed the button. Nothing but the sound of people partying inside. He had to push it four times before the door opened. Adam found himself looking up at a towering young black man with a shaved head, clad in cargo pants and a T-shirt that showed off his muscles. His shoulders, biceps, and forearms were so thick and highly defined they made Adam blink. Behind the brute, a hazy, smoky dimness was punctuated by flares of electric color, apparently from a television set. Black faces were chundering conversation, through which pulsed the slow, eccentric beat of “Elliptical Rider.” An oddly sweet odor hung in the air.

In the next instant Adam realized who Jones 3A was: Curtis Jones, the basketball team’s shooting guard. On the court he looked small, since he was only—only, by Division I standards—six-five. Standing there in an ordinary apartment doorway, he looked gigantic. Adam felt relieved. The man might be a brute in a foul mood, but at least Adam knew who he was. Like the other players, Jones lived in Crowninshield, and Adam had been around him from time to time while tending Jojo. He started to say, Hi, Curtis, but thought better of it and settled for, “Hi—PowerPizza.”

If the big man recognized him, if he was at all happy that his five flats had arrived, or if he was in any other way pleased by Adam’s presence, he successfully contained his enthusiasm. He motioned toward a table just inside the door and said, “Over there.” Over there—not even put it over there, much less please.

Adam did as he was told and glanced about the room, which was big but practically unfurnished except for an outsize DVD television screen tuned to ESPN SportsCenter, which nobody seemed to be watching, and a set of quadraphonic speakers currently devoted to the drones and percussions of “Elliptical Rider.” Jones was not the only tall, powerfully built young man in the room with a shaved head. Treyshawn Diggs over there—hard to miss him. André Walker, Dashorn Tippet…but also some young black men who didn’t look like athletes or students, either. Smoky in here. The sweet odor—marijuana. The black athletes, Adam had noticed, liked weed—that was invariably the term—while the white athletes preferred alcohol, and nobody even paid lip service any longer to the rule that athletes shouldn’t get high during the season. The TV screen flared and lit up a huge white head. Jojo! That was him, Jojo. He was in the back of the room talking to Charles Bousquet. That huge white head happened to turn his way.

“Hey, Jojo.” Somehow it seemed very important that the morose and intimidating Curtis Jones realized that he, Adam, knew someone here. Jojo gave him nothing but a blank stare. Couldn’t he see who it was? Adam raised his voice this time—“Hey, Jojo!”—and waved.

Jojo nodded once, without a smile, then turned and resumed his conversation with Charles Bousquet. Adam couldn’t believe it—but then he knew it was true. Jojo was avoiding him. He didn’t want to acknowledge his tutor’s existence in the same room as his cohort of fellow giants. Just two days ago he had stayed up all night researching and writing a paper for him on a complicated subject—saved him from a catastrophic F—and now the big, ungrateful dummy cuts him half dead with a single stone-faced nod!

Curtis Jones was glowering. “Okay. How much I owe you?”

Adam fished the PowerPizza check out of the pocket of his Windbreaker, looked at it, and said, “Fifty dollars and seventy-four cents.”

Jones snatched the check from between his thumb and forefinger. “Lemme see that.” He stared at it until his eyebrows came together. “Shit.” He looked at Adam as if he were trying to perpetrate some outrageous scam. Belligerently he jammed his hand down into a pocket of his jeans, withdrew a thick fold of money clamped with a broad gold clip, riffled through it with his thumb, extracted two bills, handed them to Adam, and turned away without so much as another word.

The man’s wide back was toward him before Adam comprehended what was in his hand. A fifty and a one. A fifty and a one? Twenty-six cents? Surely Curtis Jones was going to turn back and give him his real tip.

But he didn’t. Adam was stunned. This was a fifty-dollar order! It didn’t matter who the man was. He couldn’t let himself get stiffed like this. He screwed up his courage. “Hey, wait a minute.” He’d started to say, “Wait a minute, Curtis,” but he wasn’t brave enough to act that familiar, and he was too angry to grovel and say Mr. Jones. Not that it would have made any difference; Jones hadn’t even heard him above the noise of the conversations and C. C. Good Jookin’s Sample Rap.

Adam stared at the two bills again. Twenty-six cents. Anger wrestled with fear. Fear was winning. Okay, he’d—he’d—he knew what he’d do. He’d take twenty-six cents in change out of his pocket and say Hey, you forgot your change and then throw it at him. Well, not exactly throw—more like toss. He searched his pockets. He didn’t have any change, not even a single coin. He ransacked his mind.

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