Isabel Allende - Island Beneath the Sea

The Cordon Bleu ball turned out to be as magnificent as Violette Boisier had conceived it and others had anticipated. The men arrived in full dress, punctual and correct, and scattered into groups beneath the crystal chandeliers alight with hundreds of candles as an orchestra played and the servants passed light drinks and champagne, no strong liquors. The banquet tables were waiting in the next room, but it would be considered impolite to assault them ahead of time. Violette Boisier, soberly dressed, welcomed the men; soon the mothers and chaperones arrived and took their seats. The orchestra attacked a fanfare, a theater curtain opened at one end of the hall, and the girls made their appearance on the walkway, slowly advancing in single file. There were a few dark mulattas, several sang-meles who passed as European, including two or three with blue eyes, and a vast array of quadroons of diverse shades, all attractive, reserved, docile, elegant, and educated in the Catholic faith. Some were so timid that they did not lift their gaze from the carpet, but others, more daring, cast sidelong glances at the gallants lined up against the walls. Only one came stiff, serious, wearing a defiant, almost hostile, expression. That was Rosette. The floating dresses in pastel colors had been ordered from France or copied to perfection by Adele, the simple hairdos emphasized lustrous manes, arms and necks were bare, and faces seemed clean of paint. Only the women knew how much effort and art each innocent face had cost.

A respectful silence welcomed the first girls, but after a few minutes there was spontaneous applause. Never had such a notable collection of sirens been seen, those fortunate enough to have been present reported the next day in cafes and taverns. The candidates for placage glided like swans around the hall, the orchestra abandoned the trumpet salute to play danceable music, and the white youths began their advances with unusual etiquette, none of the bold familiarity that erupted at the quadroons' parties. After exchanging a few words of courtesy to test the terrain, the young men requested a dance. They were allowed to dance with all the girls, but they had been instructed that the second or third dance with the same girl meant they had a decision to make. The chaperones watched everything with eagle eyes. Not one of those arrogant youths, accustomed to doing whatever they pleased, dared violate the rules. They were intimidated for the first time in their lives.

Maurice did not look at anyone. The mere idea that these girls were being offered to benefit the white men made him ill. He was sweating, and felt a pounding at his temples. He was interested only in Rosette. Ever since he got off the ship in New Orleans several days before, he had looked forward to the ball as the way to meet her, a plan they had agreed to in their secret correspondence; however, since he had not even caught sight of her earlier, he was afraid he wouldn't recognize her. The instinct and nostalgia nourished within the stone walls of the school in Boston nevertheless allowed Maurice to deduce at first glance that the haughty girl dressed in white, the prettiest of all, was his Rosette. By the time he was able to pry his feet from the floor, she was already surrounded by three or four interested young men; she scrutinized each one, trying to discover the person she wanted to see. She, too, had anxiously awaited that moment. From childhood she had protected her love for Maurice with duplicity, disguising it as love for a sibling, but she did not plan to do that any longer. This was the night of truth.

Maurice approached, elbowing his way, tight, rigid, and stopped in front of Rosette with bedazzled eyes. They gazed at each other, searching for the person they remembered: she the crybaby with green eyes who had followed her like a shadow in her childhood, and he the bossy little girl who came at night and slipped into his bed. They met in the embers of memory, and in an instant were again the ones they had been: Maurice, unable to speak, and trembling, waited, and Rosette, tossing aside norms, took his hand and led him to the floor.

Through her white gloves the girl felt the heat of Maurice's skin, which traveled down her spine to her feet, as if she had come close to a fireplace. She felt her knees buckling; she stumbled and had to hold on to him to keep from dropping to her knees. The first waltz went by without their knowing it; they could not say anything, only touch and sum each other up, completely indifferent to the other couples. The music ended, and they went on dancing, engrossed in themselves, moving with the awkwardness of the blind, until the orchestra began again and they picked up the rhythm. By then several persons were watching sneeringly, and Violette Boisier had realized that something was threatening the strict etiquette of the ball.

With the last chord, a youth more daring than the others stepped up to dance with Rosette. She didn't notice the interruption, she was clinging to Maurice's arm with her eyes locked on his, but the man insisted. Then Maurice seemed to wake from a sleepwalker's trance; he turned abruptly and shoved away the intruder with a push so unexpected that his rival stumbled and fell to the floor. A collective Oooooh! paralyzed the musicians. Maurice stammered an apology and held out his hand to the fallen rival to help him to his feet, but the insult had been too evident. Two of the youth's friends had already rushed to the floor and confronted Maurice. Before anyone could call for a duel, as happened all too frequently, Violette Boisier intervened, trying to ease the tension with jokes and little taps of her fan, and Sancho Garcia del Solar took a firm grip on his nephew and led him to the dining room, where the older men were already savoring the delicious plates of the best cuisine creole.

"What are you doing, Maurice! Don't you know who that girl is?" Sancho asked.

"Rosette-who else would it be? I've waited nine years to see her."

"You can't dance with her. Dance with the other girls, several are very beautiful, and once you choose, I will take care of the rest."

"I came only for Rosette, Uncle."

Sancho took a deep breath, filling his chest with a mouthful of air redolent of cigars and the sweetish fragrance of flowers. He was not prepared for this; he had never imagined that it would be up to him to open Maurice's eyes, and even less that such a melodramatic revelation would happen in this place, and so quickly. He had perceived that passion ever since he first saw Maurice with Rosette in Cuba, in 1793, when they were escaping from Le Cap with torn clothing and the ash from the fire on their skin. At that time they were little children walking along holding hands, frightened by the horror of what they had seen, and it was obvious they were united by a strong and possessive love. Sancho could not understand how the others couldn't help but notice.

"Forget Rosette. She is your father's daughter. Rosette is your sister, Maurice." Sancho sighed, his eyes focused on the tip of his boots.

"I know that, Uncle," the youth replied serenely. "We've always known, but that will not prevent us from marrying."

"You must be demented, son. That's impossible."

"We'll see about that, Uncle."

Hortense Guizot had never dared hope that heaven would rid her of Maurice without direct intervention on her part. She satisfied her rancor by conceiving ways to eliminate her stepson, the one dream that practical woman allowed herself, though she had nothing to confess to because those hypothetical crimes were only dreams, and to dream is not a sin. She had tried so hard to separate him from his father and replace him with the son she had not been able to conceive that when Maurice sank himself, leaving the way open for her to manage her husband's estate in her own way, she felt vaguely defrauded. She had spent the night of the ball in her queenly bed beneath the canopy of angels that was transported between the city house and the plantation every season, tossing and turning without being able to sleep, thinking that at that very moment Maurice was selecting a concubine, the definitive sign that he had left adolescence behind and fully entered adult life. Her stepson was a man now, and naturally he would begin to take over the family businesses, at which time her own power would be badly diminished because she did not have the influence over him she did over her husband. The last thing she wanted was to see Maurice digging into the accounts or putting limits on her spending.