Isabel Allende - Island Beneath the Sea

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Of the many pitfalls lurking for the historical novel, the most dangerous is history itself. The best writers either warp it for selfish purposes (Gore Vidal), dig for the untold, interior history (Toni Morrison), or both (Jeannette Winterson). Allende, four years after Ines of My Soul, returns with another historical novel, one that soaks up so much past life that there is nowhere left to go but where countless have been. Opening in Saint Domingue a few years before the Haitian revolution would tear it apart, the story has at its center Zarité, a mulatto whose extraordinary life takes her from that blood-soaked island to dangerous and freewheeling New Orleans; from rural slave life to urban Creole life and a different kind of cruelty and adventure. Yet even in the new city, Zarité can't quite free herself from the island, and the people alive and dead that have followed her.Zarité's passages are striking. More than merely lyrical, they map around rhythms and spirits, making her as much conduit as storyteller. One wishes there was more of her because, unlike Allende, Zarité is under no mission to show us how much she knows. Every instance, a brush with a faith healer, for example, is an opportunity for Allende to showcase what she has learned about voodoo, medicine, European and Caribbean history, Napoleon, the Jamaican slave Boukman, and the legendary Mackandal, a runaway slave and master of black magic who has appeared in several novels including Alejo Carpentier's Kingdom of This World . The effect of such display of research is a novel that is as inert as a history textbook, much like, oddly enough John Updike's Terrorist, a novel that revealed an author who studied a voluminous amount of facts without learning a single truth.Slavery as a subject in fiction is still a high-wire act, but one expects more from Allende. Too often she forgoes the restraint and empathy essential for such a topic and plunges into a heavy breathing prose reminiscent of the Falconhurst novels of the 1970s, but without the guilty pleasure of sexual taboo. Sex, overwritten and undercooked, is where opulent hips slithered like a knowing snake until she impaled herself upon his rock-hard member with a deep sigh of joy. Even the references to African spirituality seem skin-deep and perfunctory, revealing yet another writer too entranced by the myth of black cultural primitivism to see the brainpower behind it. With Ines of My Soul one had the sense that the author was trying to structure a story around facts, dates, incidents, and real people. Here it is the reverse, resulting in a book one second-guesses at every turn. Of course there will be a forbidden love. Betrayal. Incest. Heartbreak. Insanity. Violence. And in the end the island in the novel's title remains legend. Fittingly so, because to reach the Island Beneath the Sea, one would have had to dive deep. Allende barely skims the surface.Marlon James's recent novel, The Book of Night Women was a finalist for the 2010 National Book Critics Circle Award.

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During that same time Gambo and his small group were climbing, clinging to rocks, tree trunks, roots, and vines; they crossed precipices and waded through water up to their waists. Gambo had not exaggerated; it was a route not for horsemen but for monkeys. In that profound greenery there were sudden brushstrokes of color: the yellow and orange beak of a toucan, the iridescent feathers of parrots and macaws, tropical flowers dripping from the branches. There was water everywhere, rivulets, pools, rain, crystalline cascades crossed with rainbows falling from the sky and disappearing into dense masses of gleaming ferns below. Tete wet a kerchief and tied it around her head to bandage the eye turned purple by Valmorain's slap. To prevent a confrontation between the two men, she told Gambo that an insect had bitten her eyelid. Valmorain took off his water-soaked boots because his feet were nothing but raw flesh, and Gambo laughed when he saw them, not understanding how the white man could walk through life on those soft, rosy feet that looked like skinned rabbits. After a few steps Valmorain had to put the boots back on. He could not carry Maurice any longer. The child walked some stretches holding his father's hand, and others on Gambo's shoulders, holding onto the hard clump of his hair.

Several times they had to hide from rebels wandering in the area. Once Gambo left the others in a cave and went alone to meet a small group he knew from having been with them in Boukman's camp. One of the men was wearing a necklace of human ears, some dry as leather, others fresh and pink. They shared their provisions with him, cooked sweet potatoes and a few strips of smoked goat meat, and rested a while, commenting on the vicissitudes of the war and rumors about a new chief, Toussaint. They said that he did not seem human; astute and solitary, he had the heart of a jungle dog. He was indifferent to the temptations of alcohol, women, and medals other chiefs strove for; he didn't sleep, he ate only fruit, and he could spend two days and nights on horseback. He never raised his voice, but people trembled in his presence. He was a docteur-feuilles, a leaf doctor, and seer; he knew how to decipher nature's messages, the signs in the stars, and men's most secret intentions; that was how he avoided betrayal and ambushes. At dusk, just as it began to grow cool, the men said good-bye. It took Gambo a while to find his way back because he had gone some distance from the cave, but finally he rejoined the others, who were weak from thirst and heat but had not dared step outside or look for water. Gambo led them to a nearby pool where they could drink their fill but had to ration the sparse provisions.

Valmorain's feet were open sores in his boots; the shooting pain ran up his legs, and he wept with frustration; he was tempted to lie down and die but kept going for Maurice's sake. At dusk of the second day they saw a pair of naked men armed with machetes; they wore no adornment other than a strip of leather around the waist to hold a knife. The party was able to hide among some ferns where they waited for more than an hour, until the men were lost in the luxuriant growth. Gambo went to a palm tree whose crest rose several meters above the vegetation; he climbed the slim trunk, grasping the ridges in the bark, and pulled off a few coconuts that fell noiselessly among the ferns. The children drank the milk and shared the delicate pulp. He told them that he had seen the plain; Le Cap was nearby. They spent the night beneath the trees and saved the rest of their few provisions for the next day. Maurice and Rosette slept curled together, watched by Valmorain, who had aged a thousand years. He felt as if he were bits and pieces-he had lost his honor, his manhood, his soul, and had been reduced to a mere animal, flesh and suffering, a bloody hunk of meat following, like a dog, an accursed black man who was fornicating with his slave a few steps away. He could hear them that night, as on previous nights; they were not discreet out of decency or out of fear of him. He clearly heard their moans of pleasure, their sighs of desire, the invented words, the suffocated laughter. Again and again, they copulated like beasts; such desire and energy were not normal for human beings. The master wept with humiliation. He imagined Tete's familiar body, her walker's legs, her firm rump, her narrow waist, her generous breasts, her smooth skin, soft, sweet, wet with sweat, with desire, with sin, with insolence and provocation. He seemed to see her face at those moments, the half-closed eyes, the soft lips giving and receiving, the daring tongue, the dilated nostrils sniffing the scent of that man. And despite all that, despite the torment of his feet, of his immeasurable fatigue, his trampled pride and fear of dying, Valmorain grew hard.

"Tomorrow we will leave the white man and his son on the plains. From there all he has to do is walk straight ahead," Gambo announced to Tete between kisses in the darkness.

"And what if the rebels run into them before they reach Le Cap?"

"I have done my part, I got them away from the plantation alive. Now let them manage alone. We will be going to Toussaint's camp. His z'etoile is the most brilliant in the sky."

"And Rosette?"

"She comes with us, if you want."

"I can't do it, Gambo, I have to go with the white man. Forgive me," she whispered, doubled over with sorrow.

The youth pushed her away, incredulous. She had to repeat it twice for him to comprehend the firmness of that decision, the only possible one, because among the rebels Rosette would be a miserable, light-skinned quadroon, rejected, hungry, exposed to the hazards of the revolution, whereas with Valmorain she would be safer. She explained to Gambo that she could not leave the children but he did not listen to her arguments; all he heard was that Zarite preferred the white man.

"And freedom. Doesn't that matter to you?" He grabbed her shoulders and shook her.

"I am free, Gambo. I have the paper in this little bag, written and sealed. Rosette and I are free. I will keep serving the master for a time, until the war ends, and then I will go with you wherever you want."

They separated on the plain. Gambo took charge of all the pistols, turned his back on them, and disappeared, running toward thick growth, without saying good-bye and without turning to take a last look at them, to prevent succumbing to the powerful temptation to kill Valmorain and his son. He would have done that without hesitation, but he knew that if he harmed Maurice he lost Tete forever.

Valmorain, the woman, and the children reached the road, a strip wide enough for three horses, very exposed should they meet rebel blacks or mulattoes incensed against the whites. Valmorain could not take another step on his raw feet; he dragged along, moaning, followed by Maurice, who was crying with him. Tete found shade beneath some shrubs, gave the last mouthful of the provisions to Maurice, and explained that she would be back to get him but it might be a long time and he must have courage. She kissed him, put him beside his father, and started along the road with Rosette on her back. From then on it was all a matter of luck.

The sun fell like lead on her uncovered head. The terrain, of a depressing monotony, was dotted with stone outcroppings and low shrubs bent by the force of the wind and covered by a heavy, dry grass, short and tough. The soil was arid and grainy. There was no water anywhere. That road, well traveled in normal times, had since the rebellion been used only by the army and the marechaussee. Tete had a vague idea of the distance, but she could not calculate how many hours she would have to walk to reach the fort near Le Cap; she had always made the trip in Valmorain's coach. Erzulie, loa of hope, do not forsake me. She walked with determination, not thinking about how far she had to go but how far she had come. The landscape was desolate, there were no landmarks, everything was the same, she was nailed in the same spot, as in a nightmare. Rosette was clamoring for water, her lips dry and her eyes glassy. She gave her more drops from the blue vial and rocked her until she fell asleep and they could go on.

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