Isabel Allende - Island Beneath the Sea

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Of the many pitfalls lurking for the historical novel, the most dangerous is history itself. The best writers either warp it for selfish purposes (Gore Vidal), dig for the untold, interior history (Toni Morrison), or both (Jeannette Winterson). Allende, four years after Ines of My Soul, returns with another historical novel, one that soaks up so much past life that there is nowhere left to go but where countless have been. Opening in Saint Domingue a few years before the Haitian revolution would tear it apart, the story has at its center Zarité, a mulatto whose extraordinary life takes her from that blood-soaked island to dangerous and freewheeling New Orleans; from rural slave life to urban Creole life and a different kind of cruelty and adventure. Yet even in the new city, Zarité can't quite free herself from the island, and the people alive and dead that have followed her.Zarité's passages are striking. More than merely lyrical, they map around rhythms and spirits, making her as much conduit as storyteller. One wishes there was more of her because, unlike Allende, Zarité is under no mission to show us how much she knows. Every instance, a brush with a faith healer, for example, is an opportunity for Allende to showcase what she has learned about voodoo, medicine, European and Caribbean history, Napoleon, the Jamaican slave Boukman, and the legendary Mackandal, a runaway slave and master of black magic who has appeared in several novels including Alejo Carpentier's Kingdom of This World . The effect of such display of research is a novel that is as inert as a history textbook, much like, oddly enough John Updike's Terrorist, a novel that revealed an author who studied a voluminous amount of facts without learning a single truth.Slavery as a subject in fiction is still a high-wire act, but one expects more from Allende. Too often she forgoes the restraint and empathy essential for such a topic and plunges into a heavy breathing prose reminiscent of the Falconhurst novels of the 1970s, but without the guilty pleasure of sexual taboo. Sex, overwritten and undercooked, is where opulent hips slithered like a knowing snake until she impaled herself upon his rock-hard member with a deep sigh of joy. Even the references to African spirituality seem skin-deep and perfunctory, revealing yet another writer too entranced by the myth of black cultural primitivism to see the brainpower behind it. With Ines of My Soul one had the sense that the author was trying to structure a story around facts, dates, incidents, and real people. Here it is the reverse, resulting in a book one second-guesses at every turn. Of course there will be a forbidden love. Betrayal. Incest. Heartbreak. Insanity. Violence. And in the end the island in the novel's title remains legend. Fittingly so, because to reach the Island Beneath the Sea, one would have had to dive deep. Allende barely skims the surface.Marlon James's recent novel, The Book of Night Women was a finalist for the 2010 National Book Critics Circle Award.

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Sometimes he trapped a young slave on the fly, but that did not yield much beyond a rape as fast, and not as pleasureful, as reading a page of his current book. He attributed his lack of enthusiasm to an attack of malaria that had nearly dispatched him to the other world, leaving him weakened. Dr. Parmentier warned him about the effects of alcohol, as pernicious in the tropics as fever, but he did not drink too much, he was certain of that, only what was indispensable to palliate boredom and loneliness. He paid no account to Tete's persistence in filling his goblet. Before, when he was still traveling frequently to Le Cap, he used the occasion to divert himself with a fashionable courtesan, one of the beautiful poules who fired his passion but left him feeling empty. On the road he would anticipate pleasures that once consummated he could not remember, in part because during those trips he drank very heavily. He paid those girls to do the same thing he did with Tete-the same rough embrace, the same haste-and in the end he would stumble out with an impression of having been swindled. With Violette it would have been different, but once she started living with Relais, she had left the profession. Valmorain returned to Saint-Lazare earlier than planned, thinking of Maurice and eager to regain the security of his routine. "I am getting old," he muttered, studying himself in the mirror as his slave shaved him, seeing the web of fine wrinkles around his eyes and the beginning of a double chin. He was forty years old, the same age as Prosper Cambray, but he lacked his energy and was putting on weight. "That's the fault of this accursed climate," he added. He felt that his life was passing aimlessly, drifting like a ship without a rudder or compass, waiting for something he did not know how to name.

He detested the island. During the day he was kept busy around the plantation, but evenings and nights were endless. The sun set, darkness fell, and the hours began to drag by with their load of memories, fears, regrets, and ghosts. He tricked time by reading and playing cards with Tete. Those were the only moments she lowered her defenses and abandoned herself to relish of the game. When he first taught her to play, he always won, but he guessed that she was losing on purpose, afraid she would anger him. "There is no pleasure in that for me. Try to beat me," he demanded, and then began to lose consistently. He wondered with amazement how that mulatta girl could compete head to head with him in a game of logic, cleverness, and calculation. No one had taught Tete arithmetic, but she kept count of the cards by instinct, just as she did the household expenses. The possibility that she was as skilled as he perturbed and confused him.

Valmorain dined early in the dining hall, three simple but filling dishes, his main meal of the day served by two silent slaves. He drank a few goblets of good wine, the same he smuggled to his brother-in-law Sancho and sold in Cuba for twice what it cost in Saint-Domingue. After dessert Tete brought him a bottle of cognac and caught him up on domestic matters. The young woman slipped along on her bare feet as if she were floating, but he perceived the delicate tinkling of keys, the swishing of skirts, and the warmth of her presence before she entered. "Sit down, I don't like for you to talk above my head," he would say every night. She would wait for that order before taking a seat a short distance away, sitting very straight in the chair, hands in her lap, eyes lowered. In the light of the candles her harmonious face and long neck seemed carved in wood. Her elongated, sleepy-lidded eyes shone with golden reflections. She answered his questions without emphasis, except when he talked about Maurice; then she became animated, celebrating every bit of the boy's mischief as if it were a feat. "All little boys chase hens, Tete," he would say, in his heart sharing her belief that they were raising a genius. It was for that, more than anything, that Valmorain appreciated her; his son could not be in better hands. Despite himself, because he was not given to excessive pampering, he was moved when he saw them together in that complicity of caresses and secrets mothers share with their children.

Maurice returned Tete's affection with a loyalty so exclusive that his father often felt jealous. Valmorain had forbidden him to call her Maman, but Maurice disobeyed. "Maman, promise me that we will never, never be apart," he had heard his son whisper to her behind his back. "I promise, little one." Lacking anyone else to talk to, Valmorain was used to confiding his business worries, the management of the plantation and slaves, to Tete. These were not conversations, since he did not expect an answer, but monologues in which he could unburden his thoughts and hear the sound of a human voice, even if his own. At times they exchanged ideas, and to him it seemed that she did not add anything because he did not realize how she manipulated him in a few sentences.

"Did you see the merchandise Cambray brought in yesterday?"

"Yes, maitre. I helped Tante Rose look them over."

"And?"

"They do not look good."

"They just got here, they lose a lot of weight on the trip. Cambray bought them in a quick lot, all for the one price. That's a bad method, you can't examine them and they give you a cat for a hare; those slave traders are expert in deceitful trading. But after all, I suppose that the head overseer knows what he's doing. What does Tante Rose say?"

"Two have the runs, they can't stand on their feet. She says to leave them with her a week so she can cure them."

"A week!"

"That is better than losing them, maitre. That's what Tante Rose says."

"Is there a woman in the bunch? We need another woman in the kitchen."

"No, but there's a fourteen-year-old boy-"

"Is that the one Cambray flogged on the way back? He told me the boy tried to escape, and he had to teach him a lesson right there."

"That is what Monsieur Cambray says, maitre."

"And you, Tete, what do you think happened?"

"I do not know, maitre, but I think that the boy will do better in the kitchen than in the fields."

"Here in the house he will try to run away again, there isn't much oversight."

"No house slave has run away yet, maitre."

The dialogue was inconclusive, but later, when Valmorain was looking over his new acquisitions, he picked out the boy and made a decision.

When dinner was over, Tete would leave to see that Eugenia was clean and calm in her bed, and to be with Maurice until he went to sleep. Valmorain would settle on the gallery, if the weather permitted, or in the dark drawing room, caressing his third cognac, reading a book or a newspaper by the bad light of an oil lamp. The news arrived weeks late, but that didn't matter to him; all the events occurred in a different universe. He would dismiss the domestic servants, because at the end of the day he was already bored by their divining his thought, and sit reading alone. Later, when the sky was an impenetrable black cloak and all he could hear was the eternal whistling of the cane, the whispers of the shadows inside the house, and, sometimes, the secret vibration of distant drums, he would go to his room and take off his clothes by the light of a single candle. Tete would come soon.

Zarite

This is how I remember it. Outside, crickets and the hooting of an owl, inside, the moon illuminating with precise stripes the sleeping body. So young! Watch over him for me, Erzulie, loa of deepest waters, I would ask, rubbing my doll, the one my grandfather Honore gave me and that was still my companion. Come, Erzulie, mother, beloved, with your necklaces of pure gold, your cape of toucan feathers, your crown of flowers, and your three rings, one for each husband. Help us, loa of dreams and hopes. Protect him from Cambray, make him invisible to the master's eyes, make him cautious before others but proud in my arms, quiet his African heart in the light of day so that he may survive, and instill courage in him by night so that he not lose his wish for freedom. Look upon us with benevolence, Erzulie, loa of jealousy. Do not envy us, because this happiness is as fragile as the wings of a fly. He will go. If he does not, he will die, you know that, but do not take him from me quite yet, let me stroke the slim boy's back before it becomes a man's.

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