Julie Orringer - The InvisibleBridge

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Julie Orringer's astonishing first novel – eagerly awaited since the publication of her heralded best-selling short-story collection, How to Breathe Underwater ('Fiercely beautiful' – The New York Times) – is a grand love story and an epic tale of three brothers whose lives are torn apart by war.
Paris, 1937. Andras Lévi, a Hungarian Jewish architecture student, arrives from Budapest with a scholarship, a single suitcase, and a mysterious letter he has promised to deliver to C. Morgenstern on the rue de Sévigné. As he becomes involved with the letter's recipient, his elder brother takes up medical studies in Modena, their younger brother leaves school for the stage – and Europe 's unfolding tragedy sends each of their lives into terrifying uncertainty. From the Hungarian village of Konyár to the grand opera houses of Budapest and Paris, from the lonely chill of Andras's garret to the enduring passion he discovers on the rue de Sévigné, from the despair of a Carpathian winter to an unimaginable life in forced labor camps and beyond, The Invisible Bridge tells the unforgettable story of brothers bound by history and love, of a marriage tested by disaster, of a Jewish family's struggle against annihilation, and of the dangerous power of art in a time of war.

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“Is that the best you can say for him?”

It wasn’t, after all. Andras remembered the talk they’d had at Polaner’s bedside after the attack. It was Ben Yakov who had shamed them both into realizing how little they knew of their friend, and how unlikely it was that he would have chosen to confide in either of them. “He’s a good friend,” Andras said. “He’s a good student. Women like him. He hasn’t always been honest with them, but he’s been nothing but sincere about Ilana.”

“She told me how they met,” Tibor said. “It was at the marketplace. She was there with a friend. She had just bought two live chickens, but they broke their cage and got away. They went down an alley and ran into someone’s courtyard. Ben Yakov caught them. He got them back into their cage and fixed it with wire. Then he insisted on carrying them home for her.”

“Escaped chickens,” Andras said. “A romantic beginning.”

“And then he started visiting her in secret,” Tibor said.

“Yes, of course. He’s always had a flair for the dramatic.”

“And there was the problem of her family’s plans for her. But it all seems rather dishonorable on his part, doesn’t it? He might have declared himself to her father and made an argument for himself.”

Andras gave a short laugh. “That’s just what Klara said, almost to the letter.”

Tibor frowned and put his cup on the table. He laced his fingers over his chest, looking out at the gray sky and the ostrich plumes of chimney smoke fading into its heights. “The girl is nineteen,” he said. “I saw her passport. Her birthday was last week. Do you know what else? She has a birthmark on her neck in the shape of a flying bird.”

“What sort of bird?” Andras said. “A chicken?”

Tibor gave a great helpless laugh, which led him into a cough. He leaned forward in the chair, covering his mouth with the handkerchief. When he sat back, he had to wipe his eyes with his sleeve and drink the rest of his tea before he could speak.

“Why do I bother talking to you?” he said.

“I suppose you got into the habit years ago and never quit.”

“Anyway, we’ve got more important things to discuss. Your engagement to Madame Morgenstern, for one.”

“Ah, yes. By some miracle, Klara Morgenstern has agreed to be my wife.”

“So you’ll be the first of the three of us to marry, too.”

“Unless the world ends before next summer.”

“A distinct possibility, the way things stand at the moment,” Tibor said.

“But if not, she’ll be Madame Lévi.”

“And what about this secret history of hers?”

Andras had refused to write him about it, saying instead that they would talk once Tibor came to visit; he had remembered the elder Mrs. Hász’s caution and decided it might be unwise to send the story via post. Now he joined Tibor at the little table and related Klara’s history from beginning to end, a revelation Klara herself had given him permission to make. When he’d finished, Tibor regarded him in stunned silence for a long moment.

“What a horror,” he said finally. “All of it. And now she’s an exile.”

“And there’s our problem,” Andras said. “Apparently insoluble.”

“You haven’t written to Anya and Apa about this, have you? Haven’t told them you’re engaged, or any of it?”

“I haven’t had the heart. I suppose I’m hoping Klara’s situation will change.”

“But how, if there’s no statute of limitations?”

“I don’t know how, I confess. Until it does, I’ll share her exile.”

“Ah, Andráska,” Tibor said. “Little brother.”

“You did warn me,” Andras said.

“And you ignored me, of course.” He bent to cough into his fist. “I shouldn’t be sitting up so long. I should be in bed. And I shouldn’t be giving anyone advice about love, of all things. Here’s what I know of the heart: It’s a four-chambered organ whose purpose is to pump blood. Left ventricle, right ventricle, left atrium, right atrium, and all the valves, tricuspid, mitral, pulmonary, and aortic.” He coughed again. “Ah, get me back to bed and let me sleep. And don’t give me any more bad news when I wake.”

The next day, when he was well enough to venture out, Tibor suggested they pay a visit to Signorina di Sabato-to make sure she was comfortably settled, he said, and to return a book he’d borrowed from her on the train: a beautiful old edition of the Divina Commedia, bound in tooled leather. When Andras expressed surprise that Signorina di Sabato would be reading Dante, Tibor insisted that she was better read than any girl he’d ever met. From the age of twelve she’d been a secret borrower from the library near her home in the Jewish Quarter. The Divina Commedia belonged to that library; Tibor showed Andras the stamp on the spine. She hadn’t meant to steal it, but as she was packing she realized that if she left it behind, her parents would find out that she’d been borrowing from the library in secret. She had told Tibor about it on the train, laughing sadly at herself as she did: There she’d been, running off to Paris to get married, and what had worried her was the idea that her parents might be scandalized by her having borrowed secular library books.

At Klara’s they found Signorina di Sabato engaged in hemming the ivory silk dress that was to be her wedding gown. Klara sat beside her on the sofa, sewing a fine band of scalloped lace along the edge of a veil. Elisabet, not usually one to take an interest in what everyone else was doing, pored over a book of fancy cakes; she gave Tibor a look of mild curiosity and waved to him from her chair. But Ilana di Sabato was on her feet the moment she saw him, the ivory dress falling from her lap to the floor.

“Ah, Tibor!” she said, and followed with a few quick words in Italian. She made a gesture toward the library book and offered a smile of gratitude.

“You brought the book,” Klara said. “She told me you’d borrowed it. I understood that much. We’ve been getting by, between my bit of Italian and her bit of French.”

“And what does Signorina di Sabato think of Paris?” Andras asked.

“She likes it very well indeed,” Klara said. “We had a walk in the Tuileries this morning.”

“I’m sure she despises it,” Elisabet answered, not raising her eyes from the book of cakes. “So cold and dismal. I’m sure she wants to go back to Florence.”

Signorina di Sabato gave Elisabet a questioning look. Tibor translated, and Signorina di Sabato shook her head and made an insistent reply.

“She doesn’t hate it at all,” Tibor said.

“She will, soon enough,” Elisabet said. “It’s depressing in December.”

Klara set down the wedding veil and declared that she would like some tea. “Won’t you help me with the tray?” she asked Andras. He followed her into the kitchen, where a raft of recipe books lay open on the table.

Andras touched a page on which there was a drawing of a whole fish dressed in thin slices of lemon. “And when will the wedding be?” he asked.

“Next Sunday,” Klara said. “Ben Yakov has arranged it with the rabbi. His parents are taking the train from Rouen. We’ll have the luncheon here afterward.”

“Klárika,” Andras said, taking her by the waist and turning her toward him. “No one meant for you to host a wedding luncheon.”

She put his arms around his neck. “They have to have some sort of party.”

“But it’s too much. You’ve got the recital to think about.”

“I want to do it,” she said. “I may have been too quick to judge the situation when we talked before. Your friend seems to have some serious notions of love, after all. And I think I expected Signorina di Sabato to be a different sort of girl.”

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