Julie Clark - The Last Flight

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**Two women. Two Flights. One last chance to disappear.**
Claire Cook has a perfect life. Married to the scion of a political dynasty, with a Manhattan townhouse and a staff of ten, her surroundings are elegant, her days flawlessly choreographed, and her future auspicious. But behind closed doors, nothing is quite as it seems. That perfect husband has a temper that burns as bright as his promising political career, and he's not above using his staff to track Claire's every move, making sure she's living up to his impossible standards. But what he doesn't know is that Claire has worked for months on a plan to vanish.
A chance meeting in an airport bar brings her together with a woman whose circumstances seem equally dire. Together they make a last-minute decision to switch tickets — Claire taking Eva's flight to Oakland, and Eva traveling to Puerto Rico as Claire. They believe the swap will give each of them the head start they need to begin again...

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Copyright © 2020 by Julie Clark

Cover and internal design © 2020 by Sourcebooks

Cover design by The Book Designers

Cover image © Sabin Shrestha/EyeEm/Getty Images, phive/Shutterstock

Sourcebooks and the colophon are registered trademarks of Sourcebooks.

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems—except in the case of brief quotations embodied in critical articles or reviews—without permission in writing from its publisher, Sourcebooks.

The characters and events portrayed in this book are fictitious or are used fictitiously. Any similarity to real persons, living or dead, is purely coincidental and not intended by the author.

All brand names and product names used in this book are trademarks, registered trademarks, or trade names of their respective holders. Sourcebooks is not associated with any product or vendor in this book.

Published by Sourcebooks Landmark, an imprint of Sourcebooks

P.O. Box 4410, Naperville, Illinois 60567-4410

(630) 961-3900

sourcebooks.com

Library of Congress Cataloging-in-Publication Data

Names: Clark, Julie, author.

Title: Last flight / Julie Clark.

Description: Naperville, Illinois : Sourcebooks Landmark, [2020]

Identifiers: LCCN 2019038807 | (hardcover)

Classification: LCC PS3603.L36467 L37 2020 | DDC 813/.6—dc23

LC record available at https://lccn.loc.gov/2019038807

Contents

Front Cover

Title Page

Copyright

Prologue

Claire

Claire

Claire

Eva

Claire

Eva

Claire

Eva

Claire

Eva

Claire

Eva

Claire

Eva

Claire

Eva

Claire

Eva

Claire

Eva

Claire

Eva

Claire

Eva

Eva

Claire

Eva

Claire

Eva

Claire

Eva

Claire

Eva

Claire

Claire

Epilogue

Reading Group Guide

A Conversation with the Author

Acknowledgments

About the Author

Back Cover

Dedicated to all the women who have come forward with their stories. Whether it be in front of a congressional panel on live television or alone in a windowless human resources office—we hear you. We believe you.

Tell me about despair, yours, and I will tell you mine.

Meanwhile the world goes on.

—Mary Oliver, Wild Geese

Prologue

John F. Kennedy Airport, New York

Tuesday, February 22

The Day of the Crash

Terminal 4 swarms with people, the smell of wet wool and jet fuel thick around me. I wait for her, just inside the sliding glass doors, the frigid winter wind slamming into me whenever they open, and instead force myself to visualize a balmy Puerto Rican breeze, laced with the scent of hibiscus and sea salt. The soft, accented Spanish swirling around me like a warm bath, blotting out the person I was before.

The air outside rumbles as planes lift into the sky, while inside garbled announcements blare over the loudspeaker. Somewhere behind me, an older woman speaks in sharp, staccato Italian. But I don’t look away from the curb, my eyes trained on the crowded sidewalk outside the terminal, searching for her, anchoring my belief—and my entire future—on the fact that she will come.

I know only three things about her: her name, what she looks like, and that her flight departs this morning. My advantage—she doesn’t know anything about me. I fight down panic that I might have missed her somehow. That she might already be gone, and with her, the opportunity for me to slip out of this life and into a new one.

People disappear every day. The man standing in line at Starbucks, buying his last cup of coffee before he gets into his car and drives into a new life, leaving behind a family who will always wonder what happened. Or the woman sitting in the last row of a Greyhound bus, staring out the window as the wind blows strands of hair across her face, wiping away a history too heavy to carry. You might be shoulder to shoulder with someone living their last moments as themselves and never know it.

But very few people actually stop to consider how difficult it is to truly vanish. The level of detail needed to eliminate even the tiniest trace. Because there’s always something. A small thread, a seed of truth, a mistake. It only takes a tiny pinprick of circumstance to unravel it all. A phone call at the moment of departure. A fender bender three blocks before the freeway on-ramp. A canceled flight.

A last-minute change of itinerary.

Through the plate glass window, fogged with condensation, I see a black town car glide to the curb and I know it’s her, even before the door opens and she steps out. When she does, she doesn’t say goodbye to whoever is in the back seat with her. Instead, she scurries across the pavement and through the sliding doors, so close her pink cashmere sweater brushes against my arm, soft and inviting. Her shoulders are hunched, as if waiting for the next blow, the next attack. This is a woman who knows how easily a fifty-thousand-dollar rug can shred the skin from her cheek. I let her pass and take a deep breath, exhaling my tension. She’s here. I can begin.

I lift the strap of my bag over my shoulder and follow, slipping into the security line directly in front of her, knowing that people on the run only look behind them, never ahead. I listen, and wait for my opening.

She doesn’t know it yet, but soon, she will become one of the vanished. And I will fade, like a wisp of smoke into the sky, and disappear.

Claire

Monday, February 21

The Day before the Crash

“Danielle,” I say, entering the small office that sits adjacent to our living room. “Please let Mr. Cook know I’m going to the gym.”

She looks up from her computer, and I see her gaze snag on the bruise along the base of my throat, concealed with a thin layer of makeup. I automatically adjust my scarf to cover it, knowing she won’t mention it. She never does.

“We have a meeting at Center Street Literacy at four,” she says. “You’ll be late again.” Danielle keeps track of my calendar and my missteps, and I’ve pegged her as the one most likely to report when I don’t arrive on time to meetings, or when I cancel appointments that my husband, Rory, deems important. If I’m going to run for Senate, we don’t have the luxury of making mistakes, Claire.

“Thank you, Danielle. I can read the calendar as well as you can. Please have my notes from the last meeting uploaded and ready to go. I’ll meet you there.” As I leave the room, I hear her pick up the phone and my step falters, knowing this might draw attention at a time when I can’t afford it.

People always ask what it’s like being married into the Cook family, a political dynasty second only to the Kennedys. I deflect with information about our foundation, trained to keep my focus on the work instead of the rumors. On our third-world literacy and water initiatives, the inner-city mentoring programs, the cancer research.

What I can’t tell them is that it’s a constant battle to find any privacy. Even inside our home, people are there at all hours. Assistants. Household staff who cook and clean for us. I have to fight for every spare minute and every square inch to call my own. There is nowhere that’s safe from the eyes of Rory’s staff, all of them devoted Cook employees. Even after ten years of marriage, I’m still the interloper. The outsider who needs to be watched.

I’ve learned how to make sure there’s nothing to see.

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