Michael Gruber - The Book of Air and Shadows

Tower Road and the sad house on it had not been hard to find with his Google map, and after arriving there he had knocked on the front door with no result. Crosetti had pushed the unlocked door open and called out, “Hello! Anyone home?” and felt the hollow sense of an empty house. Inhabited, though: messy but not filthy, toys on the floor, little cars and a plastic gun, a TV tray with an empty plate set up in front of the large-screen TV. They had satellite too-behind the house a white dish scanned the heavens. In front of the TV a La-Z-Boy lounger in brown vinyl attended a sagging chenille-covered couch. A narrow mantelpiece held photographs in frames, but Crosetti could not see them from the door and did not wish to venture within. No dogs barked, which he thought was strange. Didn’t all rural households have dogs? Another clue to he knew not what. He walked around the house. In the backyard there was a plastic playground set much faded by the sun and sized for very young children. In the center of the yard stood a clothes-drying contraption of the kind that resembles an inverted parasol. It was empty, and several of the lines had broken away and dangled, waving feebly in the light breeze. On the back porch stood an elderly cylindrical washing machine. He checked it; dry and spidery.

After his brief exploration he sat in the car and thought about all this and also how really dumb it had been to drive all this way because of a postcard he’d found in the street. He had no idea whether Carol Rolly had any connection whatever to this house. She could have picked the card up off the sidewalk or found it marking an old book. No, he thought, don’t think about that. Let’s go with the gut. This has something to do with her and that photograph of the two women and the kid. Well, there was a kid here, a boy. He took the photo and looked at it once again. He judged that it had been snapped around five or so years ago, given the apparent age of Carolyn’s face in it, and so the boy would be around eight or nine by now. Crosetti studied a bicycle tossed casually down on the driveway. That would fit a kid of that age, and the various toys scattered around the house and yard suggested the same. There were no girl toys in sight, nor was there another bike, and Crosetti wondered what had become of the baby girl in the photograph…no wait, there in a sandbox attached to the playground set, a single, weathered, naked Barbie. So that checked out too, unless Barbie had been dropped by a visitor. Or stolen.

He considered the backyard. A sunny day, a Saturday, no clothes on the dryer and it in disrepair, nor had he spotted an electric dryer exhaust, nor did the washer look much used. Which meant that probably there wasn’t a woman in residence. The guy lived here with his kid (or kids), and on Saturday he went to town and did his laundry in the Laundromat, because it was ignoble for a man to do laundry at home, and by going to town on a Saturday he got to meet women and advertise his availability, and maybe he’d go across to the VFW and have a couple of beers while the dryer spun. The kid(s) could play video games at the 7-Eleven and get a Slurpee.

Crosetti caught himself spinning this tale and wondered where it came from even while he understood that it was as true as if he had made a documentary of the life of H. Olerud. That he was the child of a legendary police detective and a well-known research librarian did not at the moment present itself as an explanation, for he had always made up stories about people, even as a kid. It was one reason why he wanted to make movies, and why he thought he’d be good at it. He took his powers of observation and inference for granted, much as natural musicians think little of causing an inert appliance to sound the secret music they hear in their heads

He hadn’t eaten since a gas stop at ten and now it was close to four and he was feeling hungry. He thought he would drive back to town and get a bite, and was about to start his car, when he saw a plume of dust coming from the direction of town, which soon resolved itself into a green pickup truck that slowed, passed him, and turned into the driveway of 161 Tower Road. He saw with some satisfaction that the cab contained a man and a boy of about nine, whose small head just showed above the dashboard. The truck was going a little too fast as it made the turn, and its off-front wheel crashed into the boy’s bike that lay in the driveway.

A bellow of rage from the driver as he slammed on his brakes and a shrill cry from a child. The driver’s door of the truck flew open and out jumped a stocky man a few years older than Crosetti, dressed in jeans and a clean white T-shirt. He had a sizable gut, and a reddish buzz cut topping a tight flat red face of the kind that always seems a little angry. He ran to the front of the truck, cursed again, kicked the bike out of the way, and jerked the passenger door open. From the cab came shrill screams, and Crosetti realized that there was another, younger passenger, and also that the man had not secured either of the children with seat belts. The man reached in and yanked the boy out by his arm. Still holding the arm he batted the boy several times across the head, heavy blows that made awful meaty noises Crosetti could hear from where he sat, all the while demanding of the boy how often he had told him not to leave the fucking bike in the fucking driveway and also whether he thought he was ever going to get a new bike or anything new ever again you little piece of shit.

Crosetti was wondering in a helpless sort of way whether he should take some action, when the man stopped beating the boy and reached again into the cab of the truck and pulled out a girl of about four. The child’s face was bright red and screwed up in a paroxysm of pain and fright. Some of the red was blood from a wound on her mouth. She squirmed like a lizard in the man’s grasp, her back arched. The man told the child to shut up, that she wasn’t hurt, that if she didn’t shut up this minute he’d really give her something to yell about. The screaming subsided into horrible wheezing gasps, and the man strode into the house with the little girl.

Shortly thereafter Crosetti heard the sound of a television going at considerable volume. He left his car and walked over to the boy, who lay crouched on the ground where the man had flung him. He was crying in a peculiar way, sucking in great gasps and letting them out in strangled almost noiseless sobs. Crosetti ignored the child and squatted down to examine the bicycle. Then he walked up the drive to where the sedan was under repair, selected a few wrenches and a heavy pliers from the tools scattered about, and addressed the injured bike. He removed the front wheel, straightened the handlebars, set his foot on the front fork to straighten that as well and used the pliers to bring the front wheel spokes into some semblance of their original alignment. He felt the boy’s eyes on him as he worked and heard the child’s sobbing die away to sniffles. He twisted the rim back into approximate circularity by eye, set the wheel back on its fork, and with the bike upside down, he gave it a spin. It wobbled but spun freely around its axle. Crosetti said, “Some say a wheel is just like a heart, when you bend it, you can’t mend it. You’re going to need a new wheel there, partner, but it’ll ride if you don’t go over too rough of a road. What’s your name?”

“Emmett,” said the boy after a pause, and wiped his face with the back of his hand, making an ugly smear of tears and dust. Bingo, thought Crosetti, the name on the postcard, and examined the child with interest. He was a good-looking kid, if a little too thin, with wide-spaced intelligent-looking blue eyes, and a thin-lipped mouth whose genetic provenance Crosetti thought he knew. His hair was cropped so short that it was hard to tell what color it was.