Colm Tóibín - Brooklyn

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Brooklyn: краткое содержание, описание и аннотация

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It is Enniscorthy in the southeast of Ireland in the early 1950s. Eilis Lacey is one among many of her generation who cannot find work at home. Thus when a job is offered in America, it is clear to everyone that she must go. Leaving her family and country, Eilis heads for unfamiliar Brooklyn, and to a crowded boarding house where the landlady's intense scrutiny and the small jealousies of her fellow residents only deepen her isolation.
Slowly, however, the pain of parting is buried beneath the rhythms of her new life – until she begins to realize that she has found a sort of happiness. As she falls in love, news comes from home that forces her back to Enniscorthy, not to the constrictions of her old life, but to new possibilities which conflict deeply with the life she has left behind in Brooklyn.
In the quiet character of Eilis Lacey, Colm Tóibín has created one of fiction's most memorable heroines and in Brooklyn, a luminous novel of devastating power. Tóibín demonstrates once again his astonishing range and that he is a true master of nuanced prose, emotional depth, and narrative virtuosity.

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Later, after work, when Eilis went upstairs, she found Dolores Grace alone working in the kitchen and made an arrangement to collect her at ten o'clock.

At supper, none of them spoke about the dance in the hall; Eilis presumed from the atmosphere and from the way in which Miss McAdam pursed her lips and seemed openly irritated every time Mrs. Kehoe spoke and from the fact that Dolores remained silent throughout the meal that something had been said. Eilis understood also by the way both Miss McAdam and Diana avoided her eyes that they knew she was taking Dolores to the dance. She hoped they did not believe that she had offered to do so and wondered if she could let them know that she had been press-ganged by Mrs. Kehoe.

Eilis was shocked by Dolores's appearance when she went upstairs at ten o'clock and found her. She was wearing a cheap leather jacket, like a man's, and a frilly white blouse and a white skirt and almost black stockings. The red lipstick seemed garish against her freckled face and bright hair. She struck Eilis as looking like a horse-dealer's wife in Enniscorthy on a fair day. Eilis almost fled downstairs as soon as she saw her. Instead, she had to smile as Dolores said that she would need to go upstairs and fetch her winter coat and a hat. Eilis did not know how she was going to sit beside her in the hall with Miss McAdam and Sheila Heffernan avoiding her on one side and Patty and Diana arriving with all their friends.

"Are there great fellas at this?" Dolores asked when they reached the street.

"I have no idea," Eilis replied coldly. "I go only because it is organized by Father Flood."

"Oh, God, does he hang around all night? It'll be just like home."

Eilis did not reply and tried to walk in a way that was dignified, as though she were going to eleven o'clock mass in the cathedral in Enniscorthy with Rose. Each time Dolores asked her a question she answered quietly and did not tell her much. It would be better, she thought, if they could walk in silence to the hall, but she could not ignore Dolores completely, although she found that, as they stood waiting for traffic lights to change, she was clenching her fists in pure irritation each time her companion spoke.

She had imagined that, when they were in the hall, Miss McAdam and Sheila Heffernan would sit away from them once they had left their coats in the cloakroom and found a position from which to survey the dancers. But instead their two fellow lodgers moved closer to them, all the more to emphasize that they had no intention of speaking to them or consorting with them in any way. Eilis observed how Dolores let her eyes dart around the hall, her brow knitted in watchfulness.

"God, there's no one here at all," she said.

Eilis stared straight in front of her pretending that she had not heard.

"I'd love a fella, would you?" Dolores asked and nudged her. "I wonder what the American fellas are like."

Eilis looked at her blankly.

"I'd say they're different," Dolores added.

Eilis responded by moving away from her slightly.

"They're awful bitches, those other ones," Dolores went on. "That's what the boss-woman said. Bitches. The only one of them is not a bitch is you."

Eilis looked at the band and then stole a glance at Miss McAdam and Sheila Heffernan. Miss McAdam held her gaze and then smiled archly, dismissively.

When Patty and Diana arrived, they came with an even larger group than before. Everyone in the hall seemed to notice them. Patty had her hair tied back in a bun and was wearing heavy black eye-liner. It made her appear very severe and dramatic. Eilis noticed that Diana pretended not to see her. It was as though the very arrival of this group was a signal to the musicians, who had been playing old waltzes with just the piano and some of the bass players, to play some tunes that Eilis knew from the girls at work were called swing tunes and were very fashionable.

As the music changed, some of Patty and Diana's group began to applaud and cheer, and when Eilis caught Patty's eye, Patty signalled to her to come towards them. It was a tiny gesture but it was unmistakable and, having made it, Patty kept staring over at her almost impatiently. Suddenly, Eilis decided she would stand up and walk over towards their group, smiling confidently at them all, as though they were old friends. She kept her back straight as she moved and tried to appear as if she were in full possession of herself.

"It's so good to see you," she said quietly to Patty.

"I think I know what you mean," Patty replied.

When Patty suggested that they go to the bathroom, Eilis nodded and followed her.

"I don't know what you looked like sitting there," she said, "but you sure didn't look happy."

She offered to show Eilis how to put on the black eye-liner and some mascara and they spent time at the mirror together, ignoring everyone who came in and out. With extra clips that she carried in her bag, Patty put Eilis's hair up for her.

"Now, you look like a ballet dancer," she said.

"No, I don't," Eilis said.

"Well, at least you don't look like you've just come in from milking the cows any more."

"Did I look like that?"

"Just a bit. Nice clean cows," Patty said.

Finally, when they went back into the body of the hall, the place was crowded and the music was fast and loud and many couples were dancing. Eilis was careful where she looked or moved. She did not know if Dolores had remained seated where she had left her. She had no intention of going back there and no intention either of catching Dolores's eye in the hall. She stood with Patty and a group of her friends, including a young man with heavily oiled hair and an American accent who tried to explain the dance steps to her above the noise of the music. He did not ask her to dance, seeming to prefer to stay with the group; he glanced at his friends regularly as he took her through the steps, showing her how to move in time to the swing tunes that were becoming faster now as the dancers on the floor responded to them.

Eilis slowly became aware of a young man looking at her. He was smiling warmly, amused at her efforts to learn the dance steps. He was not much taller than she was, but looked strong, with blond hair and clear blue eyes. He seemed to think what was happening was funny as he swayed to the music. He stood alone, and when she caught his eye, having turned away for a moment, she was surprised at the expression on his face, which was unembarrassed at the fact that he was still looking at her. She was sure that he was not part of Patty and Diana's group; his clothes were too ordinary and he was not in any way dressed up. As the band lifted the tempo once more, everyone began to cheer and the man who had been trying to teach her the steps attempted to say something to her but she could not make out the words. When she turned towards him she discovered that he was saying that maybe they could dance together later when the beat was not so fast. She nodded at him and smiled and moved towards Patty, who was still surrounded by some of her friends.

When the music stopped some couples separated, others went to the bar for sodas or remained on the dance floor. Eilis saw that the man who had been teaching her the steps was now going to dance with Patty, and it struck her that Patty must have asked him to pay attention to her and he had done so merely to be kind. As Diana brushed by her, making clear that she was not speaking to her, the young man who had been looking at her approached.

"Are you with that guy who was teaching you the steps?" he asked. She noticed his American accent and his white teeth.

"No," she said.

"So, can I dance with you?"

"I'm not sure I know the steps."

"No one does. The trick is to look as though you do."

The music started up and they moved among the dancers. Her companion's eyes, she thought, were too big for his face but then when he smiled at her he appeared too happy for that to matter. He was a good dancer but not showy in any way and did not try to impress her or do better than she did and she liked that. She studied him as closely as she could because she was sure that if she let her eyes wander she would find Dolores still sitting where she had left her, waiting for her to return.

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