Henry Miller - NEXUS

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NEXUS: краткое содержание, описание и аннотация

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A stunning work that sings with energy and expectation, Nexus is the last volume of the Rosy Crucifixion series, and the last major effort from this renowned author. Speaking of his life with June, and her friend who had gone on before, the work paints this bizarre trio. Still later, the time comes when Henry, finally, is free of NY, free of America, and free to truly begin writing as he'd been wanting to for so long. The only major novel in American letters to begin "Woof Woof," as it must.

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Sometimes, on leaving her, I ask myself how come I never hitched up with this sort, the easy going type, instead of the difficult ones? This gal hasn't an ounce of ambition; nothing bothers her, nothing worries her. She doesn't even worry about getting caught, as the saying goes. (Probably skillful with the darning needle.)

It doesn't take much thinking to realize that the reason I'm immune is because I'd be bored stiff in no time.

Anyway, there's little danger of my linking up with her in solid fashion. I'm a boarder myself, one not above pilfering change from the landlady's purse.

I said she had a marvelous physique, this fly by night. It's true. She was full and supple, limber, smooth as a seal. When I ran my hands over her buttocks it was enough to make me forget all my problems, Nietzsche, Stirner, Bakunin as well. As for her mug, if it wasn't exactly beautiful, it was attractive and arresting. Perhaps her nose was a trifle long, a trifle thick, but it suited her personality, suited that laughing cunt of hers, is what I mean. But the moment I began to make comparison between her body and Mona's I knew it was useless to go into it. Whatever flesh and blood qualities she had, this one, they remained flesh and blood. There was nothing more to her than what you could see and touch, hear and smell. With Mona it was another story entirely. Any portion of her body served to inflame me. Her personality was as much in her left teat, so to speak, as in her little right toe. The flesh spoke from every quarter, every angle. Strangely, hers was not a perfect body either. But it was melodious and provocative. Her body echoed her moods. She had no need to flaunt it or fling it about; she had only to inhabit it, to be it.

There was also this about Mona's body—it was constantly changing. How well I remember those days when we lived with the doctor and his family in the Bronx, when we always took a shower together, soaped one another, hugged one another, fucked as best we could—under the shower—while the cockroaches streamed up and down the walls like armies in full rout. Her body then, though I loved it, was out of line. The flesh drooped from her waist like folds, the breasts hung loose, the buttocks were too flat, too boyish. Yet that same body, draped in a stiff poker dot Swiss dress, had all the charm and allure of a soubrette's. The neck was full, a columnar neck, I always called it, and it suited the rich, dark, vibrant voice which issued from it. As the months and years went by this body went through all manner of changes. At times it grew taut, slender, drum-like. Almost too taut, too slender. And then it would change again, each change registering her inner transformation, her fluctuations, her moods, longings and frustrations. But always it remained provocative—fully alive, responsive, tingling, pulsing with love, tenderness, passion. Each day it seemed to speak a new language.

What power then could the body of another exert? At the most only a feeble, transitory one. I had found the body, no other was necessary. No other would ever fully satisfy me. No, the laughing kind was not for me. One penetrated that sort of body like a knife going through cardboard. What I craved was the elusive. (The elusive basilisk, is how I put it to myself.) The elusive and the insatiable at the same time. A body like Mona's own, which, the more one possessed it the more one became possessed. A body which could bring with it all the woes of Egypt—and its wonders, its marvels.

I tried another dance hall. Everything was perfect—music, lights, girls, even the ventilators. But never did I feel more loneliness, more desolation. In desperation I danced with one after another, all responsive, yielding, ductile, malleable, all gracious, lovely, satiny and dusky, but a despair had come over me, a weight which crushed me. As the afternoon wore on a feeling of nausea seized me. The music particularly revolted me. How many thousand times had I heard these pale, feeble, utterly idiotic tunes with their sickening words of endearment! The offspring of pimps and narks who had never known the pangs of love. Embryonic, I kept repeating to myself. The music of embryos made for embryos. The sloth calling to its mate in five feet of sewer water; the weasel weeping for his lost one and drowning in his own pipi. Romance, of the copulation of the violet and the stink-wort. I love you! Written on fine, silky toilet paper stroked by a thousand super-fine combs. Rhymes invented by mangy pederasts; lyrics by Albumen and his mates. Pfui!

Fleeing the place I thought of the African records I once owned, thought of the blood beat, steady and incessant, which animated their music. Only the steady, recurring, pounding rhythm of sex—but how refreshing, how pure, how innocent!

I was in such a state that I felt like pulling out my cock, right in the middle of Broadway, and jerking off. Imagine a sex maniac pulling out his prick—on a Saturday afternoon!—in full view of the Automat!

Fuming and raging, I strolled over to Central Park and flung myself on the grass. Money gone, what was there to do? The dance mania ... I was still thinkin’ on it. Still climbing that steep flight of steps to the ticket booth where the hairy Greek sat and grabbed the money. (Yes, she'll be here soon; why don't you dance with one of the other girls?) Often she didn't show up at all. In a corner, on a dais, the colored musicians working like fury, sweating, panting, wheezing; grinding it out hour after hour with scarcely a let up. No fun in it for them, not for the girls either, even though they did wet their pants occasionally. One had to be screwy to patronize such a dive.

Giving way to a feeling of delicious drowsiness, I was on the point of closing my eyes when out of nowhere a ravishing young woman appeared and seated herself on a knoll just above me. Perhaps she was unaware that, in the position she had assumed, her private parts were fully exposed to view. Perhaps she didn't care. Perhaps it was her way of smiling at me, or winking. There was nothing brazen or vulgar about her; she was like some great soft creature of the air who had come to rest from her flight.

She was so utterly oblivious of my presence, so still, so wrapped in reverie, that incredible as it may seem, I closed my eyes and dozed off. The next thing I knew I was no longer on this earth. Just as it takes time to grow accustomed to the after-world, so it was in my dream. The strangest thing to get used to was the fact that nothing I wished to do required the least effort. If I wished to run, whether slow or fast, I did so without losing breath. If I wanted to jump a lake or skip over a hill, I simply jumped. If I wanted to fly, I flew. There was nothing more to it than that, whatever I attempted.

After a time I realized that I was not alone. Some one was at my side, like a shadow, moving with the same ease and assurance as myself. My guardian angel, most likely. Though I encountered nothing resembling earthly creatures, I found myself conversing, effortlessly again, with whatever crossed my path. If it was an animal, I spoke to it in its own tongue; if it was a tree, I spoke in the language of the tree; if a rock, I spoke as a rock. I attributed this gift of tongues to the presence of the being which accompanied me.

But to what realm was I being escorted? And for what end?

Slowly I became aware that I was bleeding, that indeed I was a mass of wounds, from head to foot. It was then that, seized with fright, I swooned away. When at last I opened my eyes I saw to my astonishment that the Being who had accompanied me was tenderly bathing my wounds, anointing my body with oil. Was I at the point of death? Was it the Angel of Mercy whose figure was solicitously bent over me? Or had I already crossed the Great Divide?

Imploringly I gazed into the eyes of my Comforter. The ineffable look of compassion which illumined her features reassured me. I was no longer concerned to know whether I was still of this world or not. A feeling of peace invaded my being, and again I closed my eyes. Slowly and steadily a new vigor poured into my limbs; except for a strange feeling of emptiness in the region of the heart I felt completely restored.

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