Nick Hornby - Fever Pitch

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In America, it is soccer. But in Great Britain, it is the real football. No pads, no prayers, no prisoners. And that’s before the players even take the field.
Nick Hornby has been a football fan since the moment he was conceived. Call it predestiny. Or call it preschool. Fever Pitch is his tribute to a lifelong obsession. Part autobiography, part comedy, part incisive analysis of insanity, Hornby’s award-winning memoir captures the fever pitch of fandom—its agony and ecstasy, its community, its defining role in thousands of young mens’ coming-of-age stories. Fever Pitch is one for the home team. But above all, it is one for everyone who knows what it really means to have a losing season.

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I got excited when we scored right at the beginning of the second half, and I got excited again about ten minutes from time, when Thomas had a clear chance and hit it straight at Grobbelaar, but Liverpool seemed to be growing stronger and to be creating chances at the end, and finally, with the clock in the corner of the TV screen showing that the ninety minutes had passed, I got ready to muster a brave smile for a brave team. “If Arsenal are to lose the Championship, having had such a lead at one time, it’s somewhat poetic justice that they have got a result on the last day, even though they’re not to win it,” said co-commentator David Pleat as Kevin Richardson received treatment for an injury with the Kop already celebrating. “They will see that as scant consolation, I should think, David,” replied Brian Moore. Scant consolation indeed, for all of us.

Richardson finally got up, ninety-two minutes gone now, and even managed a penalty-area tackle on John Barnes; then Lukic bowled the ball out to Dixon, Dixon on, inevitably, to Smith, a brilliant Smith flick-on … and suddenly, in the last minute of the last game of the season, Thomas was through, on his own, with a chance to win the Championship for Arsenal. “It’s up for grabs now!” Brian Moore yelled; and even then I found that I was reining myself in, learning from recent lapses in hardened scepticism, thinking, well, at least we came close at the end there, instead of thinking, please Michael, please Michael, please put it in, please God let him score. And then he was turning a somersault, and I was flat out on the floor, and everybody in the living room jumped on top of me. Eighteen years, all forgotten in a second.

What is the correct analogy for a moment like that? In Pete Davies’s brilliant book about the 1990 World Cup, All Played Out , he notices that the players use sexual imagery when trying to explain what it feels like to score a goal. I can see that sometimes, for some of the more workaday transcendent moments. Smith’s third goal in our 3-0 win against Liverpool in December 1990, for example, four days after we’d been beaten 6-2 at home by Manchester United—that felt pretty good, a perfect release to an hour of mounting excitement. And four or five years back, at Norwich, Arsenal scored four times in sixteen minutes after trailing for most of the game, a quarter of an hour which also had a kind of sexual otherworldliness to it.

The trouble with the orgasm as metaphor here is that the orgasm, though obviously pleasurable, is familiar, repeatable (within a couple of hours if you’ve been eating your greens), and predictable, particularly for a man—if you’re having sex then you know what’s coming, as it were. Maybe if I hadn’t made love for eighteen years, and had given up hope of doing so for another eighteen, and then suddenly, out of the blue, an opportunity presented itself … maybe in these circumstances it would be possible to recreate an approximation of that Anfield moment. Even though there is no question that sex is a nicer activity than watching football (no nil-nil draws, no offside trap, no cup upsets, and you’re warm), in the normal run of things, the feelings it engenders are simply not as intense as those brought about by a once-in-a-lifetime last-minute Championship winner.

None of the moments that people describe as the best in their lives seem analogous to me. Childbirth must be extraordinarily moving, but it doesn’t really have the crucial surprise element, and in any case lasts too long; the fulfilment of personal ambition—promotions, awards, what have you—doesn’t have the last-minute time factor, nor the element of powerlessness that I felt that night. And what else is there that can possibly provide the suddenness ? A huge pools win, maybe, but the gaining of large sums of money affects a different part of the psyche altogether, and has none of the communal ecstasy of football.

There is then, literally, nothing to describe it. I have exhausted all the available options. I can recall nothing else that I have coveted for two decades (what else is there that can reasonably be coveted for that long?), nor can I recall anything else that I have desired as both man and boy. So please, be tolerant of those who describe a sporting moment as their best ever. We do not lack imagination, nor have we had sad and barren lives; it is just that real life is paler, duller, and contains less potential for unexpected delirium.

When the final whistle blew (just one more heart-stopping moment, when Thomas turned and knocked a terrifyingly casual back-pass to Lukic, perfectly safely but with a coolness that I didn’t feel) I ran straight out of the door to the off-licence on Blackstock Road; I had my arms outstretched, like a little boy playing aeroplanes, and as I flew down the street, old ladies came to the door and applauded my progress, as if I were Michael Thomas himself; then I was grievously ripped off for a bottle of cheap champagne, I realised later, by a shopkeeper who could see that the light of intelligence had gone from my eyes altogether. I could hear whoops and screams from pubs and shops and houses all around me; and as fans began to congregate at the stadium, some draped in banners, some sitting on top of tooting cars, everyone embracing strangers at every opportunity, and TV cameras arrived to film the party for the late news, and club officials leaned out of windows to wave at the bouncing crowd, it occurred to me that I was glad I hadn’t been up to Anfield, and missed out on this joyful, almost Latin explosion on my doorstep. After twenty-one years I no longer felt, as I had done during the Double year, that if I hadn’t been to the games I had no right to partake in the celebrations; I’d done the work, years and years and years of it, and I belonged.

Seats

ARSENAL v COVENTRY

22.8.89

These are some of the things that have happened to me in my thirties: I have become a mortgage holder; I have stopped buying New Musical Express and the Face, and, inexplicably, I have started keeping back copies of Q Magazine under a shelf in my living room; I have become an uncle; I have bought a CD player; I have registered with an accountant; I have noticed that certain types of music—hip-hop, indie guitar pop, thrash metal—all sound the same, and have no tune; I have come to prefer restaurants to clubs, and dinners with friends to parties; I have developed an aversion to the feeling that a bellyful of beer gives you, even though I still enjoy a pint; I have started to covet items of furniture; I have bought one of those cork boards you put up in the kitchen; I have started to develop certain views—on the squatters who live in my street, for example, and about unreasonably loud parties—which are not altogether consistent with the attitudes I held when I was younger. And, in 1989, I bought a season-ticket for the seats, after standing on the North Bank for over fifteen years. These details do not tell the whole story of how I got old, but they tell some of it.

You just get tired. I got tired of the queues, and the squash, and tumbling half-way down the terrace every time Arsenal scored, and the fact that my view of the near goal was always partially obscured at big games, and it seemed to me that being able to arrive at the ground two minutes before kick-off without being disadvantaged in any way had much to recommend it. I didn’t miss the terraces, really, and in fact I enjoyed them, the backdrop they provided, their noise and colour, more than I ever had when I stood on them. This Coventry game was our first in the seats, and Thomas and Marwood scored directly in front of us, at our end, and from our side.

There are five of us: Pete, of course, and my brother, and my girlfriend, although her place is usually taken by someone else nowadays, and me, and Andy, who used to be Rat when we were kids in the Schoolboys’ Enclosure—I bumped into him on the North Bank in George’s second season, a decade or so after I had lost touch with him, and he too was ready to leave the terraces behind.

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