Salman Rushdie - Grimus

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Grimus: краткое содержание, описание и аннотация

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Flapping Eagle, a young Indian, receives the gift of immortality after drinking a magic fluid. Tiring of the burden of eternal life, he sets out on a monumental search for the mystical Calf Island, where he can rejoin the human race. His journey is peopled with strange characters.

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Now, awaiting the Final Ordering, he returned constantly to the contemplation of the basic anagram which had given rise to so much of the essence of Calf Island- the Re-Ordering which could be made of the name Grimus .

This anagram was Simurg .

The Gorf looked forward to the imminent clash of the Eagle, prince of earthly birds, and the Simurg, bird of paradise, wielder of the Stone Rose. He found it very pleasing that the names should contain these primordial symbols. It added spice.

PART THREE. GRIMUS

LIV Fifty-Four

IT WAS DARK inside the small blackwashed house, a dark chill quiet. Shadows stood everywhere, insubstantial guards over the unseen ugliness. Outside, the shrouds of Calf Mountain’s summit hung over the house like a second, thundery ceiling, shielding it from the pale, mist-weak sunlight lying over the plains beneath. Liv’s home, blind and without foundation, stood blankly on the cheerless outcrop, its door firmly shut, the only sign of life a single donkey, tethered to the last tree of the climbing forest, munching at the forest’s long grass. A bird shrieked.

The unseen ugliness. Behind the shuttered windows lay a scene of cosmic chaos, the debris of a life wrestling and vying for floor-space. Dust lay thickly over the scattered books and plates. A piece of bread, invisible behind its crust of mould, lay on a broken hand-mirror and a spider etched its web between the two. Cloth, paper and crumb alike succumbed to the encasing envelope of dirt. And above the strewn floor, the carvings glared. Carvings which made their ancestors at the Rising Son seem, by comparison, effusions of beauty and joy. The vile, twisted shapes, faces, bodies, truncated limbs, nightmare landscapes, spoke of a deepening passion in their maker, a deepening slough of loathing. If the carver merely extracts from his raw materials the shapes that already lie within it, then the wood must have been made by demons, to contain such hideous forms.

The interior of the small black house was a single room. Hens sat miserably in cages on a shelf. There was a chair, and a bed. And here was a surprise: for these two pieces were as perfectly clean as the rest of the house was filthy. They were dusted and cared for and the bedclothes were washed. They were pieces from another world.

A shadow sat unmoving in the chair.

To re-enter the forested slopes was to relinquish all illusions of normality, to shake off the air of the town, insanely mundane, mundanely insane. The green light of the trees was a kind of purifier for them both. Here Flapping Eagle felt once more the tangible mystery of the mountain and was cleansed of the webs of his own self-deceit. The mountain would not be ignored. Virgil, too, was in good heart, dragging corpulence and corns uncomplainingly up the steep incline, grasping hummocks of earth and tufts of grass to ease his ascent. The air was alive with the hum of insects and the esoteric messages of birds in flight.

– Magister pene monstrat, Virgil Jones quoted, out of nowhere.

They were resting for a moment. Flapping Eagle was obliged to ask for clarification.

– At school, said Virgil Jones in half-embarrassed recollection. An irritating young twerp chalked that up on the blackboard before the lesson. As a joke. The magister in question took it very well. Simply asked why the word penis was in the Ablative rather than the Accusative. Whereupon the young twerp, showing a degree of nerve, stood up and said: -Please sir, it’s the Ablative of the End in View.

They resumed their climb. The excitement of the end in view, whatever it might prove to be, had invaded and conquered them both. If the Mountain was to win, Flapping Eagle told himself, at least it would have to fight for its victory. In the excitement of anticipation, he didn’t pause to reflect that he knew few of the rules of the battle or of the purposes of his adversary. He was in it now: that was all that mattered.

The scar on his chest itched.

He noticed that Virgil Jones’ fingers, when they were not holding on to clumps of grass, were tightly crossed.

A little way behind them, the secret figure of Media followed, keeping her distance, keeping in touch. They didn’t hear her, because they didn’t expect to be followed. The mind-whine of the Effect, not so much a sound as a feeling, was stronger now, but in their separate ways they were all defended against it: Media by her new obsession, Virgil by his old paralysis, Flapping Eagle by his recent conquest of the fever.

The shadow sat unmoving in the chair and heard the movements outside. Eventually, it would move. Eventually, it would be time to look at the book under the pillow. Eventually, it would be time to wring a pullet’s neck, and eat. Eventually, the movements would have to be investigated. But not for the moment. For the moment, sitting here in the dark was enough.

Liv sat like this a great deal, still, stone, statue.

It was cold on the outcrop, cold and damp. The day had moved into late afternoon. Flapping Eagle stood by Liv’s donkey, patting it idly, watching Virgil Jones behaving like a schoolboy on a treasure hunt.

(- No, he had said, let’s not bother to see her. Let’s get it done .)

Sixteen paces forward from the edge of the clearing. He turned right. Sixteen paces right. He stopped. The black house was behind him, impassive. -Here, said Virgil Jones. It should be here.

Flapping Eagle closed his eyes and controlled the wild rushing inside him. It was time. He walked across to Virgil, whose tongue flickered in an agony of tension, the blind guide. Being paralysed by the Rose, he could not himself know if it was the right spot. Flapping Eagle had to be the guinea-pig.

– If you stand where I am standing, said Virgil, and concentrate upon the Gate, you should find it. He moved three paces to his left and crossed his fingers anxiously.

Flapping Eagle lunged forwards suddenly and stood upon the spot.

Again, he closed his eyes.

The Gate , he thought fiercely. This is the Gate. I am passing through the Gate. This is the Gate. I am passing through. This is the Gate

Over and over, building power in himself as Virgil had instructed, waiting for the Outer Dimensions to claim him and carry him to Grimus.

Was that a change in climate? Was there a breeze where there had been none before? Did the ground feel strange beneath his feet? Cast out those thoughts, they are a distraction. Concentrate, concentrate. The Gate and I am passing through.

Nothing happened.

Virgil’s voice, calling: -Think on the Rose. You’re going to the Rose.

A rose made out of stone. It is coming to me, I can hold it in my hand. I am going to hold the rose, hold the rose, hold the rose

Nothing.

He opened his eyes. Virgil was staring at him in anguish.

– What is it? he cried. Is it Grimus? Is he fighting you? Can’t you get through? Will, will. That’s the thing. Where there’s a will, there’s a Way.

– Virgil, said Flapping Eagle quietly. This isn’t the Gate.

– Of course it is, said Virgil. Of course. It always was. I wouldn’t forget.

– There was nothing here, said Flapping Eagle in an empty voice.

– You didn’t feel the, the power? asked Virgil. Flapping Eagle shook his head. -didn’t you have a sense of being about to be… transported? asked Virgil. Again, Flapping Eagle shook his head. He felt drained, voided by the anticlimax.

Virgil Jones subsided to the hard ground and buried his head in his hands.

– He’s moved it,

The words came from him like an echo from a hollow cave. Flapping Eagle knew it was the end. They had failed before they had even begun. Bitterness flooded over him.

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