Стефани Баррон - The White Garden - A Novel of Virginia Woolf

“Regret!” She closed her eyes briefly; the lids were grainy as sandpaper. “This whole tortured trail’s awash in it! Vanessa, painting her mural of Virgin and Apostle. Vita and her White Garden. Leonard and his bound volume. They were all struggling with guilt. Begging for forgiveness. So which of them killed her?”

“To answer that, we need to know what she did after she wrote her last word.”

“Went looking for my grandfather,” Jo said.

“And gave him Notes on the Making of a White Garden?”

“Maybe.” She slid off the bed, her body stiff from lying too long in the same position. “That would explain the label on the notebook. And Jock, being a kid with nobody to turn to, passed it on to Harold Nicolson — who tore out half the pages.”

“That works,” Peter said. “We know Harold got the manuscript somehow, because he told Keynes as much. By the time he wrote that letter, he’d probably seen the Cambridge death notice in the paper, and didn’t like the implications.”

“Jan Ter Braak.”

“Yes. It’s the turncoat spy’s suicide — or murder — that seems to have put the wind up everybody, wouldn’t you say?”

“Dead because he didn’t know the date of Hitler’s Russian invasion.” Jo scrabbled her hair into a pathetic ponytail, her fingers working as she spoke. “Virginia gives the book to Jock — who gives it to Harold — ”

“ — but somehow the dangerous bits end up in Leonard Woolf’s hands. Because we know he printed and then burned them.”

“Why in heaven’s name would Harold Nicolson betray Virginia?”

“Because she was dead,” Peter answered flatly.

He didn’t have to add: How or why, we’ll never know .

“I can’t accept it, Peter. We’ve come too far. If only we had more information — a sense of where all these people were, in the days after the notebook ends. If there was someone who knew more about Virginia and her friends — where they might have converged — ”

His expression stopped her.

“What?” she demanded.

“Bloody hell,” he muttered. “You’re conjuring Margaux. And whatever she pinched from the Ark. Aren’t you?”

SHE ASKED THEM TO MEET HER IN OXFORD’S BODLEIAN Library by nine A.M. Thursday morning.

“I don’t trust her,” Jo insisted. “She doesn’t help for free. There’s an agenda behind all this, Peter.”

“You don’t know her. She’s anxious to make amends.”

“She’s anxious to make a buck!”

“Give her a chance. Please.”

“If she doesn’t show,” Jo muttered as the Triumph chugged out of Lewes, “we’ll head for London. We’ll confront this boss of yours.”

“She’ll show.”

Last night’s ease had deserted Peter; he was tense and brusque. But then, Jo reasoned, he was no longer lying on a bed. He’d warned her about the limits of English openness. And how easily Margaux could manipulate him.

What , Jo thought again, do you want out of all this, Peter Llewellyn?

“Whatever Margaux’s faults,” he attempted, “she’s a sound scholar. And that’s what we chiefly need at the moment.”

He was too far away from her by that time to be told she couldn’t believe him, either.

THE BODLEY, AS PETER CASUALLY CALLED IT, WAS ACTUALLY several libraries housed in magnificent buildings in the heart of Oxford, all joined by footpaths and even underground tunnels; most of the vast book collections, he explained to Jo, were stored beneath the city streets and ancient squares. These were also mostly barred to cars — and so Peter had abandoned the Triumph at a park-and-ride lot on the edge of town, and hopped a shuttle with Jo. As a result, they walked the last few hundred yards, and she was treated to the breathtaking sight of the morning sun gilding the spires of Oxford above her.

There was the New Bodleian, the Clarendon Building, the Old Bodleian — which included something called Duke Humfrey’s that Jo thought sounded like it should offer ales on tap — and the Radcliffe Camera. This last turned out to have nothing to do with photography, camera being the ancient Greek word for vaulted chamber. It was a roundish building of golden stone topped with a dome that Jo realized was vaguely familiar; she’d probably seen it in movies.

“Margaux will be in the New Bodleian,” Peter said. “Which is actually pretty old — 1940, I think. She likes the ethernet in the Reading Room there.”

And it goes so well with her outfit , Jo thought waspishly.

They were trudging up Catte Street, just past Radcliffe Square, and he pointed to the most distant of the library buildings, done in what he called “ziggurat style.” It sat on the corner of Broad Street and Parks Road; Jo noted, with a degree of relief that suggested she’d already been in England too long, that the King’s Arms pub was directly across the way.

Peter led her up the main staircase toward the back of the building, where a wall of windows flooded the quiet carrels with gray Oxford light. So early in the day, the Reading Room was nearly empty — except for the black-haired woman seated before her laptop in the far corner of the room.

“Peter darling!” She gathered him up like a lost schoolboy and kissed him lingeringly on the lips. “Don’t you look like you just rolled off somebody’s sofa! I’ve never seen you so rumpled! Did you sleep in a dustbin?”

Jo stiffened as Margaux brushed back Peter’s hair. He was far too passive, she thought, in the face of this onslaught; he should be backing away, including her, making at least an attempt at resisting his ex-wife’s charm — but no. He was gazing at Margaux as though Jo had faded into the mist, as though even the library itself had dissolved. And then the don’s gaze slid over to meet Jo’s. In quite a different tone she said, “You brought the rest of the notebook?”

“We did,” Jo replied brusquely. “Although I have no desire to let you see it. Given what happened last time.”

“Sorry.” Margaux released Peter and sank down once more in her chair. “I can’t possibly help, you know, if I’m not in possession of all the material.”

“Funny,” Jo said. “That’s just what we were thinking in the bowels of the Wren two days ago. Before I so much as offer a peek at the rest of the notebook, Margaux, how about telling us what you stole from the Ark?”

For the first time in their brief acquaintance, Margaux Strand was thrown off balance. She had no idea, Jo guessed, that they’d penetrated Hamish’s defenses and followed her into the Apostles’ lair.

“I don’t know what you mean.”

“The boxes for 1940 and ’41,” Peter said patiently. “Empty, Margaux. A bare half-hour, perhaps, after you’d been and gone. Hamish tells us there was a row with the Wren porter.”

She shrugged, unable to meet Peter’s eyes. “He confiscated the papers, actually. I don’t know how he came to realize I had anything but lipstick in my purse. Demanded to search my bag after I’d gone through the metal detector — though no bells went off. Outrageous, really.”

“Maybe your name pops up on the porter’s file whenever you enter a Cambridge library,” Jo suggested. “Margaux Strand, Sneak Thief.”

“Peter,” the don said icily, “I don’t have to take this shit, you know.”

“Of course you don’t.” He leaned toward her fondly. “But you will. Because you want to be involved, don’t you? You want the access?”

She stared at him, frowning.

“What did the porter take?” he persisted.

“Oh, very well. It’s nothing of any importance, really.” Margaux shrugged. “After I’d nearly sold my soul to an imbecilic junior Fellow at King’s, too. He got me down into that sewer line they call an Ark, and shut the two of us into the room — and all that was left in those boxes was a typewritten note from Maynard Keynes.”