Christopher Isherwood - A Single Man

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A Single Man: краткое содержание, описание и аннотация

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Christopher Isherwood was born in Cheshire in 1904. He began to write at university and later moved to Berlin, where he gave English lessons to support himself. He witnessed first hand the rise to power of Hitler and the Nazi party in Germany and some of his best works, such as
and
, draw on these experiences. He created the character of Sally Bowles, later made famous as the heroine of the musical
. Isherwood travelled with W.H. Auden to China in the late 1930s before going with him to America, which became his home for the rest of his life. He died on 4 January 1986. ‘The best prose writer in English’
Gore Vidal Celebrated as a masterpiece from its first publication, A Single Man is the story of George Falconer, an English professor in suburban California left heartbroken after the sudden death of his lover, Jim. With devastating clarity and humour, Christopher Isherwood shows George’s determination to carry on, evoking the unexpected pleasures of life, as well as the soul’s ability to triumph over loss and alienation.‘A virtuoso piece of work…courageous… powerful’
The Sunday Times

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Feeling rather pleased with himself, he leaves the Department Building, headed for the Cafeteria.

He starts across the largish open space which is the midst of the campus, surrounded by the Art Building, the Gymnasium, the Science Building and the Administration Building, and newly planted with grass and some hopeful little trees which should make it leafy and shadowy and pleasant within a few years: that is to say, about the time when they start tearing the whole place apart again. The air has a tang of smog; called eye-irritation in blandese. The mountains of the San Gabriel Range – which still give San Tomas State something of the glamour of a college high on a plateau of the Andes, on the few days you can see them properly – are hidden today as usual in the sick yellow fumes which arise from the metropolitan mess below.

And now, all around George, approaching him, crossing his path from every direction, is the male and female raw material which is fed daily into this factory, along the conveyor-belts of the freeways, to be processed, packaged and placed on the market. Negroes, Mexicans, Jews, Japanese, Chinese, Latins, Slavs, Nordics; the dark heads far predominating over the blond. Hurrying in pursuit of their schedules, loitering in flirty talk, strolling in earnest argument, muttering some lesson to themselves alone; all book-burdened, all harassed.

What do they think they’re up to, here? Well, there is the official answer; preparing themselves for life which means a job and security in which to raise children to prepare themselves for life which means a job and security in which. But, despite all the vocational advisers, the pamphlets pointing out to them what good money you can earn if you invest in some solid technical training – pharmacology, let’s say, or accountancy, or the varied opportunities offered by the vast field of electronics – there are still, incredibly enough, quite a few of them who persist in writing poems, novels, plays! Goofy from lack of sleep, they scribble in snatched moments between classes, part-time employment and their married lives. Their brains are dizzy with words as they mop out an operating room, sort mail at a post office, fix baby’s bottle, fry hamburgers. And somewhere, in the midst of their servitude to the must-be, the mad might-be whispers to them to live, know, experience – what? Marvels! The Season in Hell, the Journey to the End of the Night, the Seven Pillars of Wisdom, the Clear Light of the Void. . . . Will any of them make it? Oh, sure. One, at least. Two or three at most – in all these searching thousands.

Here, in their midst, George feels a sort of vertigo. Oh God, what will become of them all? What chance have they? Ought I to yell out to them, right now, here, that it’s hopeless?

But George knows he can’t do that. Because, absurdly, inadequately, in spite of himself almost, he is a representative of the hope. And the hope is not false. No. It’s just that George is like a man trying to sell a real diamond for a nickel, on the street. The diamond is protected from all but the tiniest few, because the great hurrying majority can never stop to dare to believe that it could conceivably be real.

Outside the Cafeteria are announcements of the current student activities: Squaws’ Night, Golden Fleece Picnic, Fogcutters’ Ball, Civic Society Meeting, and the big game against LPSC. These advertised rituals of the San Tomas tribe aren’t quite convincing; they are promoted only by a minority of eager beavers. The rest of these boys and girls do not really think of themselves as a tribe, although they are willing to pretend that they do on special occasions. All that they actually have in common is their urgency; the need to get with it, to finish that assignment which should have been handed in three days ago. When George eavesdrops on their conversation, it is nearly always about what they have failed to do, what they fear the professor will make them do, what they have risked not doing and gotten away with.

The Cafeteria is crammed. George stands at the door, looking around. Now that he is a public utility, the property of STSC, he is impatient to be used. He hates to see even one minute of himself being wasted. He starts to walk among the tables with a tentative smile; a forty-watt smile ready to be switched up to a hundred and fifty watts, just as soon as anyone asks for it.

Now, to his relief, he sees Russ Dreyer, and Dreyer rises from his table to greet him. He has no doubt been on the lookout for George. Dreyer has gradually become George’s personal attendant, executive officer, bodyguard. He is an angular thin-faced young man with a flat-top haircut and rimless glasses. He wears a somewhat sporty Hawaiian shirt which, on him, seems like a prim shy concession to the sportiness of the clothes around him. His undershirt, appearing in the open V of his unbuttoned collar, looks surgically clean, as always. Dreyer is a grade A scholar, and his European counterpart would probably be a rather dry and brittle stick. But Dreyer is neither dry nor brittle. He has discreet humour, and, as an ex-Marine, considerable toughness. He once described to George a typical evening he and his wife Marinette spent with his buddy Tom Kugelman and Tom’s wife. ‘Tom and I got into an argument about Finnegans Wake . It went on all through supper. So then the girls said they were sick of listening to us, so they went out to a movie. Tom and I did the dishes and it got to be ten o’clock and we were still arguing and we hadn’t convinced each other. So we got some beer out of the icebox and went out in the yard. Tom’s building a shed there, but he hasn’t got the roof on yet. So then he challenged me to a chinning-match, and we started chinning ourselves on the crossbeam over the door, and I whipped him, thirteen to eleven.’

George is charmed by this story. Somehow, it’s like classical Greece.

‘Good morning, Russ.’

‘Good morning, Sir.’ It isn’t the age-difference which makes Dreyer call George ‘Sir’. As soon as they come to the end of this quasi-military relationship, he will start saying George, or even Geo, without hesitation.

Together they go over to the coffee machine, fill mugs, select doughnuts from the counter. As they turn toward the cash-desk, Dreyer slips ahead of George with the change ready. ‘No – let me, Sir.’

‘You’re always paying.’

Dreyer grins, ‘We’re in the chips, since I put Marinette to work.’

‘She got that teaching job?’

‘It just came through. Of course, it’s only temporary. The only snag is, she has to get up an hour earlier.’

‘So you’re fixing your own breakfast?’

‘Oh, I can manage. Till she gets a job nearer in. Or I get her pregnant.’ He visibly enjoys this man-to-man stuff with George. (Does he know about me, George wonders; do any of them? Oh yes, probably. It wouldn’t interest them. They don’t want to know about my feelings or my glands or anything below my neck. I could just as well be a severed head, carried into the classroom to lecture to them from a dish.)

‘Say, that reminds me,’ Dreyer is saying, ‘Marinette wanted me to ask you, Sir – we were wondering if you could manage to get out to us again, before too long? We could cook up some spaghetti. And maybe Tom could bring over that tape I was telling you about – the one he got from the audio-visual up at Berkeley, of Katherine Anne Porter reading her stuff —’

‘That’d be fine,’ says George vaguely, with enthusiasm. He glances up at the clock. ‘I say, we ought to be going!’

Dreyer isn’t in the least damped by his vagueness. Probably he does not want George to come to supper any more than George wants to go. It is all, all symbolic. Marinette has told him to ask, and he has asked, and now it is on record that George has accepted, for the second time, an invitation to their home. And this means that George is an intimate and can be referred to, in after years, as part of their circle in the old days. Oh yes, the Dreyers will loyally do their part to make George’s place secure among the grand old bores of yesteryear. George can just picture one of those evenings in the nineteen nineties, when Russ is dean of an English Department in the Middle West and Marinette is the mother of grownup sons and daughters. An audience of young instructors and their wives, symbolically entertaining Dr and Mrs Dreyer, will be symbolically thrilled to catch the Dean in an anecdotal mood, mooning and mumbling with a fuddled smile through a maze of wowless sagas, into which George and many many others will enter, uttering misquotes. And Marinette, permanendy smiling, will sit listening with the third ear – the one that has heard it all before – and praying for eleven o’clock to come. And it will come. And all will agree that this has been a memorable evening indeed.

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