Christopher Isherwood - A Single Man

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A Single Man: краткое содержание, описание и аннотация

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Christopher Isherwood was born in Cheshire in 1904. He began to write at university and later moved to Berlin, where he gave English lessons to support himself. He witnessed first hand the rise to power of Hitler and the Nazi party in Germany and some of his best works, such as
and
, draw on these experiences. He created the character of Sally Bowles, later made famous as the heroine of the musical
. Isherwood travelled with W.H. Auden to China in the late 1930s before going with him to America, which became his home for the rest of his life. He died on 4 January 1986. ‘The best prose writer in English’
Gore Vidal Celebrated as a masterpiece from its first publication, A Single Man is the story of George Falconer, an English professor in suburban California left heartbroken after the sudden death of his lover, Jim. With devastating clarity and humour, Christopher Isherwood shows George’s determination to carry on, evoking the unexpected pleasures of life, as well as the soul’s ability to triumph over loss and alienation.‘A virtuoso piece of work…courageous… powerful’
The Sunday Times

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How dearly Mrs Strunk would enjoy being sad about Jim! But, aha, she doesn’t know; none of them know. It happened in Ohio, and the L.A. papers didn’t carry the story. George has simply spread it around that Jim’s folks, who are getting along in years, have been trying to persuade him to come back home and live with them; and that now, as the result of his recent visit to them, he will be remaining in the East indefinitely. Which is the gospel truth. As for the animals, those devilish reminders, George had to get them out of his sight immediately; he couldn’t even bear to think of them being anywhere in the neighbourhood. So, when Mrs Garfein wanted to know if he would sell the mynah bird, he answered that he’d shipped them all back to Jim. A dealer from San Diego took them away.

And now, in reply to the questions of Mrs Strunk and the others, George answers that, yes indeed, he has just heard from Jim and that Jim is fine. They ask him less and less often. They are quite incurious, really.

But your book is wrong, Mrs Strunk, says George, when it tells you that Jim is the substitute I found for a real son, a real kid brother, a real husband, a real wife. Jim wasn’t a substitute for anything. And there is no substitute for Jim, if you’ll forgive my saying so, anywhere.

Your exorcism has failed, dear Mrs Strunk, says George, squatting on the toilet and peeping forth from his lair to watch her emptying the dustbag of her vacuum cleaner into the trash-can. The unspeakable is still here; right in your very midst.

Damnation. The phone.

Even with the longest cord the phone company will give you, it won’t reach into the bathroom. George gets himself off the seat and shuffles into the study, like a man in a sack-race. ‘Hello.’

‘Hello – is that – it is you, Geo?’

‘Hello, Charley.’

‘I say, I didn’t call too early, did I?’

‘No.’ (Oh dear, she has managed to get him irritated already! Yet how can he reasonably blame her for the discomfort of standing nastily unwiped, with his pants around his ankles? One must admit, though, that Charlotte has a positively clairvoyant knack of picking the wrong moment to call.)

‘You’re sure?’

‘Of course I’m sure. I’ve already had breakfast.’

‘I was afraid, if I waited any longer, you’d have gone off to the college. . . . My goodness, I hadn’t noticed it was so late! Oughtn’t you to have started already?’

‘This is the day I have only one class. It doesn’t begin until eleven-thirty. My early days are Mondays and Wednesdays.’ (All this explained in a tone of slightly emphasised patience.)

‘Oh yes – yes, of course! How stupid of me! I always forget.’

(A silence. George knows she wants to ask him something. But he won’t help her. He is rubbed up the wrong way by her blunderings. Why does she imply that she ought to know his college schedule? Just more of her possessiveness. And why, if she really thinks she ought to know it, does she get it all mixed up?)

‘Geo —’ (very humbly) ‘would you possibly be free tonight?’

‘Afraid not. No.’ (One second before speaking, he couldn’t have told you what he was going to answer. It’s the desperation in Charlotte’s voice that decides him. He isn’t in the mood for one of her crises.)

‘Oh – I see. . . . I was afraid you wouldn’t be. It is short notice, I know.’ (She sounds half stunned, very quiet, hopeless. He stands there listening for a sob. None can be heard. His face is puckered into a grimace of guilt and discomfort – the latter caused by his increasing awareness of stickiness and trussed ankles.)

‘I suppose you couldn’t – I mean – I suppose it’s something important?’

‘I’m afraid it is.’ (The grimace of guilt relaxes. He is mad at her now. He won’t be nagged at.)

‘I see. . . . Oh well, never mind.’ (She’s brave, now.) ‘I’ll try you again, may I, in a few days?’

‘Of course.’ (Oh – why not be a little nicer, now she’s been put in her place?) ‘Or I’ll call you.’

(A pause.)

‘Well – goodbye, Geo.’

‘Goodbye, Charley.’

Twenty minutes later, Mrs Strunk, out on her porch watering the hibiscus bushes, watches him back his car out across the bridge. (It is sagging badly, nowadays. She hopes he will have it fixed; one of the children might get hurt.) As he makes the half-turn on to the street, she waves to him. He waves to her.

Poor man, she thinks, living there all alone. He has a kind face.

It is one of the marvels and blessings of the Los Angeles freeway system that you can now get from the beach to San Tomas State College in fifty minutes, give or take five, instead of the nearly two hours you would have spent, in the slow old days, crawling from stoplight to stoplight clear across the downtown area and out into the suburbs beyond.

George feels a kind of patriotism for the freeways. He is proud that they are so fast, that people get lost on them and even sometimes panic and have to bolt for safety down the nearest cutoff. George loves the freeways because he can still cope with them; because the fact that he can cope proves his claim to be a functioning member of society. He can still get by .

(Like everyone with an acute criminal complex, George is hyperconscious of all bylaws, city ordinances, rules and petty regulations. Think of how many Public Enemies have been caught just because they neglected to pay a parking ticket! Never once has he seen his passport stamped at a frontier, his driver’s licence accepted by a post office clerk as evidence of identity, without whispering gleefully to himself, idiots – fooled them again! )

He will fool them again this morning, in there, in the midst of the mad metropolitan chariot race – Ben Hur would certainly chicken out – jockeying from lane to lane with the best of them, never dropping below eighty in the fast left lane, never getting rattled when a crazy teenager hangs on to his tail or a woman (it all comes of letting them go first through doorways) cuts in sharply ahead of him. The cops on their motorcycles will detect nothing, yet, to warn them to roar in pursuit flashing their red lights, to signal him off to the side, out of the running, and thence to escort him kindly but ever so firmly to some beautifully ordered nursery-community where Senior Citizens ( old , in our Country of the Bland, has become nearly as dirty a word as kike or nigger) are eased into senility, retaught their childhood games but with a difference; it’s known as passive recreation now. Oh, by all means let them screw, if they can still cut the mustard; and, if they can’t, let them indulge without inhibitions in babylike erotic play. Let them get married, even – at eighty, at ninety, at a hundred – who cares? Anything to keep them busy and stop them wandering around blocking the traffic.

There’s always a slightly unpleasant moment when you drive up the ramp which leads on to the freeway and become what’s called merging traffic . George has that nerve-crawling sensation which can’t be removed by simply checking the rearview mirror; that, inexplicably, invisibly, he’s about to be hit in the back. And then, next moment, he has merged and is away, out in the clear, climbing the long easy gradient toward the top of the pass and the Valley beyond.

And now, as he drives, it is as if some kind of autohypnosis exerts itself. We see the face relax, the shoulders unhunch themselves, the body ease itself back into the seat. The reflexes are taking over; the left foot comes down with firm even pressure on the clutch-pedal, while the right prudendy feeds in gas. The left hand is light on the wheel; the right slips the gearshift with precision into high. The eyes, moving unhurriedly from road to mirror, mirror to road, calmly measure the distances ahead, behind, to the nearest car. . . . After all, this is no mad chariot race – that’s only how it seems to onlookers or nervous novices – it is a river, sweeping in full flood toward its outlet with a soothing power. There is nothing to fear, as long as you let yourself go with it; indeed, you discover, in the midst of its stream-speed, a sense of indolence and ease.

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