Salman Rushdie - Shalimar the Clown

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The Man Booker Prize (nominee)
Whitbread Prize (nominee)
International IMPAC Dublin Literary Awards (nominee)
Los Angeles, 1991. Ambassador Maximilian Ophuls, one of the makers of the modern world, is murdered in broad daylight on his illegitimate daughter India's doorstep, slaughtered by a knife wielded by his Kashmiri Muslim driver, a myscerious figure who calls himself Shalimar the clown. The dead man is a World War II Resistance hero, a man of formidable intellectual ability and much erotic appeal, a former US ambassador to India and subsequently America's counter-terrorism chief. The murder looks at first like a political assassination, but turns out to be passionately personal. This is the story of Max, his killer, and his daughter – and of a fourth character, the woman who links them, whose story finally explains them all. It is an epic narrative that moves from California to Kashmir, France and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. There is kindness and magic, capable of producing miracles, but there is also war, ugly, unavoidable, and seemingly interminable. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous. Everything is unsettled. Everything is connected. Lives are uprooted, names keep changing – nothing is permanent. The story of anywhere is also the story of everywhere else. Spanning the globe and darting through history, Rushdie's narrative captures the heart of the reader and the spirit of a troubled age.

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In those days before the crazies got into the act the liberation front was reasonably popular and azadi was the universal cry. Freedom! A tiny valley of no more than five million souls, landlocked, preindustrial, resource rich but cash poor, perched thousands of feet up in the mountains like a tasty green sweetmeat caught in a giant’s teeth, wanted to be free. Its inhabitants had come to the conclusion that they didn’t much like India and didn’t care for the sound of Pakistan. So: freedom! Freedom to be meat-eating Brahmins or saint-worshipping Muslims, to make pilgrimages to the ice-lingam high in the unmelting snows or to bow down before the prophet’s hair in a lakeside mosque, to listen to the santoor and drink salty tea, to dream of Alexander’s army and to choose never to see an army again, to make honey and carve walnut into animal and boat shapes and to watch the mountains push their way, inch by inch, century by century, further up into the sky. Freedom to choose folly over greatness but to be nobody’s fools. Azadi! Paradise wanted to be free.

“But free isn’t free of charge,” Anees Noman told his brother in his sad-sack way. “The only paradise that’s free that way is a fairy-tale place full of dead people. Here among the living, free costs money. Collections must be made.” Though he didn’t know it, he sounded exactly like Hasina Yambarzal announcing to the villagers of Shirmal and Pachigam that they needed to start paying to watch TV.

The first phase of Shalimar the clown’s initiation into the world of the liberation front involved him in the group’s fund-raising activities. The first principle of this work was that operatives working in the financial field could not be sent back to their own localities, because fund-raising was sometimes no joke and such humorlessness never went down well with one’s own folks. The second principle was that as it was a well-established fact that the poor were more generous than the rich it was proper to be more so to speak persuasive when dealing with the rich. It was not necessary to spell out the precise nature of such persuasion. Each operative could be trusted to devise the tactics best suited to the situation. Shalimar the clown, a member of his brother’s financial team, a man newly awakened to rage and ready for extreme measures, prepared himself to threaten, slash and burn.

However, Abdullah and Firdaus Noman had raised their sons to be courteous at all times, and even though Shalimar the clown had been possessed by a devil his brother Anees had not. When they arrived, at twilight, at a large lakeside mansion at the edge of Srinagar whose gloomy look perfectly matched Anees’s own, the lady of the house, a certain Mrs. Ghani, informed them that her husband the affluent landowner was not at home; whereupon Anees decided it would be improper for half-a-dozen armed men to enter a decent lady’s home when the man of the house was absent, and announced that he and his colleagues would wait for her husband Mr. Ataullah Ghani outside. They waited for four hours, hunkered down outside the servants’ entrance with their rifles rolled up inside scarves, and Mrs. Ghani sent out hot tea and snacks. At length Shalimar the clown insubordinately expressed his anxiety. “The level of risk is unacceptable,” he said. “The lady could have telephoned the security forces many times by now.” Anees Noman stopped whittling wood into owl shapes and raised an admonitory finger. “If it is our time to die, then we shall die,” he replied. “But we will die as men of culture, not barbarians.” Shalimar the clown subsided into sullen silence, fingering the edge of his blade inside the folds of his cloak. One of the hardest things about becoming a freedom fighter was having to accept his brother’s seniority in the organization.

After four and a half hours Mr. Ghani returned and came out to smoke a pensive cigarette with the financial committee on the back stoop. “This house,” he said, “belonged to my late paternal Ghani-uncle, the well-known Andha Sahib, the blind philanthropist who lived to the great age of one hundred and one, God be praised, and died only three years back. Perhaps you have heard about him? His personal life was a great tragedy, a poor reward for all his generosity, because he lost his beloved daughter, his only child, who moved to Pakistan and then died there in ’65 in consequence of Indian aerial bombing during that foolish war. Before Andha Sahib this was the residence of other eminent members of my family for a hundred and one years more. There is a collection of European paintings of quality. There is a picture of Diana the Huntress that is particularly fine. If you care to see it I will gladly conduct a tour. Also naturally there is my wife and there are my daughters. I thank you for respecting the sanctity of the house and the honor of my womenfolk. To express my gratitude, and in the blessed memory of Naseem Ghani, the child of this house and my personal cousin whom the Indian air force bombed to death in her own kitchen in Rawalpindi on September 22, 1965, I will assure you of the following sum, to be paid at quarterly intervals.”

The sum named was large enough to make it difficult for the liberation fighters to continue to look impassive. There were muffled gasps behind their woollen hoods. Afterwards, as they retreated into the shadows, Shalimar the clown looked shamefaced about his earlier fears, but Anees Noman had the grace not to rub it in. “Srinagar isn’t like back home,” he said. “It takes time to acquire local knowledge. Where the backing is, where it isn’t, where it needs a little encouragement of the type you’re itching to provide. You’ll get the hang of it soon enough.”

It was not possible to go home. A system of billets was in operation. The brothers Noman were assigned a series of temporary lodgings with families who sometimes welcomed them, at other times had to be coerced into housing such potentially dangerous guests and treated them with a mixture of anger and fear, barely speaking to them except when absolutely necessary, locking up their marriageable daughters, and sending the younger children to live elsewhere until the peril had passed. Anees and Shalimar the clown stayed with a friendly family working in the trout hatcheries of Harwan, and with passionate supporters in the Srinagar silk industry; in a hostile household of pony-wallahs and farmhands near the famous spring of Bawan, sacred to Vishnu, with its holy tank bursting with hungry fish, and in an even more threatening encampment of limestone miners near the Manasbal quarry, a billet they abandoned after a single night because they both dreamed the same dream, a nightmare of being killed in their sleep, of having their skulls crushed by angry men with rocks in their fists. They slept for a season in an attic room in the home of a terrified truck driver’s family in Bijbehara near the tourist village of Pahalgam. This was the neighborhood in which the spy Gopinath Razdan had been murdered some years earlier, after leaking the news of Boonyi’s liaison with Shalimar the clown. It was therefore a region of which the Nomans had some prior knowledge. Shalimar the clown felt oddly homesick here. The fast-flowing Liddar reminded him of the smaller Muskadoon, and the lovely mountain meadow of Baisaran above Pahalgam, where Razdan had actually been killed, called to mind flower-carpeted Khelmarg, where his great and lethal love had been consummated. The devil inside him was aroused by the memory of his faithless wife, and murder again filled all his thoughts.

Another summer the brothers stayed among kindly people, the Hanji and Manji tribal boatmen who rowed and punted their craft down the myriad waterways of the valley, gathering singhare, water chestnuts, on the Wular Lake, or working market gardens on Lake Dal, or fishing, or dredging for driftwood in the rivers. When a boatman ferried passengers on his craft the brothers Noman sat huddled up at the back of the vessel with their faces wrapped up in shawls. At other times, on the big boats, they pitched in and worked as hard as their hosts. Poling a boat carrying seven thousand pounds of grain from lake to lake was a hard day’s work. By night, after so effortful a day, the brothers gathered with the boating families at the kitchen end of one of the giant covered boats with its barrel-thatched roof and ate meals of highly spiced fish and lotus root. The boatman with whom they stayed longest was the unofficial patriarch of the Hanji tribe, Ahmed Hanji, who not only resembled an Old Testament prophet but believed that his people were the descendants of Noah, and that their boats were the pygmy children of the ark. “Boat’s the best place to be right now,” he philosophized. “Another flood’s coming, and God knows how many of us will be drowned this time.” “That’s the trouble with this damn country of ours,” Anees Noman muttered to his brother when they lay down to sleep that night. “Everyone’s a prophet.”

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