Salman Rushdie - Shalimar the Clown

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The Man Booker Prize (nominee)
Whitbread Prize (nominee)
International IMPAC Dublin Literary Awards (nominee)
Los Angeles, 1991. Ambassador Maximilian Ophuls, one of the makers of the modern world, is murdered in broad daylight on his illegitimate daughter India's doorstep, slaughtered by a knife wielded by his Kashmiri Muslim driver, a myscerious figure who calls himself Shalimar the clown. The dead man is a World War II Resistance hero, a man of formidable intellectual ability and much erotic appeal, a former US ambassador to India and subsequently America's counter-terrorism chief. The murder looks at first like a political assassination, but turns out to be passionately personal. This is the story of Max, his killer, and his daughter – and of a fourth character, the woman who links them, whose story finally explains them all. It is an epic narrative that moves from California to Kashmir, France and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. There is kindness and magic, capable of producing miracles, but there is also war, ugly, unavoidable, and seemingly interminable. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous. Everything is unsettled. Everything is connected. Lives are uprooted, names keep changing – nothing is permanent. The story of anywhere is also the story of everywhere else. Spanning the globe and darting through history, Rushdie's narrative captures the heart of the reader and the spirit of a troubled age.

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William Tillerman lowered his spectacles right back at the judge. “Sir, it is not,” he replied. “But it is of no importance what you or I may believe here in this courtroom. What is important is that my client believes it. I beg the court’s indulgence for what may seem like grandstanding, but this speaks to my client’s extreme vulnerability to external manipulation. The defense will call witnesses from the intelligence community who will report on my client’s presence over many years at various locations known to us as schools of terrorism, brainwashing centers, and it is our contention that in the matter of Ambassador Maximilian Ophuls my client ceased to be in command of his actions. His free will was subverted by mind-control techniques, verbal, mechanical and chemical, which gravely undermined his personality and turned him into a missile, aimed at a single human heart, which just happened to be the heart of this country’s most distinguished counterterrorism ambassador. A Manchurian Candidate, if you will, a death zombie, programmed to kill. The defense will argue that the assassination may have been triggered by an unknown “sorcerer” or “puppet master” who has not been apprehended. After thorough conditioning the trigger moment would not even require the puppet and the puppet master to meet. The command could be given on the telephone, the conditioned response could be activated by the use of a commonplace word such as, oh, I don’t know, banana, or solitaire. I am not sure, sir, if Your Honor and the members of the jury are familiar with the thirty-year-old movie to which I allude. If not, a video screening could easily be arranged.”

“Far be it from this court, Mr. Tillerman,” Judge Weissberg said sternly, “to accuse you of trying to make a grandstand play. And yes: I saw the movie, and I have no doubt that the jury gets your point. However, this is murder one, Mr. Tillerman. We will not be going to the pictures in my courtroom.”

In the days that followed Tillerman’s opening remarks the entire country was captured by his “sorcerer’s” or “Manchurian” defense of Shalimar the clown. The classic movie was screened on network television, and plans for a remake were announced. The Twin Towers bombers, the suicidists of Palestine, and now the terrifying possibility that mind-controlled human automata were walking amongst us, ready to commit murder whenever a voice on the phone said banana or solitaire… it all made the new, senseless kind of sense, Tillerman could see it in the jury’s eyes, and all the way through the prosecution’s case he found assistance for his own. Yes, the accused was a terrorist, the prosecution said. Yes, he had been in some remote, scary places where bad people gathered to plot dark deeds. Under a number of work-names he had been involved for many years in the perpetration of such acts. On this occasion, however, the prosecution argued, the probability was that he had been flying solo, because of the seduction by the victim of the accused’s beloved wife. When Janet Mientkiewicz proposed this, the vengeful husband theory, she actually saw the jury’s eyes glazing over, and understood that the plainness of the truth was suffering by comparison with Tillerman’s paranoid scenario, which was so perfectly attuned to the mood of the moment that the jury wanted it to be true, wanted it while not wanting it, believing that the world was now as Tillerman said it was while wishing it were not. “We may be screwed here,” she confided to Tanizaki one night. He shook his head. “Trust in the law and do your job,” he told her. “This isn’t Perry Mason. We’re not on TV.” “Oh yes we are,” she said, “but thanks for stiffening my spine.”

It’s dog eat dog up there in the Himalayas, ladies and gentlemen, the Indian army against the Pakistan-sponsored fanatics, we sent men out to discover the truth and the truth is what they brought home. You want to know this man, my client? The defense will show that his village was destroyed by the Indian army. Razed to the ground, every structure destroyed. The dead body of his brother was thrown at his mother’s feet with the hands severed. Then his mother was raped and killed and his father was also slain. And then they killed his wife, his beloved wife, the greatest dancer in the village, the greatest beauty in all Kashmir. You don’t need psych profiling to get the point of this, ladies and gentlemen of the jury, this kind of thing would derange the best of us, and the best of them is what he was, a star performer in a troupe of traveling players, a comedian of the high wire, an artist, famous in his way, Shalimar the clown. Then one day his whole world was shattered and his mind with it. This is exactly the kind of person the terrorist puppet masters seek out, this is the kind of mind that responds to their sorcery. The subject’s picture of the world has been broken and a new one is painted for him, brushstroke by brushstroke. Like the man says in the movie you aren’t going to see in Judge Weissberg’s courtroom, they don’t just get brainwashed, they get dry-cleaned. This is a man against whose whole community a blood crime was committed that he could not avenge, a blood crime that drove him out of his mind. When a man is out of his mind other forces can enter that mind and shape it. They took that avenging spirit and pointed it in the direction they required, not at India, but here. At America. At their real enemy. At us.

The Manchurian bubble burst, as Larry Tanizaki had promised Janet Mientkiewicz it would, the day Kashmira Ophuls took the stand for the defense. A hostile witness was always a gamble, and Tillerman’s decision to field the Ophuls girl was, in Tanizaki’s opinion, a weak choice, a choice that showed what a house of cards his case was. Under cross-examination by Janet Mientkiewicz, Kashmira revealed what Shalimar the clown had not told his attorney, what Tillerman’s researchers had been unable to discover, what the usurpers of Pachigam did not know and the Yambarzals in Shirmal would not tell. In a single, brief statement, made with an executioner’s calm, she unmade the defense’s case. “That wasn’t how my mother died,” she said. “My mother died because that man, who also killed my father, cut off her beautiful head.”

She turned to face Shalimar the clown and he understood perfectly what she did not need words to say. Now I have killed you, she told him. Now my arrow is in your heart and I am satisfied. When the time comes to execute you I will come and watch you die.

On the day after sentence was passed on him Shalimar the clown was moved by road to the California state prison at San Quentin where the men’s death-row facility was located. Once again extreme security precautions were taken; he did not travel in the regular jail bus, and the eleven-vehicle motorcade with motorbikes buzzing beside it and helicopters tracking it from the sky looked, as it moved north past the silent concrete bells of the Camino Real, like a monarch’s journey into exile, like Napoleon in rags on his way to St. Helena. He remained impassive throughout the twelve-hour journey. His features had acquired something of the grey, pasty color and texture of prison life and his hair was whiter and had thinned a little. He did not speak to the guards sitting beside and across from him in the white armored van except once, to ask for a drink of water. He had the air of a man who had accepted his fate, and retained his calm demeanor while he was processed through the death-row reception center, photographed, fingerprinted, given blankets and prison blues, and then led wearing waist chains to the adjustment center or A/C to await classification. Here his possessions were taken from him except for a pencil and a sheet of writing paper and a comb and a bar of soap. He was handed a toothbrush with all but an inch of the handle cut off and some tooth powder. Then he was locked in a cage and stripped naked and the guards looked, as it was their habit to look, under his testicles and inside his bodily orifices, crack a smile, one of them told him, and he didn’t understand until the guard grabbed him by the back of the neck and bent him over so they could inspect his rear. He was handcuffed and checked with a metal detector and taken to his cell. The guard yelled the cell number and the door opened with a great hiss because compressed air was used to open and close it. Then a tray slot was opened and he put his hands through it and his handcuffs were removed. All this he suffered without protest. From the beginning the guards were struck by his quality of stillness, He was on some kind of meditation trip, they said, and later, after he made his impossible escape, his captors were almost respectful, It’s like spaceships, one of them argued, if you don’t see them you don’t believe in them, but me and my colleagues here, we saw what we saw.

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