Элисон Скотч: The Song Remains the Same

“And then?” I ask, though part of me remembers what comes next. Part of me, if I were to dig far enough into my cerebrum, could tell her the story myself: that my dad stayed for a few months, fighting his fight against whatever demons eventually consumed him, and that when he did leave, I kept pretending—that he would come back, that he loved me more than he loved himself, more than he loved anything, and that when I finally understood that he wasn’t and that he didn’t, I underwent a transformation of my own. Stopped believing that the lines could be blurred, stopped seeing in color, started living in black and white. Stopped painting (for him), stopped making music (for me), stopped absorbing joy, stopped absorbing much of anything. Until the plane crash reset all of that.

I scurry my head. No, it was before that. Own it. Yes, this I will. It was back when Wes sent me the letter, the keys. That’s when everything got set in motion, when I stopped following the hard lines like a subway rat. I left Peter. I contacted Tina Marquis. I pursued my passion for music. I relished the joy from the plus sign on the drugstore pregnancy test. The crash hadn’t changed me—I had. I had. I’d been reawakened, stepping out from the shadows into the heated light of day.

“I was going to keep the baby,” I say, and her head snaps up, a vein throbbing in her temple.

She mistakes this as a question. “I don’t know. You didn’t tell me you were pregnant.” She chokes back a noise that’s somewhere between a muffled sob and a laugh. “You probably didn’t trust me with it, knew that I’d bring you home and make you drink holistic tea for the next nine months.”

“No, I was going to keep the baby,” I say, more firmly now. “I was going to leave the gallery, and keep the baby and aim for a new life.”

She digests this, her eyes welling. She finally allows herself to speak.

“Well, you were certainly going to leave the gallery. You and Rory had stopped speaking over it. Things were tense enough between you two already.”

“So I’ve figured.”

“Don’t be mad at her about it,” she says, detecting my undertones. “For starters, she never condoned my urging you to stay with Peter after the crash, and the gallery? You guys had worked so, so hard on it, that for you to up and decide to leave without so much as an explanation—well, it was hard for her to understand.”

“How could she have been okay earning our keep off Dad’s name for all of those years?”

She stands, wearily, placing her palms on her knees and pushing herself up, then moving to me like she has aged thirty years over one night.

“Your dreams are your dreams,” she says. “Sometimes you compromise yourself to get there.” She drops her chin just a touch, then gazes out across the landscape. “Show me someone who isn’t guilty of that, and I’ll show you someone who never dreamed in the first place.”

When Rory returns from the airport, she comes and sits with us after it’s obvious that neither one of us is abandoning the front porch for the duration of the morning. I’m curled over the front steps, my mom back on the bench, the silence wafting between us in what some might call a peace. I want to reach over and smack Rory when she slides up next to me, but then a wiser, more forgiving voice, one without the ragged corners—the new new me—realizes that, well, what’s the goddamn purpose?

“Are you going to hold Anderson against me forever?” she asks.

“No, not forever,” I say.

“Then you have changed,” she says, and we both smile tired smiles at her point.

I hear my mom exhale behind us.

“I should probably be honest with you both now. Your father did come back for your high school graduation, Nell. It wasn’t just the town rumor.”

“ What? ” Rory and I say in unison, turning to face her.

She averts her eyes. “He knocked on the door one day and asked to come in for coffee. You were at tennis.” She nods toward me. “And I can’t remember where you were, Rory.” She sighs and runs her hands through her hair. “I told him no. I said—and I remember it to this day—‘ Get out of this house, get off of my property, and don’t you ever, ever try to get in touch with us again. ’” She flops her hands. “And I hated myself so much because I’d tried so hard to go against that anger, to make myself over into someone kinder, more compassionate. But I couldn’t stand the thought that he came back on his own terms, and that—and this I understood, finally—he would leave again on his own terms, too.”

Beside me, Rory is pale, and I feel like this should stick more, like I should care more, that after this quest, after this whole endless search—really a lifetime of a search—this is what it’s come to: that he was there, and who knows, maybe would have been there, be here, again—if circumstances had been different. But they weren’t, and he wasn’t. And that’s all it can be for now. I stare out at the deadened lawn, the dormant trees.

“Please don’t hate me,” my mother says, and I can hear her crying behind us, which sounds both pitiful and remorseful.

“I don’t,” I say.

“I know where you can reach him,” she says, this time really sobbing, the weight of her guilt releasing her. “If you want, I do know how you can reach him.”

I rise now and gaze at her, then at Rory, then crane my neck and inhale the expansiveness of this house and the gravity of everything that has happened here and beyond.

I step across the creaking steps and glide past her, the screen door slamming as an exclamation point.

“No,” I say from behind the metal door. “I have had enough with old ghosts. Let’s finally bury them so we can all just find our peace.”

Come the next evening, everyone heads for the airport, though Anderson and I linger behind for the road trip, neither of us quite set to hurl ourselves midair just yet. Wes drops them at their flights, while Anderson and I load up the car—packing it up without ever really unpacking in the first place. But ensuring that we don’t leave anything behind all the same.

Wes is going to sell the house—he made his decision earlier in the day, when we took a final walk down to the dock, past my father’s studio, which has sat vacant, a vessel, for years now. I’ll probably sell the apartment up in New York, too. Maybe call Tina Marquis and ask her to show me something totally unexpected, something that might resonate with the new me who is yet unwritten, the me without the heft of my birthright weighing me down. Or maybe I’ll leave New York entirely. Point myself in a direction where I can make music again, feel the notes inside of me, listen to how they can move me. I don’t know. This has to be what I can do for now. Embracing the change and the shades of color that it brings into my life.

“You sure you’re okay with driving back with me?” Anderson says. It’s dark now, and we’re both zipped into our jackets, the temperatures dropping with the last light of day. The fallen leaves smell of evergreen, the branches cackling, the few remaining birds and squirrels keeping us company with their busywork. He leans against the hood of the car. “Because look, I get it, I get that I screwed up—messed up everything by doing what I did with Rory.”

I wave my hands. “Don’t.”

“No, let me.” And because I’m living in the softer moments of who I wasn’t before, I do. Let him. “I promised to have your back, to do anything to thank you for saving me, and I lost track of that.”

“We all lose track of things sometimes,” I say, pressing back against the hood next to him.