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Элисон Скотч: The Song Remains the Same

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Элисон Скотч The Song Remains the Same

The Song Remains the Same: краткое содержание, описание и аннотация

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One of only two survivors of a plane crash, Nell Slattery wakes in the hospital with no memory of the horrific experience-or who she is, or was. Now she must piece together both body and mind, with the help of family and friends, who have their own agendas. She filters through photos, art, music, and stories, hoping something will jog her memory, and soon, in tiny bits and pieces, Nell starts remembering. . . . It isn't long before she learns to question the stories presented by her mother, her sister and business partner, and her husband. In the end, she will discover that forgiving betrayals small and large will be the only true path to healing herself-and to finding happiness.

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Beepbeepbeepbeepbeepbeepbeep .

Remember, goddamn it! Remember!

I am fading. I feel myself fading, the blood throbbing in my temples, behind my eyes, shortening my breath, reverberating in my chest cavity—a headache that feels akin to a small death.

Peter clasps both of my cheeks in his oversize hands, forcing me to stay awake, to focus.

“No,” I reply with every last ounce of energy I have. “I’m sorry. No, I don’t remember.”

“I’m your husband,” I hear him say, though it sounds like an echo, a faint echo from so very, very far in the distance, just before I drift away. Just before everything goes silent once more.

When I wake up for the second time, the mushroom woman is asleep in the chair beside my bed. The beeping has slowed now, a mimic of my own heartbeat, such that I barely notice it. It’s there, of course it’s there, but it’s white noise almost, that spot where your brother has pinched you so many times that you no longer feel it.

The TV is on in the corner, low enough so that it won’t disturb me, loud enough so that I can still make it out.

The newsreel is spinning in blaring red urgency on the bottom of the screen, and at the forefront stands a man in front of a hospital. An ambulance whines in the background, but either he doesn’t hear it or he’s too much of a pro to notice it, and he continues without so much as a flinch.

“It was reported earlier today that Nell Slattery, one of only two survivors of the crash of Flight 1715, has emerged from her coma. As viewers may remember, Ms. Slattery was found about two hundred yards from the debris field, still strapped into her seat, next to Anderson Carroll, the actor—we all know his story—and the first and only other survivor found on the scene. Investigators believe that their seats were somehow propelled fully intact out of the plane upon or just before impact. Ms. Slattery has sustained remarkably few physical injuries but suffered a severe concussion and initial brain swelling, and doctors were unsure as to her prognosis until she awoke today. That she woke at all is, they say, very, very good news.”

“I am very pleased to announce that what you have heard is true,” I hear, and then see, Dr. Macht say on the screen. He is standing at a podium, flashbulbs illuminating, microphones thrust upward from jutting arms. “Nell Slattery woke up for about seven minutes today. I cannot give you the full details of the situation, per hospital policy, but I am happy to say that yes, she is conscious, and someone will keep you posted as to her progress.”

Me. They’re talking about me. Nell Slattery. I roll my name around in my mind. Yes, it sort of feels like it fits. I try once again to remember the crash, of being ejected from a fireball, of being tugged by gravity down toward an inevitable death, but still, it is blank space, a void of nothingness.

I return to the screen.

“As you already know,” the reporter is saying, “Ms. Slattery’s story—and that of Mr. Carroll—has captivated the nation. That she has finally come to has bolstered spirits around the hospital and around the country.”

“I just can’t believe it! It’s like God has granted us a miracle!” a woman cries into the camera. “God bless that girl and Anderson Carroll! They’ve given us all a reason to believe again!”

“And that,” the reporter says, “is what is being said around the nation today. A day of hope, of thankfulness, and of possibility. Nell Slattery, found one week ago in a field in rural Iowa, after the devastating crash of Flight 1715 that left one hundred and fifty-two people dead, has regained consciousness. We’ll keep you posted from here. This is Jamie Reardon, happy with the miracle we got today, bringing you more news about it as it breaks.”

He nods as a sign-off to the newsroom, and I wish he wouldn’t, wouldn’t sign off. There is something comforting about his face, about the way he lays out the facts without sounding too factual, about the way he’s talking about the most crucial details of my life and somehow not terrifying me.

Jamie Reardon, Jamie, Jamie Reardon, why don’t you hear them? A melody weaves through me, a compilation of notes, a made-up song that somehow hums out of my lips. I feel the notes reverberate in my throat and almost laugh from the surprise.

The woman in the chair stirs and, on instinct, glances up at me before even wiping the sleep from her eyes.

“Nell!” She is by me in less than a breath, folding her breasts over me, and I recognize the hint of her honey-smelling soap. It’s a fog, a memory of a memory, intangible, ephemeral, but warming, calming, too. “I’m your mother,” she says, pulling back, her gold bangles jangling. She holds my cheeks in her hands, her palms soft against me, and then she mimics the melody I’d just created.

Our smiles echo each other’s.

“You did that as a child,” she says. “Made up songs about anything. Everything. Sometimes, you’d be generous enough to let me join in. Harmonize.”

“I’m sorry. I wish I could remember.” My smile falls and then my voice cracks, but she just says, “Shhhhh.

“Don’t cry, don’t apologize, sweetheart. You’re alive. You’re here. And I’m so thankful for that. Don’t waste another second being sorry.”

“That news? Is it true?” I nudge toward the TV.

“Oh, let’s not keep that on, dear. It’s only upsetting.”

“But is it? Is it true? All of those people killed?”

She sighs and intertwines our hands. “Yes. You were on a plane flying from New York to San Francisco. Two hours in, it crashed.” The blood drains from her face as she tells me this. “They don’t yet know why.” She waves a hand, the twinkling of her jewelry singing between our silences. “Let’s see if I can help remind you of anything. You work in an art gallery. You are thirty-two years old. You live in New York.” She pauses. “Does…does any of this bring anything back?”

I shake my head no.

“And Peter? Peter is my husband?” I scrunch my face, trying to imagine a world in which I pledged myself to him, that man. I can’t see it. More important, I can’t feel it. Really? I think. Him?

“Enough for tonight,” my mom says, pulling the sheet up to my chest, tucking me in tighter, like I’m a toddler. She leans over and kisses my forehead, humming that same tune, like it might calm me, be the balm to cure me. “Enough for now. Let’s put you back together, back to how you were. Then we’ll have time to answer all of these questions.”

Yes, I think. Let’s put me back together, back to how I was. Then, there will be time for everything else.

2

A nurse is adjusting one of the tubes in my arms when my eyes drift awake. Though my mother is gone, she hasn’t left me alone. The walls are now covered with photos, the nightstand stacked high with albums that must contain remnants of my past, reminders of who I was before I ended up upside down and broken in a cornfield in Iowa.

“Hello, Nell,” the nurse says. “How are you feeling?”

“Tired. Thirsty. With about a million questions.”

She smiles, nods, and holds the sippy cup in front of me.

“We sent your mother to the hotel to get some sleep. She’ll be back in a bit. She left you these at the doctor’s request. I’ll page him. He’ll be in shortly—he can answer some of those questions for you.” She places one of the albums in my lap.

She shuffles out of the room, and here I am, alone. Alone with myself, a stranger to my own life.

I turn the first page. Shiny, gleaming faces peer out at me. That man, my husband—Peter—and me, where? In an ocean the shade of blue glass. Him with snorkeling goggles on his forehead, me in a purple bikini and a nose on its way to a sunburn. I turn page after page. Each photo is much the same: a wash of faces that I don’t recognize, arms slung around shoulders, hands toting mugs full of beer or glasses of margaritas in bars or beaches or crisp-looking apartments, none of which mean anything to me now. The women are pretty in a common way, in dark jeans and inoffensive tank tops; the men haven’t starting losing their hair or putting on too much paunch around their bellies. All in all, this life that I suppose is mine looks solid, content, not a bad one to occupy, if I could just somehow remember it, know that it is mine. I exhale and try to focus on something else—that I am a walking miracle, that I was tossed from the sky, and that the mere fact that I am here—to question these faces, to wonder about this wholly rounded life in the first place—is as much of a blessing that I can ask for right now. I drop my head back a touch. Who was I? An art dealer. An envied, well-heeled woman-about-town who was admired and revered and who sat on charitable boards and who helped mentor inner-city kids who had a speckle of their own artistic talent. Yes, that sounds right. That sounds simply fabulous .

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