Hernán Díaz - In the Distance

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In the Distance: краткое содержание, описание и аннотация

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A young Swedish boy finds himself in penniless and alone in California. He travels East in search of his brother, moving on foot against the great push to the West. Driven back over and over again on his journey through vast expanses, Håkan meets naturalists, criminals, religious fanatics, Indians, and lawmen, and his exploits turn him into a legend. Díaz defies the conventions of historical fiction and genre (travel narratives, the bildungsroman, nature writing, the Western), offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.
At first, it was a contest, but in time the beasts understood that, with an embrace and the slightest push, they had to lie down on their side and stay until Håkan got up. He did this each time he thought he spied someone on the circular horizon. Had Håkan and his animals ever been spotted, the distant travelers would have taken the vanishing silhouettes for a mirage. But there were no such travelers—the moving shadows he saw almost every day in the distance were illusions. With the double intention of getting away from the trail and the cold, he had traveled south for days.

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4.

Summer came to an end. The ragged blankets they gave him were insufficient, but he was used to being cold. The landscape remained impervious to the freezing temperatures. Nothing changed. Looking through the window, Håkan imagined that it was cold only in his room and that if he were to stick his hand out, he would find it to be blazing hot, just like the day he arrived.

It was getting harder to get into his clothes. His feet dangled over the edge of the bed. Some of his guards started to look at him with apprehension.

Linus was all Håkan could think of. At times, he imagined him prospering in undefined yet extravagant ways; he pictured him working various indeterminate jobs, resolved to succeed spectacularly and rise to a prominent position, not out of ambition or greed but only to be easier to find when his young brother came looking for him. His triumph would be a beacon. Håkan would arrive in New York, and the name of Linus Söderström would be on everyone’s lips. Any stranger would be able to direct him to his door. At other times, Håkan’s fantasies were more restrained, and he saw his brother toiling and struggling, roaming the hostile streets of that gigantic city (which he still envisaged through Linus’s whimsical descriptions), and returning every single evening, after the work of the day was done, to the port to ask the newly arrived passengers and seamen for his brother. In either case, Håkan was convinced that Linus would not fail to find him.

The warm weather returned, and Håkan felt that he had gone back in time one year.

On the first truly hot morning of that new summer, shortly after sunrise, one of Håkan’s keepers came into his room to deliver a mauve suit he recognized from a few weeks ago, a pair of exaggeratedly buckled shoes he was often asked to wear, and a short top hat that was new to him. It was the first time they brought him clothes in the daytime. He was told to get dressed at once. Håkan was surprised to find himself smoothing out his shirt, pulling down his jacket by the lapels, brushing his sleeves, and tending to other small details in the exact same way in which the woman would go through his outfit after dressing him up. The guard, who had been waiting impatiently, took him down to the barroom and then out through the back door. Half a dozen armed men on horses clustered behind the dragoon and the tidy fat man. Right next to them, in the only patch of shade, stood the carriage, harnessed to its plumed and arrogant horses. He was shown into the cab. It was like diving into a vat of black syrup. The woman ignored him as he sat across from her. The door was shut; darkness took over. The coach set off in an unknown direction, rocking on its squeaking belts and springs, its velvet curtains bulging out and curving in like membranes.

It was nearly impossible to breathe in the overused, viscous air. Soaked in sweat under his velvet coat, Håkan shivered from the heat. Even in the complete blackness of the cabin, he could feel the woman actively not looking at him. He fell asleep.

Silence woke him. They had come to a stop. The door opened, and when his eyes adjusted to the razor-edged light, he saw he was being asked to step out. They had been traveling for at least half a day, but were he to judge from the landscape, they had not moved an inch—the same unbroken expanse of level ground, the same oppressive monotony. The coachman had dismounted to water the horses, which were foaming with heat. The rest of the men stood in line relieving themselves, except for the fat man, who leaned into the carriage, presumably offering the woman his services. Without ever sitting down, the men ate soda crackers and black pudding. The woman remained unseen. With their mouths still full, the riders got back on their horses, and the driver returned to his seat. Håkan got into the carriage, hoping they were headed east. Nothing else mattered to him.

It got cooler. The sun was probably setting. Suddenly, branches started rattling against the coach on either side. The unvarying steppe seemed to have come to an end. After a long, tortuous ride through uneven terrain, the coach finally stopped. Once again, Håkan was shown out. This time, the woman alighted after him, pulling down a black veil that covered her eyes and brushed her chin.

The pale evening sunshine came streaming through the conical summits of spruces and firs, was sifted by the feathery leaves of junipers and the white-green boughs of aspens, and lastly settled, like mist, on foxtails, moss, and lichen. These were the first plants Håkan had seen in a long time, aside from the ever-present sagebrush. In a clearing at the foot of a knoll stood a small village of six or seven houses that were, each in its own way, angular versions of the forest surrounding them—the sturdiest building was a log cabin; there were some flimsy shacks with clay mortar between timbers; others, like cubic rafts, combined coarse irregular planks with tarpaulin, joined with hemp rope. In the center of the hamlet, there was a heap of saplings and branches curled with dry leaves. It looked like a pile of dead twigs waiting to be burned, but it was propped up by pillars and planks. Underneath this shaggy shelter, a group of children, sitting on stumps, held their slates and books while staring at the newcomers. By the makeshift school, one woman had stopped churning butter, while another wiped her hands down on her apron, having just taken a Dutch oven off the fire, and yet a third, in the back, slowly and mechanically went on dyeing her yarn. All three women had their eyes fixed on the recently arrived group. Despite its precariousness, it was, as far as Håkan could see, a harmonious and prosperous colony. The hides neatly hung to dry around the small tannery, the patterns taking shape on the weaving loom, the smoke welling softly through the leaves from a clay stack, the healthy white pigs in their pen, the burlap sacks brimming with grain—everything spoke of the industriousness and purposeful orderliness of the settlers. The women and children conveyed a sense of calm decency. Håkan felt ashamed to be in his costume.

As usual, the fat man started to activate his inner mechanism (shirt bosom flattened, necktie straightened, hair swept, throat cleared), which resulted in a smile that could only emphasize the impatience it was supposed to conceal, and then proceeded with one of his pompous addresses. He had uttered only a few solemn words, which he seemed to pin into the air with his pinched thumb and forefinger, when the woman took a step forward and raised her palm without looking at him.

“Caleb,” she ordered through her barely open mouth, glaring at the colonists from behind her veil.

Håkan realized that he had not heard birds in an eternity. Now, in the tense expectation that followed the woman’s single word, the grove swelled with unknown songs.

The dyer stepped forward, drying her blue hands, and said that Caleb was not there.

“Well, I’ll call him,” the veiled woman responded, and then whispered something to the fat man, who, in turn, gave the dragoon a brief command.

The old soldier went behind the carriage and quickly reappeared with a wobbly leather sack. The lady pointed to the wood and tarp dwelling farthest from the school. The dragoon sauntered over to it, opened the bladder, poured its liquid all around the walls, lit a match, and threw it into one of the puddles he had just made. The air rippled, the ripples became blue waves, and the blue waves yellow flames. The women rushed to the children and removed them from the shrubby school building, which was now nothing but a pile of kindling the smallest spark from the neighboring fire would set alight. Following the veiled woman’s directions, the dragoon led the settlers and their children to the log cabin, safely removed from the fire, and placed two sentinels at its door. The burning house, in the meantime, had become a smooth fiery sphere that seemed to spin in place, the crest of the flames curling over to reignite themselves from underneath in an ever-intensifying circle. Håkan looked around for water, walking back and forth with desperate eyes. He found a tub with clothes soaking in it, and started dragging it toward the fire, but was soon apprehended by one of the men, who brought him back to the woman. She smiled, as if touched by Håkan’s despair and goodwill, and briefly caressed his cheek. The flames whistled in the air. Above the ball of fire, like a black mirror image of the blaze, spun a ball of smoke. A gust of wind turned the whistling into a roar and dissipated the smoke, which first coiled up and then was drawn out and twisted into ringlets, whirling in a succession of grim convolutions that finally dissolved in the darkening sky.

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