Hernán Díaz - In the Distance

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In the Distance: краткое содержание, описание и аннотация

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A young Swedish boy finds himself in penniless and alone in California. He travels East in search of his brother, moving on foot against the great push to the West. Driven back over and over again on his journey through vast expanses, Håkan meets naturalists, criminals, religious fanatics, Indians, and lawmen, and his exploits turn him into a legend. Díaz defies the conventions of historical fiction and genre (travel narratives, the bildungsroman, nature writing, the Western), offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.
At first, it was a contest, but in time the beasts understood that, with an embrace and the slightest push, they had to lie down on their side and stay until Håkan got up. He did this each time he thought he spied someone on the circular horizon. Had Håkan and his animals ever been spotted, the distant travelers would have taken the vanishing silhouettes for a mirage. But there were no such travelers—the moving shadows he saw almost every day in the distance were illusions. With the double intention of getting away from the trail and the cold, he had traveled south for days.

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A group of riders smudged by the conflagration came galloping down the hill. The leader wrenched at his bridle and, with a furious pull, stopped the horse next to the woman. Both animal and man were breathing hard. With his index finger, he told his friends to spread out. Then he looked down at the woman.

“You came,” she said with a smile, not unlike the one she had just given Håkan.

Caleb, who seemed to find each breath suffocating, curtly asked for the children. The woman nodded toward the log cabin. He dismounted and walked in short circles, his face disfigured by desperate thoughts, and then stopped to look at the woman with ireful eyes. Something like tenderness filtered through the woman’s veil. After screwing up his mouth and his brow, Caleb managed to calm down and, in a tone that demanded all his might to pass as sensible and reasonable, started to explain himself. The woman remained silent, still wearing a gentle smile that did not correspond to Caleb’s earnest plea, as if she were looking beyond him, into another time. With a supreme effort, Caleb changed his tone. In an attempt to match his cadence to her mien, he now seemed to be recalling pleasant memories or invoking a promising future. He even managed a smile himself. Then, out of nowhere, she produced a small ornate pocket pistol. Caleb stared at it with the expression of someone being shown a gigantic insect. He looked back up at the veil, and the woman shot him between the eyes. His head flung back, followed by the rest of his body.

From the log cabin came the screams of women and children. Caleb’s men were quickly rounded up and disarmed by the dragoon and his party. Håkan could not look away from the shot man’s face, already bleached by death. He was stunned by the suddenness with which the man had ceased to be. It had been like magic.

Next to Håkan, the veiled woman inhaled in short segments, as if able to take in only broken pieces of air. Her eyes were on the man she had destroyed. She took her trembling hand to her mouth, and soon her barely audible moans swelled into a wail, a long ululation interrupted only to breathe in those small, hacked-up portions of air that grief somehow managed to reconstitute within her so that they could then come out as a sustained utterance of despair. The children kept crying. The women kept screaming. They started to bang on the cabin door. After many unrelenting howls, the veiled woman’s bawls became as broken as her breathing, so that each brief inhalation was followed by an equally brief cry. Finally, as if she had made a sudden decision, she stopped. Still staring down at Caleb, the lady muttered a few words to one of her men, who, in turn, signaled to two of his companions. Together, they carried the body away. Lowering her head and burying the heels of her hands in her eye sockets, the woman regained command of herself and the situation. She stood erect, taller than before, and slowly rolled up the veil, fastened it to her hat, and opened her eyes, inset with glowing rage.

“You!” she roared, pointing at the fat man. “Come here.”

He approached and stood penitently a few steps away from her. They faced each other in silence. The men who had taken the body away were now piling up dry branches they had taken from the school’s roof. Unable to endure the silence, the fat man swept his hair, cleared his throat, and started talking. With his first word, however, the woman launched the most vicious assault Håkan had ever witnessed.

Gelatinous words of hate came spewing out of her rotten mouth. Every care she had ever shown in hiding her gums disappeared. In fact, the decayed black hole seemed to be displayed as the ultimate insult and threat, more intimidating than the rumbling, slobbering, malformed words that gushed out of it along with her dribble and spit. She still held her gun and used it to point repeatedly at the corpse and then at the fat man. The connection between both was the main argument of her diatribe. She appeared oblivious to the fact that her pointer was a gun, which made the weapon even more frightening—as if once she remembered its true nature she would be obliged to give it its true function. The women in the cabin had redoubled their screaming and were ramming the door with some massive object. The children kept crying. Taking a step forward and leaning over so that her face was inches away from the fat man’s, the woman covered him in insults and saliva. Håkan understood the last words, underlined by the gun pointing at the rotund waistcoated chest—“your fault.” She ground her black gums at him and hissed. Rather than from the woman, the hiss seemed to come from the pair of shiny slugs in her mouth.

Caleb’s body was placed on the disorderly pyre next to the ruins of the schoolhouse.

“Gently,” the woman commanded and rolled down her veil. With a nod, she ordered the sentries to make the women stop their pounding. The children kept crying. With another movement of her chin, she directed the dragoon to light the pyre. All the men, the invaders and their victims, took off their hats. The fire caught on quickly. The crackling branches yielded, and the body suddenly sank into the flames, emitting a smell of sinister roast.

After a moment of silence, the woman, back in full possession of her usual coldness, turned once more to the fat man and gave him a brief order. With quivering lips, he attempted a response but, before a word was uttered, decided it was best to comply. He took off his coat, waistcoat, bosom plate, and shirt. All eyes were on him. The evening was bleeding out—some stars shone in the darkening blue. His shoes came off, and after them, his trousers. The woman showed her impatience. Hesitantly, he removed his underpants, and stood there, blubbery and milky, with only socks and garters on. Someone laughed. A barely visible gesture of the woman, and his clothes were thrown into the embers of the burning house. Another brief nod, and all the women and children were set free. Their husbands ran to meet them, but one woman remained alone with her child. She looked around, confused, and then, seeing the pyre, fell to her knees and wept. The veiled lady examined her with interest. All the Clangston men got on their horses, except for the fat man, who was left standing among the homesteaders while the dragoon led his gray away. The fat man’s mouth bubbled with stuttering pleas. Håkan was told to follow the woman into the carriage. They drove away with the convoy. The abandoned man’s moans and sobs were soon inaudible.

The second night after their return, Håkan was summoned to the woman’s room. She was sitting at a small table and pointed to the chair across from her. Håkan sat down, taking notice of a leather tool wrap. As she sometimes was inclined to do, she ignored him in a careful, studied way, looking impatient, as if his presence—which she had requested—were delaying someone else’s arrival. Finally, after a long time, she untied the wrap and unrolled it on the table. It was divided into sections that contained scissors, tongs, flasks, clippers, small daggers, and other instruments Håkan did not recognize. The lady tapped her finger on the table. Håkan was confused. Irritated, she indicated that he was to place his hands on the table, which he did. She held down his left wrist against the table with a force that Håkan’s docility did not merit, took the largest clippers out of their compartment, and applied them to his fingernails. His hands had softened during his captivity, but his nails remained as rough and angular as ever—some grew until they broke, others he trimmed with his teeth or the knife he was given for his meals. Once she was done with the clipping, the woman moved on to filing, and then to cutting and pushing up the cuticles with a flat, sharp-edged tool, which made Håkan wince and instinctively withdraw his hand. The woman clasped his wrist tighter and stabbed his hand with the tool. She did not break the skin, but her firmness made it plain that she would drive the whole instrument through his hand and pin it to the table if he offered further resistance. After the procedure was completed, she retouched and buffed his nails. From one of the flasks, she poured a greasy rose-scented unguent and rubbed it into Håkan’s hands. Perhaps because the woman had never caressed his hands like that before, Håkan decided to speak to her for the very first time.

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